Robert Spano
Robert Spano (born 7 May 1961) is an American conductor and pianist. He is currently music director of the Fort Worth Symphony Orchestra, music director of the Aspen Music Festival and School, principal conductor of the Rhode Island Philharmonic Orchestra, and music director laureate of the Atlanta Symphony Orchestra (ASO).
Robert Spano
- Born
- Robert Spano was born on 7 May 1961. · Ashtabula County.
- Nationality
- United States
- Occupation
- conductor · pianist · music director · composer · musician
- Fields
- conducting · piano performance
- Education
- Curtis Institute of Music · Oberlin Conservatory of Music
- Teachers
- Max Rudolf
- Honours
- Ditson Conductor's Award
- Languages
- English
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Robert Spano (born 7 May 1961) is an American conductor and pianist. He is currently music director of the Fort Worth Symphony Orchestra, music director of the Aspen Music Festival and School, principal conductor of the Rhode Island Philharmonic Orchestra, and music director laureate of the Atlanta Symphony Orchestra (ASO).
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Authority files
wikidata · Q4430666 · wikipedia · Robert Spano
In this article
Early life
Early life
Spano worked across conductor, pianist, music director, composer and musician. This article rests on 100 catalogued compositions, 2 published texts, 27 issued recordings and 15 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
Robert Spano studied at Curtis Institute of Music and Oberlin Conservatory of Music. Training under Max Rudolf is recorded. Jeannette Sorrell is recorded as having studied under Robert Spano. The recorded working language is English. The field of work recorded is conducting and piano performance. Employment is recorded with Bowling Green State University and Oberlin College. Distinctions recorded are Ditson Conductor's Award.
Spano was born in Conneaut, Ohio, and grew up in a musical family in Elkhart, Indiana. His father, Tony Spano, was a flute-builder and instrument-repairman as well as a clarinetist. Spano began making music early, studying piano, flute and violin. By the age of 14, he conducted a composition of his own with the local orchestra. After graduating from Elkhart Central High School, he studied at the Oberlin Conservatory, where he earned a degree in piano performance, while also pursuing the violin and composition and studying conducting with Robert Baustian. After Oberlin, he studied at the Curtis Institute of Music in Philadelphia, where his mentors included Max Rudolf. In 1985, Spano left Curtis to take his first professional position, director of orchestral activities at Bowling Green State University. In 1989, he returned to Oberlin, now as a faculty member, leading the Opera Theater program. He has maintained at least an official affiliation with Oberlin ever since.
Early career
Early career
In 1990, Spano was named as an assistant conductor with the Boston Symphony Orchestra. After leaving this post in 1993, he has been a regular guest conductor with the Boston Symphony and a teacher at the Tanglewood Music Center in the summertime. At Tanglewood, he headed the conductor training program from 1998 to 2002, and directed the Festival of Contemporary Music in 2003 and 2004. He has made appearances on the Late Show with David Letterman. In 1995, Spano's first music directorship was announced, with the Brooklyn Philharmonic. He began his tenure in the fall of 1996. Over the next few years, despite multiple financial crises, Spano, the orchestra, and executive director Joseph Horowitz developed programs organized around intellectual, dramatic, or historical themes, with occasional incorporation of visual elements. In 2002, Spano announced his intention to step down from the Brooklyn post at the end of the 2003–2004 season, remaining as an advisor, and then principal guest conductor, until 2007.
Atlanta
Atlanta
In February 2000, the Atlanta Symphony Orchestra announced the appointment of Spano as its next music director, effective in 2001. The ASO has reported increased ticket sales and donations during Spano's tenure. Spano concluded his ASO music directorship at the close of the 2020–2021 season, and now has the title of music director laureate of the ASO. During his ASO tenure, Spano has developed working relationships with contemporary composers such as Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis, Michael Gandolfi, and Adam Schoenberg, under the rubric of the "Atlanta School of Composers". Spano and the ASO have regularly recorded for Telarc, and more recently for Deutsche Grammophon, including compositions from the "Atlanta School of Composers".
