Pompeo Coppini
Pompeo Luigi Coppini (19 May 1870 – 26 September 1957) was an Italian-American sculptor. Although his works can be found in Italy, Mexico and a number of U.S. states, the majority of his work can be found in Texas. He is particularly famous for the Alamo Plaza work, Spirit of Sacrifice, a.k.a.
Also recorded as Coppini · Pompeo Luigi Coppini
Pompeo Coppini

Bain News Service, publisher · Library of Congress Catalog: https: Image download: https: Original url · Public domain
- Name
- Pompeo Coppini
- Birth Name
- Pompeo Luigo Coppini
- Born
- 19 May 1870
- Birthplace
- Moglia, Lombardy, Kingdom of Italy
- Died
- 26 September 1957
- Place of death
- San Antonio, Texas, U.S.
- Training
- Accademia dell'Arte del Disegno Augusto Rivalta
- Known for
- Sculpture
- Spouse
- Elizabeth di Barbieri
- Nationality
- Italy · United States · Kingdom of Italy
- Occupation
- sculptor
- Fields
- art of sculpture
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Documentary summary
Pompeo Luigi Coppini (19 May 1870 – 26 September 1957) was an Italian-American sculptor. Although his works can be found in Italy, Mexico and a number of U.S. states, the majority of his work can be found in Texas. He is particularly famous for the Alamo Plaza work, Spirit of Sacrifice, a.k.a.
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wikidata · Q3907867 · wikipedia · Pompeo Coppini
In this article
Biography
Biography
The Alamo Cenotaph, as well as numerous statues honoring Texan figures, such as Lawrence Sullivan Ross, the fourth President of Texas A&M University.

The statue of Jefferson Davis by Pompeo Coppini (1933) that was installed on the south mall of the University of Texas at Austin from 1933 to 2015. Due to the controversial nature of the subject of the statue, it was relocated to the Dolph Briscoe Center for American History in Austin, Texas, United States.
Pompeo Coppini · Larry D. Moore

Pompeo Luigi Coppini (May 19, 1870-September 26, 1957) was a sculptor, born in Moglia, Mantua, Italy, on May 19, 1870, the son of Giovanni and Leandra (Raffa) Coppini. He grew up in Florence where he was a student at the Accademia dell' Arte del Disegno and there studied under Augusto Rivalta. Many of his works are in Austin, Texas, displayed on the grounds of the Texas State Capitol and on the ca
DCPL Commons · originally posted to Flickr as Portrait of Pompeo Coppini
Key facts
Key facts
• Name — Pompeo Coppini • Birth Name — Pompeo Luigo Coppini • Born — 19 May 1870 • Birthplace — Moglia, Lombardy, Kingdom of Italy • Died — 26 September 1957 • Place of death — San Antonio, Texas, U.S. • Citizenship — * Italy • United States (from 1902) • Training — Accademia dell'Arte del Disegno Augusto Rivalta • Known for — Sculpture • Notable Works — Partial listing - Sculptures, except where noted • The King Humbert Tablet, Royal Museum, Monza • Mexico City • Bust of President Porfirio Diaz • George Washington Monument • 1911 John Hunt Morgan Memorial, Lexington • 1925 John Ball and Children, Grand Rapids • Neptune Fountain, Orphan Asylum, Kearny • 1900 William McKinley • 1930 Spirit of the Rotary • 1931 150th Anniversary Masonic Grand Lodge Plaque, Utica • 1934 Bust of Dr. John Robert Gregg • 1935 Woodrow Wilson • 1933 Memorial to Benjamin Franklin, John Adams and Edward Rutledge, Staten Island, New York • 1941 George B. Cortelyou • Spouse — Elizabeth di Barbieri • Children — Waldine Tauch (foster daughter) • Website — Coppini Academy
Early years
Early years
Coppini was born in Moglia, Province of Mantua, Italy, the son of musician Giovanni Coppini and his wife, Leandra (Raffa) Coppini. The family moved to Florence where at the age of ten, Pompeo was hired to make ceramic whistles shaped like horses. From there, he worked for a sculptor who made tourist knock-offs of great works of art. At age sixteen, he studied at Accademia dell'Arte del Disegno under Augusto Rivalta. Upon earning a degree, Coppini opened a short-lived studio making gratis busts of local celebrities. While working for a cemetery monument sculptor, Coppini tried to become co-owner of the business by courting the owner's daughter. The girl's mother balked, and the resulting situation got Coppini denounced from a local priest's pulpit.
