Robert Hossein

Robert Hossein studied at Cours Simon. Training under Tania Balachova is recorded. The recorded working language is French and Russian. The field of work recorded is acting, directing and film direction. Places of work recorded in the authority are France. Residence is recorded at Vittel. Distinctions recorded are Commander of the Legion of Honour and Commander of the National Order of Merit.

Hossein started directing films in 1955 with Les Salauds vont en enfer, from a play by Frédéric Dard whose work he later adapted several times on screen. Right from the start Hossein established his characteristic trademarks: using a seemingly straightforward suspense plot and subverting its conventions (sometimes to the extent of a complete disregard of the traditional demand for a final twist or revelation) in order to concentrate on ritualistic relationships. This is the director's running preoccupation which is always stressed in his films by an extraordinary command of film space and often striking frame compositions where the geometry of human figures and set design is used to accentuate the psychological set-up of the scene. The mechanisms of guilt and the way it destroys relationships is another recurring theme, presumably influenced by Hossein's lifelong interest in the works of Dostoyevsky. In 1967, he was a member of the jury of the 5th Moscow International Film Festival. His 1982 film Les Misérables was entered into the 13th Moscow International Film Festival where it won a Special Prize. Although Hossein had some modest international successes with films like Toi, le venin and The Vampire of Düsseldorf, he was much singled out for scorching criticism by the critics and followers of the New Wave for the unashamedly melodramatic frameworks of his films. The fact that he was essentially an auteur director with a consistent set of themes and an extraordinary mastery of original and unusual approaches to staging his stories, was never appreciated. He was not averse to trying his hand at widely different genres and was never defeated, making the strikingly different Spaghetti Western Cemetery Without Crosses and the low-budgeted but daringly subversive period drama I Killed Rasputin. However, because of the lack of wider success and continuing adverse criticism, Hossein virtually ended his film directing career in 1970, having concentrated on theatre where his achievements were never questioned, and subsequently returning to film directing only twice. With two or three exceptions, his films remain commercially unavailable and very difficult to see.

Robert Hossein's grandfather was born in Iran. His father was André Hossein, a composer of Iranian Azerbaijani origin, and his mother was Anna Mincovschi (1904–1998), a Jewish comedy actress, born in Kiev, who moved to Paris with her family in 1920s from Soroca (Bessarabia). He was married three times: first to Marina Vlady (then Marina Poliakoff; on 23 December 1955, they had two sons, Pierre and Igor), later on 7 June 1962, to Caroline Eliacheff, daughter of Françoise Giroud (they had a son, Nicholas, who became rabbi Aaron Eliacheff). She was fifteen at the time and he was 34. In 1973, he dated for a short while Michèle Watrin, before she died the following year in a car accident. In 1976, he married actress Candice Patou, with whom he had a son.

In 1971, Hossein was baptized in the Roman Catholic Church. According to an article written by Emannuel Peze, Hossein experienced a conversion to Catholicism in 1971 during a visit to the Marian apparition at San Damiano in Lombard, Italy. In 2007, he presented a play entitled Do Not Be Afraid (N'ayez pas peur), about the life of Pope John Paul II. He had a special devotion to Saint Therese of Lisieux.

Hossein died of COVID-19 on 31 December 2020, one day after his 93rd birthday, during the COVID-19 pandemic in France.

France: Commander of the Légion d'honneur, 2005

Monaco: Commander of the Order of Cultural Merit (2006) Member of Eurasian Academy (2016).