Additional work
Additional work
Alongside conducting, Spano remains active as a pianist, performing frequently as a chamber musician. He also continues to compose his own music, though only in his time off from his performing career. Spano's work in opera has included conducting Seattle in cycles of Wagner's Der Ring des Nibelungen, in 2005 and in 2009. He made his guest-conducting debut with the Metropolitan Opera in New York on 19 October 2018, with the United States premiere of Nico Muhly's opera Marnie. including the final performance on 10 November 2018, which was part of the Metropolitan Opera Live in HD series. In March 2019, the Fort Worth Symphony Orchestra (FWSO) announced the appointment of Spano as its new principal guest conductor, with immediate effect, with a contract through the 2022–2023 season, simultaneously with his debut as a guest conductor with the orchestra. In February 2021, the FWSO announced the appointment of Spano as its next music director, effective with the 2022–2023 season, with an initial contract of three years. His title changed from principal guest conductor to music director-designate of the FWSO on 1 April 2021. Spano first guest-conducted the Rhode Island Philharmonic Orchestra (RI Philharmonic) in September 2023. In January 2024, the RI Philharmonic announced the appointment of Spano as its principal conductor, with immediate effect. Spano first guest-conducted at Washington National Opera in 2021. In February 2024, Washington National Opera announced the appointment of Spano as its next music director, effective with the 2025–2026 season, with an initial contract of three seasons.
Interviews
Interviews
• Interview with Robert Spano, 26 October 1998 • 2005 Print Interview with Pierre Ruhe of the Atlanta Journal-Constitution. Spano discusses conducting Wagner's Ring Cycle. (also cited above) Accessed 24 March 2007
Life and work
Life and work
Robert Spano was born on 7 May 1961 in Ashtabula County. Spano held the nationality of United States. Spano was educated at Curtis Institute of Music and Oberlin Conservatory of Music. Spano studied under Max Rudolf. Spano worked as conductor, pianist, music director and composer, and the authority record catalogues a further 1 occupations under the same name, among them musician. Spano was employed by Bowling Green State University and Oberlin College. Spano played the piano. Spano worked in English.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Robert Spano was born in Ashtabula County.
Birthplace
Ashtabula County.
Birth place
Catalogued output
Compositions
The entries below are works composed by the subject, as the institutional registers catalogue them; later performances and commercial recordings of the same music are listed separately. 68 further compositions are catalogued under Spano's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. A selection is set out below and the complete run may be opened beneath it. 7 — 5 catalogued parts. 45 — 6 catalogued parts. Double Timpani Concerto "Dynasty" — 5 catalogued parts. Concerto for Orchestra — 5 catalogued parts. La bohème — 9 catalogued parts. Segunda Imagen: Federico — 3 catalogued parts. City Scape — 3 catalogued parts. Imaginary Numbers — 4 catalogued parts.
The entries follow MusicBrainz
La bohème: Atto IV. No
Fingevo di dormire” (Mimì, Rodolfo)
Ein deutsches Requiem, op
“Vecchia zimarra, senti” (Colline, Schaunard)
Primera Imagen: Mariana: Desde mi ventana (Aria a la estatua de Mariana) (Lorca, Estatuas, Margarita, Nuria)
La bohème: Atto I, no
“Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo)
Segunda Imagen: Federico: Quiero cantar entre las explosiones (Lorca, Margarita, Radio Falange)
Segunda Imagen: Federico: Balada (Niñas, Radio Falange)
La bohème: Atto II. No
“Chi guardi?” – “Odio il profano volgo al par d'Orazio” (Rodolfo, Colline, Mimì, Schaunard, Marcello, coro, Parpignol)
The complete catalogue · 58
The entries follow MusicBrainz
La bohème: Atto IV. No
Fingevo di dormire” (Mimì, Rodolfo)
Ein deutsches Requiem, op
“Vecchia zimarra, senti” (Colline, Schaunard)
Primera Imagen: Mariana: Desde mi ventana (Aria a la estatua de Mariana) (Lorca, Estatuas, Margarita, Nuria)
La bohème: Atto I, no
“Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo)
Segunda Imagen: Federico: Quiero cantar entre las explosiones (Lorca, Margarita, Radio Falange)