United States
United States
Coppini emigrated to the United States in March 1896 with nothing but a trunk of clothes and $40 to his name. He got a job in New York sculpting figures for a wax museum. Elizabeth di Barbieri of New Haven, Connecticut arrived, accompanied by a chaperone, to model for Coppini's memorial to Francis Scott Key. He fell in love and married his model. Coppini became a United States citizen in 1902. While he managed to find work in New York, Coppini was frustrated the fame and greatness escaped him. He moved to Texas in 1901, to join with German-born sculptor Frank Teich. He was then commissioned to do the figures for the Confederate monument for the state capitol grounds. For the next fifteen years, he lived and worked in San Antonio. After spending a short time in Chicago, Illinois, he then spent three years in New York City overseeing the Littlefield commission for the University of Texas at Austin. He collaborated with architect Paul Cret on the Littlefield Memorial Fountain, and sculpted six statues for the campus. • Illustration — George Washington (1955), University of Texas at Austin By 1910, Coppini was assisted by sculptor Waldine Tauch, who had been born in Schulenburg, Texas. Tauch became more-or-less his adopted daughter, student and protégée, and he, after extracting a promise from her that she would never marry, molded her into a devotee of classical sculpture. She collaborated with Coppini until his death. The William P. Rogers chapter of the United Daughters of the Confederacy raised $5,000 in 1911 and commissioned Coppini to design and erect the 1912 Confederate soldier memorial statue named Last Stand, a.k.a. Firing Line, in De Leon Plaza, Hiring Otto Zirkel of near the San Antonio studio to build the stone portion of the monument. He sculpted three distinct statues of George Washington. The first, commissioned by Americans living in Mexico to commemorate the 1910 centennial of Mexican Independence, was installed in 1912 in the Plaza Dinamarca (renamed Plaza Washington) of the Colonia Juárez section of Mexico City. The Mexican Civil War was just beginning. Two years later, in reaction to the April 1914 United States invasion of Veracruz, the statue was toppled from its pedestal and dragged through the streets. The second statue was created to commemorate the 1926 sesquicentennial of the Declaration of Independence. It was installed in 1927 in Portland, Oregon. The third statue was commissioned by the Texas Society, Daughters of the American Revolution to commemorate the 1932 bicentennial of Washington's birth. Fund-raising problems delayed the project for years, and it was installed in February 1955 on the campus of the University of Texas at Austin. In 1931, Italy decorated Coppini with the Commendatore of the Order of the Crown of Italy for his contribution to art in America. The Texas Centennial Committee awarded Coppini the 1934 commission to design the Texas Centennial half dollar. In 1937, Coppini opened his San Antonio studio on Melrose Place, in order to work on what would become the Spirit of Sacrifice (a.k.a. The Cenotaph) at Alamo Plaza. Baylor University awarded Coppini an honorary doctor of fine arts degree in 1941. From 1943 to 1945 he was head of the art department of Trinity University in San Antonio. In 1945 he and Tauch co-founded the Classic Arts Fraternity in San Antonio (renamed Coppini Academy of Fine Arts in 1950). Many of his works are in Austin, Texas, displayed on the grounds of the Texas State Capitol and on the campus of The University of Texas. Coppini's statue of Lawrence Sullivan Ross, Texas Governor and third president of Texas A&M University is considered one of the most revered works on the A&M campus in College Station and students often place coins at the statue's feet for good luck on exams. Coppini's marble statue of Senator James Paul Clarke stands in the U.S. Capitol. Coppini also designed two bronze sculptures at Baylor University in Waco, Texas—those of former Baylor University President Rufus C. Burleson, located on the Burleson Quadrangle on the Baylor campus (1905), and Baylor University namesake and founder Judge R.E.B. Baylor (1939). One of Coppini's best works, as stated by the artist, is the bronze sculpture of John Reagan, former U.S. Senator from Palestine, Texas, located in that city's Reagan Park (1911), featuring the personification of the "Lost Cause of the Confederacy" seated at the base of the monument. Coppini died in San Antonio on 26 September 1957. He designed his own crypt in Sunset Memorial Park.
