Pietro Sforza Pallavicino

• Type — Cardinal • Honorific Prefix — His Eminence • Name — Francesco Sforza Pallavicino • Diocese — Diocese of Rome • Appointed — 9 April 1657 • Term End — 4 June 1667 • Cardinal — 9 April 1657 • Created Cardinal By — Pope Alexander VII • Rank — Cardinal-Priest of San Salvatore in Lauro • Born — 28 November 1607 • Birthplace — Rome, Papal States • Died — 4 June 1667 • Place of death — Rome • Buried — Sant'Andrea al Quirinale • Denomination — Roman Catholic • Parents — Alessandro Pallavicino Francesca Sforza di Santa Fiora • Alma Mater — Roman College

Pallavicino was born in Rome on November 28, 1607. He was the firstborn son of Marquis Alessandro Pallavicino and his second wife, Francesca Sforza di Santa Fiora, widow of Ascanio della Penna della Cornia. He belonged to the Parma branch of the ancient and noble Pallavicini family. He was baptised with the names Francesco Maria Sforza, but in all of his published works throughout his life, he only gave Sforza as his first name, which is also the only first name inscribed on his tomb in the Church of Sant'Andrea al Quirinale in Rome; Sforza is also the only name used universally by his contemporaries. The name Sforza was in honor of Sforza Pallavicino, a famous Italian condottiero, Captain-General of the Republic of Venice, who had adopted Marquis Alessandro, leaving him all his wealth and titles. An eldest son, he renounced the right of primogeniture and entered the priesthood.

Pallavicino studied literature, philosophy, and jurisprudence at the Roman College, and received his doctorate in philosophy in 1625 at the age of eighteen. His thesis, De Universa philosophia, was printed in the same year in the presses of Francesco Corbelletti. Soon afterward, Pallavicino started studying theology in the same college under John de Lugo, earning his doctorate in 1628. The young Pallavicino was soon introduced to the leaders of Roman cultural life. He was elected Member of the Accademia degli Umoristi and became friends with the poet Virginio Cesarini and with some of the most prominent personalities of Italian Baroque, including Agostino Mascardi, Fulvio Testi, John Barclay and Giulio Strozzi. Alessandro Tassoni praised him in a verse of his mock-heroic poem La secchia rapita. Federico Cesi portrayed him as a child prodigy, whose great ingegno ("ingegno grande"), relentless will ("volontà indefessa"), and his familiarity with writing ("l'amicitia stretta della penna") held promise "of even greater things" ("di cose tuttavia maggiori") in the future. An ardent supporter of Galileo, on 27 January 1629, Pallavicino became a Member of the Accademia dei Lincei, together with Lucas Holstenius and Pietro della Valle. Following Ciampoli's guide Pallavicino started an open and harsh struggle against Aristotelianism. After Federico Cesi's death in 1630, he was taken under consideration as his successor for the presidency of the Academy. According to Pietro Redondi, Pallavicino played a part in delaying, or deflecting, Orazio Grassi's attack against the atomistic argument in Galileo's Assayer. In 1630, he took minor orders. Soon afterwards, the Pope Urban VIII appointed him referendary of the Tribunals of the Apostolic Signatures of Justice and of Grace and member of the Congregatio boni regiminis and of the Congregatio immunitatis, assigning him a pension of 250 scudi. When his friend Giovanni Ciampoli, the secretary of briefs, fell into disfavour, Pallavicino's standing at the papal court was also seriously affected. In 1632, he was sent to govern the provincial towns of Iesi, Orvieto, and Camerino. In contrast with Ciampoli, who died in Iesi in 1643 without ever having set foot again in Rome, Pallavicino returned there in 1636. Over his father's objections, he entered the Society of Jesus on 21 June 1637. After the two years' novitiate he became professor of philosophy at the Roman College. In 1643, when John de Lugo was made a cardinal, Pallavicino succeeded him in the chair of theology, a position he held until 1651 while also fulfilling assignments for Pope Innocent X. He was appointed member of the commission that examined the writings of Cornelius Jansen and Martin de Barcos, which resulted in the condemnation of two works by de Barcos in 1647. Sforza Pallavicino was a staunch opponent of Jansenism and a vocal supporter of the Jesuit theological tradition, and while he certainly did not oppose probabilism, which he taught in his earlier scholarly career, he did not condone its most radical outcomes either.