Segunda Imagen: Federico: Balada (Niñas, Radio Falange)
La bohème: Atto II. No
“Chi guardi?” – “Odio il profano volgo al par d'Orazio” (Rodolfo, Colline, Mimì, Schaunard, Marcello, coro, Parpignol)
Segunda Imagen: Federico: A la Habana (Lorca, Margarita)
La bohème: Atto II. Parpignol!” (fanciulli, fanciulle) … “Signorina Mimì” (Marcello, Mimì, Schaunard, Colline)
“Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline)
“C’è Mimì che mi segue” (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline)
“O Mimì, tu più non torni” (Rodolfo, Marcello)
“Che ora sia?” – “Eccoci – Ebben?” (Rodolfo, Marcello, Schaunard, Colline)
Adagio for Strings
Primera Imagen: Mariana: Bar Albor de Madrid (Lorca, Margarita)
Act I. Glitter and Be Gay
Tercera Imagen: Margarita: De mi fuente tu emerges (Lorca)
Segunda Imagen: Federico: Confesión (Tripaldi, Voces de los muertos y de los que van a morir, Lorca, Torero, Maestro)
Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello)
How Slow the Wind
La bohème: Atto I. “Abbasso, abbasso l'autor!” … “Legna! ─ Sigari! ─ Bordò!” (Rodolfo, Marcello, Colline, Schaunard)
Bachianas Brasileiras nº 5, W389: I. La bohème: Atto IV. “Che ha detto il medico?” (Rodolfo, Marcello, Musetta, Schaunard, Colline)
Tercera Imagen: Margarita: Balada (Niñas, Nuria, Margarita)
Tercera Imagen: Margarita: Tome su mano (Nuria, Niñas, Margarita, Lorca)
La bohème: Atto III. No
“Marcello, finalmente” (Rodolfo, Marcello, Mimì)
Primera Imagen: Mariana: Muerte a Caballo (Ruiz Alonso)
La bohème: Atto II. “Questa è Mimì” (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Coro)
La bohème: Atto III. “Sa dirmi, scusi, qual’è l’osteria” (Mimì, Sergente, Doganiere, Marcello)
“Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta)
Primera Imagen: Mariana: Mariana, tus ojos (Niñas, Margarita, Nuria). … of shadow and light …
Preludio de Agua y Caballo
Tercera Imagen: Margarita: Yo soy la libertad (Voz de Margarita, Niñas, Voces de la fuente)
Tercera Imagen: Margarita: Doy mi sangre (Margarita, Nuria, Lorca)
Floresta do Amazonas: Canção do Amor
Appalachian Spring Suite
La bohème: Atto IV. (Quadrille, Duel) “La danza con musica vocale!” (Schaunard, Colline, Marcello, Rodolfo)
Floresta do Amazonas: Melodia sentimental
Fantasia on a Theme by Thomas Tallis
“Beviam!… Ch’io beva del tossico!” (Mimì, Rodolfo, Marcello, Schaunard, Colline, Coro, Alcindoro, Musetta)
“Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo)
Rodolfo” (Schaunard, Colline, Marcello, Mimi). Blue cathedral
La bohème: Atto II. “Caro!” – “Fuori il danaro!” (Rodolfo, Colline, Schaunard, Coro, Marcello, Musetta)
Segunda Imagen: Federico: Quiero arrancarme los ojos (Margarita, Nuria)
“Al Quartiere Latino ci attende Momus” (Schaunard, Marcello, Rodolfo, Colline)
“Pensier profondo!” (Colline, Marcello, Rodolfo)
Tercera Imagen: Margarita: Crepúsculo delirante (Niñas)
Jeanie With the Light Brown Hair
“Denn wir haben hie keine bleibende Statt” (Chor, Bariton)
“Ohè là, le guardie!
Aprite!” (Spazzini [Coro], un doganiere)
Primera Imagen: Mariana: Balada (Niñas, Margarita)
Speravo di trovarti qui” (Marcello, Mimì)
Selected discography
Selected discography
All recordings feature Spano conducting the Atlanta Symphony Orchestra and its Chorus led by Norman Mackenzie (as appropriate). Additional featured soloists are noted. • Rimsky-Korsakov: Scheherazade, Op. 35; Russian Easter Overture Telarc CD #80568 (2001). Cecylia Arzewski, solo violin. • Product page / Audio samples. Retrieved 2007-03-25 • Vaughan Williams: A Sea Symphony (Symphony #1). Telarc CD #80588 (2002). Christine Goerke, soprano; Brett Polegato, baritone; ASO Chorus • Awards: Grammy Awards for Best Classical Album, Best Choral Performance, and Best Engineered Album, 2003. • Product page / Audio samples. Retrieved 25 March 2007 • Theofanidis: Rainbow Body; Barber: Symphony No.1, Op. 9; Copland: Suite from Appalachian Spring; Higdon: blue cathedral. Telarc CD #80596 (2003). • Product page / Audio samples. Retrieved 25 March 2007 • Higdon: City Scape; Concerto for Orchestra. Telarc CD #80620 (2004). • Product page / Audio samples. Retrieved 25 March 2007 • Berlioz: Requiem, Op. 5 (Grande Messe des Morts). Telarc CD #80627 SACD #60627 (2004). Frank Lopardo, tenor; ASO Chorus. • Awards: Grammy Award for Best Choral Performance, 2005. • Product page / Audio samples. Retrieved 25 March 2007 • Del Tredici: Paul Revere's