Selected works
Selected works
• Illustration — Littlefield Memorial Fountain (1920–1928), University of Texas at Austin • Jefferson Davis (1901–1903), Confederate Monument, Texas State Capitol, Austin, Texas. • Confederate Monument (1903), Paris, Texas: • Bust of Jefferson Davis. • Bust of Robert E. Lee. • Bust of Stonewall Jackson. • Bust of Albert Sidney Johnston. • Rufus C. Burleson (1903), Burleson Quadrangle, Baylor University, Waco, Texas. • The Victims of the Galveston Flood (1903–04), University of Texas at Austin. • Terry's Texas Rangers Monument (1905–1907), Texas State Capitol, Austin, Texas. • Hood's Texas Brigade Monument (1910), Texas State Capitol, Austin. • Come and Take It Monument (1910), Gonzales, Texas. • Sam Houston Grave Monument (1910–11), Oakwood Cemetery, Huntsville, Texas. • John Hunt Morgan Memorial (1911), (former) Fayette County Courthouse, Lexington, Kentucky. • John H. Reagan Memorial (1911), Palestine, Texas. • Bust of Thomas Mitchell Campbell, Governor of Texas 1907-1911, (1911), Private Collection, Palestine, Texas • Statue of George Washington (1911–12), Mexico City, Mexico. • Confederate Monument (1911–12), De Leon Plaza, Victoria, Texas. • Queen of the Sea monument (1914), Corpus Christi, Texas • Bust of William Rufus Shafter, (1919), Galesburg, Michigan, • Lawrence Sullivan Ross (1917–1919), Texas A&M University, College Station, Texas. • The Spirit of the Texas Cowboy (1918–19), Charles H. Noyes Memorial, Ballinger, Texas. • George W. Littlefield Commission (1920–1928), University of Texas at Austin: • Littlefield WWII Memorial Fountain, Paul Cret, architect. • John H. Reagan. • Robert E. Lee. • Albert Sidney Johnston. • James Stephen Hogg. • Jefferson Davis. • Woodrow Wilson. • Senator James Paul Clark of Arkansas (1921), National Statuary Hall Collection, United States Capitol, Washington, D.C. • Bronze doors (1926), Scottish Rite Cathedral (Masonic), San Antonio, Texas. • Statue of George Washington (1926–27), Friendship Masonic Lodge 160, Portland, Oregon. • Texas Centennial half dollar (1934-38) • Texas State Fair Hall of State (1935–36), Fair Park, Dallas, Texas: • Stephen F. Austin. • Thomas J. Rusk. • William B. Travis. • James W. Fannin. • Mirabeau B. Lamar. • Sam Houston. • Cenotaph to the Heroes of the Alamo (1937–38), Alamo Plaza, San Antonio, Texas. • Coppini Tomb (1953), Sunset Memorial Park, San Antonio, Texas. • Statue of George Washington (1955), University of Texas at Austin. • Bust of J. Frank Norris (date unknown), Arlington Baptist University/World Baptist Fellowship headequarters, Arlington, Texas.
Gallery
Gallery
• Illustration — Rufus Burleson (1903), Baylor University, Waco, Texas • Illustration — Terry's Texas Rangers Monument (1905–1907), Texas State Capitol • Illustration — Hood's Texas Brigade Monument (1910), Texas State Capitol • Illustration — Sam Houston Grave Monument (1910–11), Huntsville, Texas • Illustration — John Hunt Morgan Memorial (1911), Lexington, Kentucky • Illustration — John H. Reagan Monument (1911), Palestine, Texas • Illustration — Confederate Monument (1911–12), Victoria, Texas • Illustration — Lawrence Sullivan Ross (1917–19), Texas A&M University • Illustration — General William Rufus Shafter (1919), Galesburg, Michigan • Illustration — James Paul Clark (1921), United States Capitol, Washington, DC • Illustration — Stephen F. Austin and Sam Houston (1935–36), Hall of State, Dallas, Texas • Illustration — Alamo Cenotaph (1937–38), San Antonio, Texas
Identity
Identity
Pompeo Coppini is recorded as a citizen of Kingdom of Italy. Recorded with the occupation sculptor. Established in Library of Congress under no2013032052. Established in RKDartists under 119533. Established in FAST under 1912762.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1870
Pompeo Coppini was born on 19 May 1870.
1957
Pompeo Coppini died on 26 September 1957.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Moglia.
Birth place
San Antonio.
Death place
Primary material
Documents and archives
scholarly publication
- Chapter 16: THE FORMATIVE YEARS OF AN IMMIGRANT SCULPTOR: POMPEO COPPINI, Center for Migration Studies special issues, 1988
Scholarly · Crossref registry · 1988
- The Effect of Art Music on Pompeo Coppini: Greatest Sculptor of Texas Monuments, Sociology Study, 2016
Scholarly · Crossref registry · 2016
reference work
- “Pompeo Coppini”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q3907867: Pompeo Coppini
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Coppini Academy. Partial Listing Pompei Works.
