Robert L. Surtees
Robert Lee Surtees, A.S.C. (August 9, 1906 – January 5, 1985) was an American cinematographer. He worked at various studios, including Universal, UFA, Warner Brothers, and MGM, lighting for notable directors Howard Hawks, Mike Nichols, and William Wyler, gaining him a reputation as one of the most versatile cinematographers of his time. He won three Academy Awards, out of 16 total nominations, for the films King Solomon's Mines (1950), The Bad and the Beautiful (1952), and Ben-Hur (1959).
Also recorded as Robert Surtees
Robert L. Surtees
- Name
- Robert Surtees
- Born
- 9 August 1906
- Birth Name
- Robert Lee Surtees
- Birthplace
- Covington, Kentucky, U.S.
- Died
- 5 January 1985
- Place of death
- Monterey, California, U.S.
- Occupation
- Cinematographer
- Spouse
- Maydell Lois James (m. 1930)
- Awards
- See below
- Nationality
- United States
- Education
- Withrow High School
- Honours
- Academy Award for Best Cinematography, Color · Academy Award for Best Cinematography and Black-and-White
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Robert Lee Surtees, A.S.C. (August 9, 1906 – January 5, 1985) was an American cinematographer. He worked at various studios, including Universal, UFA, Warner Brothers, and MGM, lighting for notable directors Howard Hawks, Mike Nichols, and William Wyler, gaining him a reputation as one of the most versatile cinematographers of his time. He won three Academy Awards, out of 16 total nominations, for the films King Solomon's Mines (1950), The Bad and the Beautiful (1952), and Ben-Hur (1959).
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In this article
Key facts
Key facts
• Name — Robert Surtees • Born — 9 August 1906 • Birth Name — Robert Lee Surtees • Birthplace — Covington, Kentucky, U.S. • Died — 5 January 1985 • Place of death — Monterey, California, U.S. • Occupation — Cinematographer • Years Active — 1931–1978 • Spouse — Maydell Lois James (m. 1930) • Children — 4, including Bruce Surtees • Awards — See below
Early life and education
Early life and education
Robert Lee Surtees was born in Covington, Kentucky, on August 9, 1906. He grew up in Ohio, graduating from Withrow High School in Cincinnati, where he initially worked as a photographer and retoucher at a portrait studio. Surtees then moved to New York City for a year to study photography, but always had a goal of becoming a cinematographer.
Career
Career
With an intention to attend college, Surtees moved to California in 1925. Roy C. Hunter at Universal offered him a job after some of his work was published in Towing Topics Automotive Club magazine. He assisted Harry Neumann, ASC, on a Hoot Gibson Western Hey, Hey Cowboy in 1925, Jerry Ash, ASC, on the Andy Gump comedies also in 1925, and Jackson Rose, ASC, on the Reginald Denny Leather Pushers series in 1926. The Man Who Laughs (1928), photographed by Gil Warrenton, ASC was Surtees' first high budget picture as an assistant. From 1928 to 1929 Surtees worked for Universal and UFA as an assistant to Charles Stumar in France, Germany, Switzerland, and Italy. Some sources say that he assisted Gregg Toland and Joseph Ruttenburg in the latter years of the 1920s before going abroad and this is what kick-started his career. In 1930 Surtees returned to California and assisted Hal Mohr, ASC, on King of Jazz. He went on to shoot 36 pictures with Mohr at Universal, Warner Brothers, Pathé and Fox Studios over a period of 6 years from 1930 to 1936. In 1935, Surtees applied to be a member of the ASC as a camera operator just after completing 13 weeks as an operator at Warner Brother's Studios on the film A Midsummer Night's Dream (1935). Surtees' first film as a director of photography was This Precious Freedom (1942), a propaganda film made for the US army, which was only released to the military. He shot a few more pictures with various directors such as Frank Buck and Ed Sutherland on Jacquerai in September 1942, and Les Goodwins on Ice Capades in October 1942. On October 20, 1942, Surtees submitted another application to ASC as a director of photography while employed at Freelance Independent Producers. Shortly after this Surtees landed a job at MGM where he began his long tenure and produced his most notable work beginning with Thirty Seconds Over Tokyo, shot alongside Harold Rosson, ASC and nominated for an Oscar in the category of Black and White Cinematography in 1944. Robert Surtees went on to film nearly 100 motion pictures in his 48-year career, including King Solomon's Mines (1950), The Bad and the Beautiful (1952), and Ben Hur (1959), which each won an Oscar. Not to mention his 13 other films that also received nomination for Best Cinematography, including The Graduate (1967), The Last Picture Show (1971), and The Sting (1973).