Ride; Theofanidis: The Here and Now; Bernstein: "Lamentation" from Symphony No. 1 (Jeremiah). Telarc CD #80638 (2005). Hila Plitmann, soprano; Richard Clement, tenor; Brett Polegato, baritone; Nancy Maultsby, mezzo-soprano. • Awards: Gramophone Magazine "Editor's Choice" (December 2005). • Product page / Audio samples. Retrieved 25 March 2007 • Sibelius: Kullervo, Op. 7. Telarc CD #80665 (2006). Charlotte Hellekant, soprano; Nathan Gunn, baritone; Men of the ASO Chorus • Product page / Audio samples. Retrieved 25 March 2007 • Golijov: Ainadamar (Fountain of Tears) Deutsche Grammophon CD #477 616-5 (2006). Dawn Upshaw, soprano; Jessica Rivera, soprano; Kelley O'Connor, mezzo-soprano; Ladies of the Atlanta Symphony Orchestra Chorus • Awards: Grammy Awards for Best Opera Recording, Best Classical Contemporary Composition, 2006. • Product page / Audio samples. Retrieved 25 March 2007 • Tallis: Why Fum'th in Fight; Vaughan Williams: Symphony No. 5/Fantasia on a Theme by Thomas Tallis/Serenade to Music Telarc CD# 80676 (2007) Jessica Rivera, soprano; Kelley O'Connor, mezzo-soprano; Thomas Studebaker, tenor; Nmon Ford, baritone; ASO Chamber Chorus • Christopher Theofanidis: Symphony No. 1; Peter Lieberson: Neruda Songs; Atlanta Symphony Orchestra; Kelley O'Connor, mezzo-soprano; ASO Media (2011) CD 1002
Recordings and discography
Primary material
Recordings and discography
The discography assembled here shows how Spano's work has been published in sound, not what Spano made. 27 sound issues are catalogued, carrying dates from 2001 to 2023. An issue is a published recording, distinct from the composition it carries, from a printed score of that composition and from any single performance of it; none of the entries below is counted in the catalogue of compositions above, and several of them carry the same work in different readings. The 2000s are the densest decade of publication, with 14 issues. The performers and issuing labels are as the discographic register states them; where it names no performer the article names none.
Piano Concerto No
3 In D Major After Violin Concerto, Op
77
2010
Hölderlin-Lieder & Piano Sonata "Four Elements"
2017
The Oberlin Conservatory Symphony Orchestra at Carnegie Hall
2013
City Scape / Concerto for Orchestra
2004
The Garden of Cosmic Speculation
2008
Ainadamar
2006
Ein deutsches Requiem
2008
Paul Revere’s Ride - Theofanidis: The Here and Now - Bernstein: Lamentation from “Jeremiah”
2005
Poems by Walt Whitman
2002
Kullervo
2006
Transmigration
2009
Requiem
2004
3 - Symphonic Dances
2011
Duo Duel / Concerto for Orchestra
2023
3 in D major (after Brahms' Violin Concerto, op
3 / Morpheus
2018
The Singing Rooms
2010
6 & 7 / Tapiola
2013
Oceana
2007
On a Wire / Gandolfi: Q.E.D.: Engaging Richard Feynman
2011
Imaginary Numbers / Prior: … of shadow and light … / Oliverio: Dynasty
2020
1 / Lieberson: Neruda Songs
2011
5 / Fantasia on a Theme by Thomas Tallis / Serenade to Music
2007
La bohème
2008
Rainbow Body
2003
Primary material
Documents and archives
reference work
- “Robert Spano”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
institutional register
- Wikidata, structured authority record Q4430666: Robert Spano
General reference · Wikimedia Foundation
Awards and honours
Spano was recognized with the Seaver/National Endowment for the Arts Conductors Award in 1994. He has also received honorary degrees from Bowling Green State University and the Curtis Institute of Music, and his recordings have won several Grammy Awards (see below). He was awarded the Ditson Conductor's Award in 2008. Musical America named Spano as its Conductor of the Year in 2008.
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessinstitutional register
Wikidata, structured authority record Q4430666: Robert SpanoWikimedia Foundation
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Robert Spano studied at Curtis Institute of Music and Oberlin Conservatory of Music. He trained under Max Rudolf. Each of those relationships is stated by the authority record rather than inferred from style.
Robert Spano worked in conducting and piano performance. He was employed by Bowling Green State University and Oberlin College.
Career and activity
Spano, Robert, Oxford Music Online, 2014
Spano, Robert, Maestros in America, 2008
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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