- 2.Troesser, John. Coppini's Work in Texas. Texas Escapes - Blueprints For Travel, LLC.
- 3.Foreign News. The Bryan Times. 26 November 1976.
- 4.Matthews, Gary R. Basil Wilson Duke, CSA: The Right Man in the Right Place. The University Press of Kentucky. 302. 2005. 978-0-8131-2375-2.
- 5.City of Grand Rapids Downtown Development Authority. Outdoor Art Inspirations.
- 6.State Briefs. Ludington Daily News. 14 June 1025.
- 7.Free4AllCity, LLC. John Ball Statue, Grand Rapids Michigan.
- 8.Little, Carol Morris. A Comprehensive Guide to Outdoor Sculpture in Texas. University of Texas Press. 61–62. 1996. 978-0-292-76034-9.
- 9.Nicar, Jim. Symbolism Amok. The Alcalde. 79–80. May–June 2001.
- 10.Woodrow Wilson Statue. The Polk County News. 6 March 1924.
- 11.Wolff Jr., Henry. Come and Take It Skirmish was Significant. The Victoria Advocate. 30 September 2001.
- 12.Sam Houston, Texan. Bluffton Chronicle. 27 October 1909.
- 13.State Historical Commission. Texas Historical Marker, Scottish Rite Cathedral.
- 14.Capstone Reunion of Scottish Rites Bodies November 15. The Victoria Advocate. 9 November 1926.
- 15.Coppini, Commentator. The Rotarian. 47. October 1939.
- 16.Jones, Martha. History of De Leon Plaza is a Rich One. The Victoria News. 4 September 1999.
- 17.Wolff Jr, Henry. Day of Southern, US Pride in Victoria. The Victoria Advocate. 10 July 2002.
- 18.Harrigan, Stephen. Coppini the Great. Texas Monthly. October 1984.
- 19.Texas State Historical Association
- 20.Texas State Historical Association.
- 21.Texas State Historical Association
- 22.Hutson, Alice, From Chalk to Bronze: A Biography of Waldine Tauch, Shoal Creek Publishers, Austin, TX, 1978
- 23.Portland, Oregon Washington from SIRIS.
- 24.Austin, Texas Washington from SIRIS.
- 25.U.S. Rare Coin Investments. Texas Centennial Half Dollar.
- 26.Troesser, John. The Spirit of Sacrifice a.k.a. The Alamo Cenotaph. Texas Escapes - Blueprints For Travel, LLC.
- 27.Remy, Caroline. Coppini, Pompeo Luigi. tshaonline.org. Texas State Historical Association (TSHA).
- 28.Texas Escapes, LLC. JOHN HENNINGER REAGAN 1818-1905 The John H. Reagan Memorial Palestine, Texas. texasescapes.com.
- 29.Texas State Historical Association (TSHA). Coppini, Pompeo Luigi. tshaonline.org.
- 30.Queen of the Sea by Pompeo Coppini, Corpus Christi, Texas.
- 31.Hendry, Fay, photos by Balthazar Korab, ‘’Outdoor Sculpture of Kalamazoo’’, iota press, Okemos, MI, 1980, pp. 64–65
- 32.Baker, T. Lindsay. A Gangster Tour of Texas. Texas A&M University Press. 281. 2011. 978-1-60344-258-9.
Bibliography printed in the source article · 5
- Cantrell, Gregg. Lone Star Pasts: Memory and History in Texas. TAMU Press. 2006. 978-1-58544-563-9.
- Little, Carol Morris. A Comprehensive Guide to Outdoor Sculpture in Texas. University of Texas Press. 1996. 978-0-292-76034-9.
- Wright, John R. Pompeo Coppini and Corpus Christi's first experiment with public art. J.R. Wright. 1989.
- Delaplaine, Edward S. Doyle and Coppini: Sculptors of the Francis Scott Key monument. Frederick News-Post. 1987.
- Coppini, Pompeo. From Dawn to Sunset. The Naylor Company. 1949.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Chapter 16: THE FORMATIVE YEARS OF AN IMMIGRANT SCULPTOR: POMPEO COPPINI, Center for Migration Studies special issues, 1988Crossref registry
Institutional witnessscholarly publication
The Effect of Art Music on Pompeo Coppini: Greatest Sculptor of Texas Monuments, Sociology Study, 2016Crossref registry
Institutional witnessreference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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