Raffi

Ara Baliozian described him as Armenia's "greatest novelist of the 19th century."

• Name — Raffi Րաֆֆի • Born — 1835 • Died — 25 April 1888 • Occupation — writer, poet, novelist, essayist • Birthplace — Payajuk, Qajar Iran • Place of death — Tiflis, Russian Empire (present-day Tbilisi, Georgia) • Spouse — Anna Hormouz • Birth Name — Hakob Melik–Hakobyan

• Illustration — Chonkadze Str. 3 in Tbilisi, where Raffi lived from 1880 to 1888 Raffi was born in 1835 in the village of Payajuk in the district of Salmas in northwestern Iran. He was the eldest son of thirteen children in a family of hereditary Armenian gentry (meliks). His father, Melik Mirza, was a wealthy merchant. He began his education at a local school run by a priest, Father Teodik, whom he would later depict in his novel Kaytser ("Sparks"). At the age of 12, his father sent him to Tiflis (Tbilisi), at that time a major center of Armenian intellectual life, to continue his secondary education at a boarding school run by Armenian teacher Karapet Belakhyants. In 1852, he enrolled in the Russian state gymnasium in Tiflis. During his four years of study there, Raffi was introduced to Russian and other European authors that would influence him, such as Schiller and Victor Hugo, whose works he read through Russian publications and Armenian translations by the Mekhitarists. Raffi was unable to continue his education due to his family's financial difficulties and left the gymnasium without graduating. He returned to his native village in 1856 to help with the family business. In 1857–58, he traveled extensively throughout the Armenian-populated provinces of Iran and the Ottoman Empire, collecting information about the conditions of life in Armenian villages, the geography of the region, and the historical memory of the population. He journeyed to Taron, Van, Aghtamar, and Varagavank, where he met the future Catholicos of All Armenians Mkrtich Khrimian. During his travels, Raffi saw firsthand the oppression of the Armenian peasants and the corruption of their leaders. The information and impressions that Raffi received during his travels later served as material for his literary works. Raffi began his writing career in 1860, publishing his first work in the newspaper Hyusisap’ayl ("Aurora Borealis"). Raffi married Anna Hormouz, an Assyrian woman, in 1863 and moved to Tiflis in 1868. Around this time, Raffi was forced to take control of the failing family business, but was unable to save it from bankruptcy. Raffi was frequently in a dire financial situation and wrote constantly to support his wife and two children, as well as his mother and many sisters. Raffi's situation somewhat improved after 1872, when he was invited by Grigor Artsruni to join the staff of the newspaper Mshak ("Tiller"), where his novels were first serialized. He soon became the most popular and active writer for Mshak, gaining widespread recognition for his fresh ideas, his addressal of the pressing issues of contemporary Armenian life, his refined language and his vivid style. Besides his works of fiction, Raffi also wrote travelogues and articles. It was at this time that he began using the pen name Raffi, from the Arabic name. Raffi also worked for a few years as a teacher at Armenian schools in Tabriz (1875–77) and Agulis (1877–79), but was unable to continue in this role due to opposition from conservatives to his novel Harem, where he criticized traditional eastern society. Raffi returned to Tiflis, where he remained for the rest of his life and wrote full-time. In 1884, he fell out with Grigor Artsruni and began writing for the weekly Ardzagank’ ("Echo") instead. Raffi died on 25 April 1888 in Tiflis. His funeral procession was attended by thousands of people. He was buried in the cemetery of the Holy Mother of God Armenian Church, now the Khojivank Pantheon of Tbilisi, where Hovhannes Tumanyan, Gabriel Sundukian, Ghazaros Aghayan and Grigor Artsruni are also buried. Raffi's widow Anna and two sons, Aram and Arshak, later emigrated to London.

• Illustration — Tombstone of Raffi at the Armenian Pantheon of Tbilisi Raffi was a romantic nationalist who regarded patriotism and defense of the homeland to be the duties of every individual. His works emphasize the concept of national unity and seek to enlighten people and fill them with patriotic feeling. Like his predecessor Khachatur Abovian, Raffi desired the unity of the Armenians of Iran, Russia and the Ottoman Empire in a struggle against foreign domination. He never openly called for armed revolution, but he promoted armed self-defense "as the most dignified and legitimate human right." Raffi viewed a person's behavior and character as the product of their environment and conditions of life. He saw education and enlightenment as the most important tools for progress and the reformation of society. In a dream seen by the protagonist of his novel The Fool, he envisions a future Armenia as a united, peaceful, independent country with a representative government and socialization of key industries, where the Armenians' neighbors, the Kurds, have been "civilized and assimilated." Raffi disapproved of all religions and saw Christianity in particular as a "passive" religion that had left the Armenian nation weak and defenseless. Through one of the characters of his novella Jalaleddin, he lamented that Armenians had used their resources on monasteries and churches instead of fortresses and weapons. He was extremely critical of the clergy, whom he represents as obscurantist and parasitical in his works. He was also critical of those who stoked inter-confessional divisions between Apostolic and Catholic Armenians. He advocated for a secular conception of Armenian nationhood on the basis of language and common descent rather than religion.

• Salbi (Սալբի, written 1855–1874, published posthumously 1911) • Harem (Հարեմ, first part published in 1874, second part published posthumously in 1891); English translation: Harem (2020) • Jalaleddin (Ջալալէդդին, serialized 1878, separate publication 1884); English translations: Jelaleddin (1906), Jalaleddin (2006), Jalaleddin: A Portrayal of His Incursion (2019) • Khent’ë (Խենթը, serialized 1880, separate publication 1881); English translations: The Fool (1950, 2000, 2020) • Davit Bek (Դաւիթ Բէկ, serialized 1880–81, separate publication in 1882) • Khamsayi melikut’yunner (Խամսայի մելիքութիւններ (The Khamsa Melikdoms), 1882); English translation: The Five Melikdoms of Karabagh (2010) – a non-fiction work about the history of the Melikdoms of Karabakh • Voski ak’aghagh (Ոսկի աքաղաղ, serialized 1879, separate publication 1882); English translations: The Golden Rooster (1908–09, 2008) • Khach’agoghi hishatakaranë (Խաչագողի յիշատակարանը (The Diary of a Cross-Stealer), 1883–84) • Kaytser (Կայծեր, (Sparks), 2 vols., 1883–1887); English translation: Fire-Sparks (1893–94) • Samvel (Սամուէլ, serialized 1886–87, separate publication 1888); English translation: Samuel (1948–1951)

Raffi was recorded at birth as Յակոբ Մելիք-Յակոբեան. He also worked under the name Րաֆֆի. The authorities additionally record the headings Hakob Melik Hakobian, Akop Melik-Akopyan and Hakob Hakobian. His recorded language was Armenian. He married Anna Hormouz.