reredos
A reredos is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. • Illustration — Reredos depicting the Immaculate Conception. Portuguese, 17th century.
reredos

Hans A. Rosbach · Hans A. Rosbach/CC-BY-SA 3.0 · CC BY-SA 3.0
- Field
- church element · fixed construction · visual artwork · Catholic liturgical object · screen · altarpiece
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wikidata · Q46686 · wikipedia · Reredos
In this article
Derivation and history of the term
Derivation and history of the term
Reredos is derived through Middle English from the 14th-century Anglo-Norman areredos, which in turn is fromarere 'behind' +dos 'back', from Latin la. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th centuries the term referred generally to an open hearth of a fireplace or to a screen placed behind a table, then became nearly obsolete until it was revived in the 19th century.
Reredos vs. retable
Reredos vs. retable
The term reredos is sometimes confused with the term retable. While a reredos generally forms or covers the wall behind an altar, a retable is placed either on the altar or immediately behind and attached to the altar. "Many altars have both a reredos and a retable." But this distinction may not always be observed. The retable may have become part of the reredos when an altar was moved away from the wall. For altars that are against the wall, the retable often sits on top of the altar, at the back, particularly when there is no reredos (in which case a dossal curtain or something similar is used instead of a reredos). The retable may hold flowers and candlesticks. In French (and sometimes in English by confusing the terms), a reredos is called a fr; in Spanish a es, etc.
Gallery
Gallery
• Illustration — New College, Oxford Chapel reredos, UK. • Illustration — Reredos of Seville Cathedral, one of the largest in the world • Illustration — Altar of The Basilica of Our Lady of the Pillar in Zaragoza • Illustration — Iglesia de Nuestra Señora de la Asunción, Tarancón • Illustration — Holy Trinity Church, West Bromwich, war memorial for World War I • Illustration — The "Grand Retablo", Mission Basilica San Juan Capistrano • Illustration — Cathedral Basilica of St. Francis, Santa Fe, New Mexico • Illustration — Main altar "retablo" of the Basilica Minore del Sto. Niño in Cebu City, Philippines • Illustration — Plain altarpiece painting • Illustration — Modern Lalique glass reredos, Saint Matthew's Church ("the Glass Church"), Millbrook, Jersey • Illustration — Grace Church in New York Reredos, Grace Church (Manhattan) • Illustration — Altarpiece and lateral reredos in the Church of Santa Rosa de Lima in Morelia, Mexico, built in the late 18th century • Illustration — Despenser reredos at Norwich Cathedral, UK

Altar piece withe the Immaculate Conception. Unknown Portuguese master, 17th century. Museu Diocesano de Santarém, Portugal
Alvesgaspar
Description
Santarém, Portugal The term reredos may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth.
A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used.
Primary material
Documents and archives
reference work
- “Reredos”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q46686: reredos
General reference · Wikidata
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Reredos, revision 1355424840 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Reredos", Baca, Murtha, and Visual Resources Association, Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images, 2006, American Library Association, , 9780838935644
- 2.Bradshaw, Paul F. New SCM Dictionary of Liturgy and Worship. Hymns Ancient and Modern Ltd. 24 April 2013. 978-0-334-04932-6.
- 3.J. Paul Getty Trust. Art & Architecture Thesaurus Full Record Display (Getty Research). www.getty.edu.
- 4.TEMPLO DE SANTA ROSA DE LIMA (TEMPLO DE LAS ROSAS). michoacan.travel.
- 5.Beckwith, Sarah. Christ's Body: Identity, Culture and Society in Late Medieval Writings. Routledge. 22. 1996. 978-0415144261.
References
Citations
References
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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- retableTerminology
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