Personal life
Personal life
Robert Surtees married Maydell Lois James in 1930 before moving to California. The couple had two daughters (Linda, later Linda Lowers, and Nancy, later Nancy Corby), as well as two sons (Thomas and Bruce). Bruce was also a director of photography, working alongside his father on Lost Horizon (1973), as a 2nd unit camera operator.
Death
Death
Surtees died on January 5, 1985, following a long illness.
Places
Named by the record
Places
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Covington.
Birth place
Monterey.
Death place
Legacy
Surtees was a sought-after cinematographer because of his versatility -— "I have liked doing all kinds of pictures—musical, comedies, and action-adventure". He also gained a reputation for being a stickler for precise color control and proper exposure of the negative, arranging his lighting and camera angles so he could provide the lab with the best negative he could make. Surtees enjoyed experimenting with lighting, and always found ways to properly light a scene, even without all the necessary equipment; for instance, on King Solomon's Mines (1950), when generators could not be transported throughout the dense African jungle, Surtees lit the whole film with reflectors. He also played a role with regards to technological innovations, being one of the first to use a telephoto lens (500mm) in The Graduate (1967).
Awards and nominations
• Institution — Year — Category — Work — Result — Ref. Reference(s) • Academy Awards — 1945 — Best Cinematography, Black-and-White — Thirty Seconds Over Tokyo • 1951 — Best Cinematography, Color — King Solomon's Mines • 1952 — Quo Vadis • 1953 — The Bad and the Beautiful • 1956 — Oklahoma! • 1960 — Ben-Hur • 1963 — Mutiny on the Bounty • 1968 — Best Cinematography — Doctor Dolittle • The Graduate • 1972 — Summer of '42 • The Last Picture Show • 1974 — The Sting • 1976 — The Hindenburg • 1977 — A Star Is Born • 1978 — The Turning Point • 1979 — Same Time, Next Year • Golden Globe Awards — 1951 — Best Cinematography - Color — King Solomon's Mines • Locarno Film Festival — 1948 — Best Cinematography - Color — The Unfinished Dance • National Society of Film Critics — 1972 — Best Cinematography — The Last Picture Show • Summer of '42
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.ROBERT L. SURTEES. www.cinematographers.nl.
- 2.Robert Surtees. prod.tcm.com.
- 3."Robert Surtees Obituary." American Cinematographer (March 1985): 101. Print.
- 4."Robert Surtees." International Photographer V. 37 no.5 (May 1965): 14-15. Print
- 5."Robert Surtees: Same Time Next Year." American Cinematographer (May 1979): 468, 522-524. Print
- 6."Creators of the Dream Machine." American Cinematographer (August 1986): 34A. Print.
- 7.Obituary. The Washington Post. 1985-01-12.
- 8.Search Results - Academy Awards Search Academy of Motion Picture Arts & Sciences. awardsdatabase.oscars.org.
- 9.Robert L. Surtees. Golden Globes.
Bibliography printed in the source article · 4
- "On filming 'Quo Vadis'". Films in Review V. 19 no.2 (February 1968): 89. Print.
- "The Graduate's photography". Films in Review V.3 no.4 (April 1952) 184. Print.
- "Cinematographer with a 'Split Personality'". American Cinematographer (February 1968): 104–111. Print.
- "The Turning Point". American Cinematographer (May 1978): 466. Print.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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