Robert A. Stemmle

His 1959 film Die unvollkommene Ehe was entered into the 1st Moscow International Film Festival. He was born in Magdeburg, Germany, and died in Baden-Baden, West Germany.

• Name — Robert A. Stemmle • Born — 10 June 1903 • Birthplace — Magdeburg, German Empire • Died — 24 February 1974 • Place of death — Baden-Baden, West Germany • Occupation — Screenwriter, film director • Years Active — 1932–1970

• The Rebel, German-language version (dir. Luis Trenker, Curtis Bernhardt, 1932) • The Rebel, English-language version (dir. Luis Trenker, Curtis Bernhardt, Edwin H. Knopf, 1932) • The Invisible Front (dir. Richard Eichberg, 1932) • Ripening Youth (dir. Carl Froelich, 1933) • Happy Days in Aranjuez, German-language version (dir. Johannes Meyer, 1933) • Goodbye, Beautiful Days, French-language version (dir. Johannes Meyer, André Beucler, 1933) • Girls of Today (dir. Herbert Selpin, 1933) • The Lucky Diamond, Italian-language version (dir. Carl Boese, 1933) • The Flower Girl from the Grand Hotel, German-language version (dir. Carl Boese, 1934) • Mother and Child (dir. Hans Steinhoff, 1934) • Such a Rascal (dir. R. A. Stemmle, 1934) • Es tut sich was um Mitternacht (dir. R. A. Stemmle, 1934) • Charley's Aunt (dir. R. A. Stemmle, 1934) • Trouble with Jolanthe (dir. Carl Froelich, 1934) • Heinz in the Moon (dir. R. A. Stemmle, 1934) • Ein Kind, ein Hund, ein Vagabund (dir. Arthur Maria Rabenalt, 1934) • Glückspilze (dir. R. A. Stemmle, 1935) • Sergeant Schwenke (dir. Carl Froelich, 1935) • I Was Jack Mortimer (dir. Carl Froelich, 1935) • Victoria (dir. Carl Hoffmann, 1935) • Carnival in Flanders, French-language version (dir. Jacques Feyder, 1935) • Die klugen Frauen, German-language version (dir. Jacques Feyder, 1936) • The Dreamer (dir. Carl Froelich, 1936) • The Abduction of the Sabine Women (dir. R. A. Stemmle, 1936) • Desire (dir. Frank Borzage, 1936) — (remake of Happy Days in Aranjuez) • Lucky Kids, German-language version (dir. Paul Martin, 1936) • Les Gais Lurons, French-language version (dir. Paul Martin, Jacques Natanson, 1936) • Dangerous Crossing (dir. R. A. Stemmle, 1937) • The Man Who Was Sherlock Holmes (dir. Karl Hartl, 1937) • Daphne and the Diplomat (dir. R. A. Stemmle, 1937) • The Mystery of Betty Bonn (dir. R. A. Stemmle, 1938) • Kleiner Mann – ganz groß! (dir. R. A. Stemmle, 1938) • By a Silken Thread (dir. R. A. Stemmle, 1938) • Man for Man (dir. R. A. Stemmle, 1939) • Donauschiffer (dir. R. A. Stemmle, 1940) • Golowin geht durch die Stadt (dir. R. A. Stemmle, 1940) • Jungens (dir. R. A. Stemmle, 1941) • Quax the Crash Pilot (dir. Kurt Hoffmann, 1941) • The Big Game (dir. R. A. Stemmle, 1942) • Johann (dir. R. A. Stemmle, 1943) • Herr Sanders lebt gefährlich (dir. R. A. Stemmle, 1944) • Meine Herren Söhne (dir. R. A. Stemmle, 1945) • The Millionaire (dir. R. A. Stemmle, 1947) • Paths in Twilight (dir. Gustav Fröhlich, 1948) • Blum Affair (dir. Erich