Rachel Félix

Rachel Félix was born as Elisa-Rachel Félix on 28 February 1821, in room 13 of the Hotel Sonne in Mumpf, Fricktal, Aargau, to a family of Swiss Jewish background. Her father, Jacob Jacques Félix, was a peddler, and her mother, Esther Thérèse Hayer, was a Bohemian dealer in second-hand clothes. She had four sisters (Sophie-Sarah, Rébecca, Mélanie-Dinah, and Adélaïde "Lia") and one brother, Raphaël. As a child, Félix earned money singing and reciting in the streets. She arrived in Paris in 1830 intending to become an actress. She took elocution and singing lessons, eventually studying under the instruction of the musician Alexandre-Étienne Choron and Saint-Aulaire. She took dramatic arts classes and debuted in La Vendéenne in January 1837, at the Théâtre du Gymnase. Delestre-Poirson, the director, gave her the stage name Rachel, which she chose to retain in her private life as well. Rachel was described as a very serious and committed student. She was admired for her intelligence, work ethic, diction, and ability to act. Auditioning in March 1838, she starred in Pierre Corneille's Horace at the Théâtre-Français at the age of 17. During this time, she began a liaison with Louis Véron, the former director of the Paris Opera, which became the subject of much gossip. During this time, from 1838 to 1842, she lived in a third-floor apartment in Paris's Galerie Véro-Dodat. Her fame spread throughout Europe after success in London in 1841, and she was often associated with the works of Racine, Voltaire, and Corneille. She toured Brussels, Berlin, and St. Petersburg. Although French classical tragedy was no longer popular at the time Rachel entered the stage of the Comédie-Française, she remained true to her classical roots, arousing in audiences a craving for the tragic style of writers like Corneille, Racine and Molière. She created the title role in Eugène Scribe's Adrienne Lecouvreur. Her acting style was characterized by clear diction and economy of gesture; she evoked a high demand for classical tragedy to remain on the stage. This represented a major change from the exaggerated style of those days, as society was beginning to demand the highly emotional, realistic, instinctual acting styles of the Romantics. Félix completely rejected the Romantic Drama movement happening in nineteenth-century France. She was best known for her portrayal of the title role in Phèdre.

Félix's health declined after a long tour of Russia. Her efforts to remain successful and the constant flux of her relationships had weakened her. She had shown symptoms of tuberculosis as early as 1841, and died early in 1858 of the disease, aged 36, in Le Cannet, Alpes-Maritimes, France. She is interred at Père-Lachaise cemetery in Paris.

1837: La Vendéenne by Paul Duport (Théâtre du Gymnase, 24 April) Le Mariage de raison by Scribe et Varner (Théâtre du Gymnase, 12 June) At the Théâtre Français: 1838: Camille in Horace by Corneille (12 June to 11 September) Émilie in Cinna by Corneille (27 September) Hermione in Andromaque by Racine (4 September) Aménaïde in Tancrède by Voltaire Ériphile in Iphigénie en Aulide by Racine Monime in Mithridate by Racine Roxane in Bajazet by Racine (23 November) 1839: Esther in Esther by Racine (29 February) Laodice in Nicomède by Corneille (9 April) Dorine in Tartuffe by Molière (30 April) 1840: Pauline in Polyeucte Martyr by Corneille (15 May) First tour in France during the summer (Rouen, Le Havre, Lyon) The title role of Marie Stuart by Lebrun (22 December) 1841: Toured in Belgium and England (summer) 1842: Chimène in Le Cid by Corneille (19 January) The title role of Ariane by Thomas Corneille (7 May) Toured in England and Belgium (summer) Frédégonde in Frédégonde et Brunehaut by Lemercier (5 November) 1843: The title role of Phèdre by Racine (21 January) The title role of Judith by Girardin (24 January) Toured in Rouen, Marseille and Lyon (summer) 1844: The title role of Bérénice by Racine (6 January) Isabelle in Don Sanche d'Aragon by Corneille (17 January) The title role of Catherine II by Romand (25 May) Marinette in Le Dépit amoureux by Molière (1 July) Toured in Belgium (summer) Birth of her son Alexandre in Marly-le-Roi (3 November) 1845: Virginie in Brest (3 July) Polyeucte in Nancy (25 August) 1846: Toured in the Netherlands, in Liège and in Lille (June) Toured in London (July–August) 1847: La Muse sérieuse in L'Ombre by Molière (15 January) Fatine in Le Vieux by La Montagne (6 February) The title role of Athalie by Racine (5 March) Toured in London, in the Netherlands, and at Liège (May–June) 1848: Birth of her second son, Gabriel, at Neuilly-sur-Seine (26 January) Horace (13 March) Toured in Amsterdam (June–October) Britannicus by Racine (October) 1849: Andromaque (January) The title role of Le Moineau de Lesbie by Armand Barthet (22 March) The title role of Adrienne Lecouvreur (14 April) Toured in west and southwest France (29 May – 31 August) 1850: The title role of Mademoiselle de Belle-Isle by Alexandre Dumas, père(25 January) Thisbé in Angelo by Victor Hugo (18 May) Lydie in Horace et Lydie by François Ponsard (19 June) Toured in London, Hamburg, Berlin, Potsdam, Bremen, Vienna and Munich (July–October) 1851: Toured 1853: Toured 1854: Toured in Warsaw, Saint Petersburg and Moscow (January–April) 1855: Toured in New York and in the United States (September–December) The troupe separated in Cuba in December