Pinchus Krémègne
Pinchus Krémègne, aka Pinchus Kremegne (28 July 1890 – 5 April 1981), was a Lithuanian Belarusian Jewish -French artist, primarily known as a sculptor, painter and lithographer.
Also recorded as Paul Krémègne · Pinckus Krémègne · Pinḥas Kremen · Pinkus Krémègne
Pinchus Krémègne

Zaloudock · CC BY-SA 4.0
- Name
- Pinchus Krémègne
- Born
- 28 July 1890
- Died
- 5 April 1981
- Known for
- Painting, Sculpture
- Movement
- Ecole de Paris
- Nationality
- Russian Empire and France.
- Movements
- Expressionism and School of Paris.
- Education
- Beaux-Arts de Paris.
- Languages
- French and Yiddish.
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Documentary summary
Pinchus Krémègne, aka Pinchus Kremegne (28 July 1890 – 5 April 1981), was a Lithuanian Belarusian Jewish -French artist, primarily known as a sculptor, painter and lithographer.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q955906
In this article
Biography
Biography
Pinchus Krémègne studied at Beaux-Arts de Paris. The recorded working language is French and Yiddish. Places of work recorded in the authority are Paris and Russia. Work by Pinchus Krémègne is recorded in the collections of Philadelphia Museum of Art and National Museum Cardiff.
Key facts
Key facts
• Name — Pinchus Krémègne • Born — 28 July 1890 • Died — 5 April 1981 • Known for — Painting, Sculpture • Movement — Ecole de Paris
Biography and Art
Biography and Art
He was a native of Zhaludak near Lida, now Belarus, and was a friend of both Chaïm Soutine and Michel Kikoine. He studied sculpture at the Vilnius Academy of Art. He became a target of the pogroms because he was a Jew and fled to Paris in 1912. In Paris, Krémègne joined the group of painters of Montparnasse and soon became one of the respected residents of La Ruche. In 1915, he gave up sculpture in order to dedicate himself to painting. It was he who encouraged Soutine to come to Paris. In Montparnasse he met several other prominent Jewish painters of the School of Paris including Isaac Frenkel and Michel Kikoine. • Illustration — Krémègne in front of his house in Ceret, 1963. He left Paris to live in a small town in the Pyrenees called Ceret. This village, which is a little inland from Collioure, attracted other painters such as Soutine. Although Soutine did not like the town very much, he completed many paintings there over a couple of years. He never settled but his compatriot Krémègne had a house built there around 1960. This small unassuming house, a reflection of the man himself, is nestled into the mountain and overlooks the village. There was a falling out between the two men perhaps stemming from some ingratitude shown by Soutine towards a mutual 'mecene' or benefactor who had helped out the two impoverished artists during their early careers in Paris. Krémègne's house has new occupants and it is called La Miranda del Convent. Later Ceret was to attract other painters such as Picasso. The Picasso walk meanders by Krémègne's house and Ceret has an important museum exhibiting artists such as Matisse, Picasso, and others. There are a few Krémègne paintings on exhibition there as well. Krémègne died in Ceret.
Identity
Identity
Pinchus Krémègne is recorded as painter, sculptor and lithographer.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1890
Pinchus Krémègne born.
1981
Pinchus Krémègne died.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Zhaludok.
Birth place
Céret.
Death place
Legacy
• Illustration — Amedeo Modigliani, Le peintre Kremegne, 1916, Museum of Fine Arts Bern. Not highly esteemed as an artist today, he is overshadowed by Soutine and Chagall. He was remembered with a posthumous one-man show in the Quartier Les Halles in Paris in the 1990s. A more structured vision of nature than Soutine's, Krémègne's last paintings prefigure the work of painters such as Leon Kossoff and Frank Auerbach in England.
Selected works in public collections
In France • Béziers, Museum of Fine Arts, Nude Blonde (the painter's wife), oil on canvas. • Céret, Museum of Modern Art, four drawings, ten oil paintings including The Studio and The Entrance of the Capuchins, donation by Pinchus Krémègne. • Cosne-Cours-sur-Loire, Loire Museum, Maquis, View of Céret, Landscape near Céret, oil on canvas. • Granville, Richard-Anacréon Museum of Modern Art, Landscape, oil on canvas. • Grenoble, Grenoble Museum, Basket of Fish, oil on canvas. • L'Isle-Adam, Museum of Art and History Louis-Senlecq, Village, print. • Paris, Museum of Jewish Art and History, Portrait of a Woman, oil on canvas, around 1930. • Toulouse, Augustins Museum, Landscape, around 1944, The Dining Room, before 1948, oil on canvas. • Troyes, Museum of Modern Art, Still Life, oil on canvas, donation by Pierre Lévy. In UK • Cardiff, National Museum, Houses in Corsica, oil on canvas, donation by Gwendoline and Margaret Davies.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q955906: Pinchus KrémègneWikimedia Foundation
Institutional witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Still Life with a Fruit Dish
1958 · Philadelphia Museum of Art
Houses in Corsica
National Museum Cardiff
Krémègne, Pinchus, Oxford Art Online, 2003
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Paintings
19,183 published records in this field, each with its sources named.
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- Piotr AlbertiArtist
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