Engel, 1948) • The Berliner (dir. R. A. Stemmle, 1948) • The Cuckoos (dir. Hans Deppe, 1949) • The Beaver Coat (dir. Erich Engel, 1949) • The Orplid Mystery (dir. Helmut Käutner, 1950) • Abbiamo vinto! (dir. R. A. Stemmle, 1951) • The Sinful Border (dir. R. A. Stemmle, 1951) • Under the Thousand Lanterns (dir. Erich Engel, 1952) • Toxi (dir. R. A. Stemmle, 1952) • Homesick for You (dir. R. A. Stemmle, 1952) • Southern Nights (dir. R. A. Stemmle, 1953) • The Perfect Couple (dir. R. A. Stemmle, 1954) • Das Licht der Liebe (dir. R. A. Stemmle, 1954) • Emil and the Detectives (dir. R. A. Stemmle, 1954) • A Heart Full of Music (dir. R. A. Stemmle, 1955) • You Can No Longer Remain Silent (dir. R. A. Stemmle, 1955) • Die Försterbuben (dir. R. A. Stemmle, 1955) • Die ganze Welt singt nur Amore (dir. R. A. Stemmle, 1956) • Uns gefällt die Welt (dir. R. A. Stemmle, 1956) • … und die Liebe lacht dazu (dir. R. A. Stemmle, 1957) • Es wird alles wieder gut (dir. Géza von Bolváry, 1957) • Und abends in die Scala (dir. Erik Ode, 1958) • Confess, Doctor Corda (dir. Josef von Báky, 1958) • Majestät auf Abwegen (dir. R. A. Stemmle, 1958) • Die unvollkommene Ehe (dir. R. A. Stemmle, 1959) • Jons und Erdme (dir. Victor Vicas, 1959) • The High Life (dir. Julien Duvivier, 1960) • My Schoolfriend (dir. Robert Siodmak, 1960) • The Last Witness (dir. Wolfgang Staudte, 1960) • The Strange Countess (dir. Josef von Báky, 1961) • Blum Affair (dir. R. A. Stemmle, 1962, TV film) • Jeder stirbt für sich allein (dir. Falk Harnack, 1962, TV film) • Das Testament des Dr. Mabuse (dir. Werner Klingler, 1962) • Almost Angels (dir. Steve Previn, 1962) • Der Fall Rohrbach (dir. R. A. Stemmle, 1963, TV miniseries) • The Hangman of London (1963) (dir. Edwin Zbonek, 1963) • The Curse of the Hidden Vault (dir. Franz Josef Gottlieb, 1964) • Old Shatterhand (dir. Hugo Fregonese, 1964) • The Monster of London City (dir. Edwin Zbonek, 1964) • Der Fall Jakubowski – Rekonstruktion eines Justizirrtums (dir. R. A. Stemmle, 1964, TV film) • The Treasure of the Aztecs (dir. Robert Siodmak, 1965) • The Pyramid of the Sun God (dir. Robert Siodmak, 1965) • Kubinke (dir. R. A. Stemmle, 1966, TV film) • Der Fall Kaspar Hauser (dir. R. A. Stemmle, 1966, TV miniseries) • Rasputin (1966 film) (dir. R. A. Stemmle, 1966, TV film) • Der Zündholzkönig – Der Fall Ivar Kreuger (dir. R. A. Stemmle, 1967, TV film) • Der rasende Reporter – Egon Erwin Kisch (dir. R. A. Stemmle, 1967, TV film) • Anastasia (1967 film) (dir. R. A. Stemmle, 1967, TV film) • Postlagernd Opernball – Die Affäre Redl (dir. R. A. Stemmle, 1967, TV film) • Frühling in Baden-Baden (dir. R. A. Stemmle, 1967, TV film) • Anna Böckler (dir. R. A. Stemmle, 1968, TV film) • Neu-Böseckendorf (dir. R. A. Stemmle, 1969, TV film) • Recht oder Unrecht (1970–1971, TV series) • Brautwerbung (dir. R. A. Stemmle, 1971, TV film) • Unter Ausschluß der Öffentlichkeit (TV series) (1974, TV series)