Pope Alexander VII created Pallavicino cardinal in pectore in his first creation on 9 April 1657. His appointment was made public in March 1650. He received the red hat and the title of San Salvatore in Lauro on December 6, 1660. He was also appointed examiner of the bishops, and soon afterwards a member of the Congregation of the Holy Office. As the master of the Jesuit novitiate on the Quirinal, Pallavicino was closely involved in planning the church of Sant'Andrea al Quirinale, designed by Gian Lorenzo Bernini from 1658 onwards. • Illustration — The tomb of Cardinal Francesco Sforza Pallavicino in the Church of Sant'Andrea al Quirinale, Rome In his later years, Pallavicino played an active role in Italian cultural life. He became a member of the so-called pleias alessandrina, the international network of Neo-Latin poets gathered around Alexander VII. He warmly endorsed the activities of the Accademia del Cimento and took part to them. Leopoldo de' Medici entrusted him with the stylistic revision of the academy's sole publication, the Saggi di naturali esperienze. On 3 February 1665 he entered the Accademia della Crusca, an association of scholars and writers devoted to the Italian language. The cardinal was a loyal protector of Gian Lorenzo Bernini's interests in Rome and with the French court, as well as mentor to his oldest son, Pietro Filippo. A late portrait of Pallavicino in red chalk on buff paper by Bernini is in the Yale University Art Gallery. Owing to ill health Pallavicino could not participate in the conclave of 1667, which elected Pope Clement IX; he died in his room in the Jesuit house of Sant'Andrea al Quirinale on 5 June 1667, at the age of 59. His pupil Sylvester Maurus assisted him on his deathbed. According to the provisions of his last will and testament, Pallavicino was buried in the church of Sant'Andrea al Quirinale. He was entombed under a magnificent slab designed by baroque architect Mattia de Rossi.

• Illustration — Istoria del Concilio di Trento (1656–1657) Pallavicino is chiefly known by his History of the Council of Trent, a harsh if well researched rebuttal to Paolo Sarpi's Istoria del Concilio Tridentino. The work was published at Rome in two folio volumes in 1656 and 1657 (2nd ed., considerably modified, in 1666). Several potential candidates had been taken under consideration for the onerous task of correcting and superseding the very damaging work of Sarpi. According to an unpublished account by the custodian of the papal archives Felice Contelori (1588–1652), these were Girolamo Aleandro, secretary to Cardinal Francesco Barberini, the historian Agostino Mascardi, the ex-Jesuit Francesco Herrera, Giovanni Ciampoli and Felice Contelori himself. The Jesuit Terenzio Alciati had been eventually chosen for the task by Pope Urban VIII. In early 1652, a few months after Alciati's death, Pallavicino took over Alciati's task. Alciati had access to the original acts of the Council of Trent deposited in the Archives of Castello, Archivum Arcis (Castel Sant'Angelo). Together Felice Contelori, Alciati collected and catalogued a huge amount of unpublished sources. Pallavicino draws on not only the sources collected over decades by P. Alciati, but also directly on the Latin manuscript of Alciati's unfinished and unpublished history Pseudo historia Concilii Tridentini refutata. In addition to these sources Pallavicino continued searching the vast holdings of the Roman archives for documentary materials relating to the Council of Trent. Fabio Chigi, an old friend of Pallavicino, gave him liberal access to the acts of the council and other important documents preserved in the Vatican Apostolic Archive. Pallavicino read and made use of historical authors such as Johannes Sleidanus, Francesco Guicciardini, Paolo Giovio, Nicholas Sanders, François de Beaucaire (1514–1591), and Florimond de Raemond. Thanks to the preparatory work by Alciati, as well as his own research, he was able to cite a large array of printed and unpublished documentary sources on the Council of Trent. Pallavicino's History exposed Sarpi's bias and inaccuracy and marked an advance in the collection and use of original documents. According to the great nineteenth-century historian Leopold von Ranke, who examined many of the manuscript sources from which Pallavicino drew his materials, the extracts he has made from the instructions and other official documents are "scrupulously exact" and he has "carefully consulted the whole of the documents". Until the twentieth century, Pallavicino's History of the Council of Trent was the principal work on this important ecclesiastical assembly. It was appreciated even by Protestant scholars: Algernon Sidney, who knew Pallavicino at Rome, commends the work in a letter to his father, Lord Leicester. Pallavicino's History was translated into Latin by a fellow Jesuit, Giovanni Battista Giattini (Antwerp, 1670–1673), into French by Joseph-Epiphane Darras (Migne series, Paris, 1844–1845); into Spanish by Juan Nepomuceno Lobo, Antolín Monescillo, and Manuel M. Negueruela (Madrid, 1846) and into German by Theodor Friedrich Klitsche de la Grange (1835–1837). There is a good edition of the original by Francesco Antonio Zaccaria (6 vols., Faenza, 1792–1799). The codex used by Sforza Pallavicino to write his Istoria is preserved in the Archives of the Pontifical Gregorian University (APUG).

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Before his entrance into the Jesuit order Pallavicino had published orations and poems. His great poem I fasti sacri, an imitation of Ovid's Fasti celebrating the main Christian feast days, was left unfinished upon his entrance into the novitiate. Pallavicino's Fasti were praised by Ludovico Antonio Muratori, Giovanni Mario Crescimbeni, and Francesco Saverio Quadrio. His first considerable literary work as Jesuit was a tragedy, Ermenegildo martire, a masterpiece of seventeenth-century Jesuit drama. It was published in 1644 after the first of several performances at the Jesuit Seminario Romano. The tragedy narrates the last day in the life of St. Hermenegild, who converted to the Catholic faith and rebelled against his father, the Arian Visigoth King Liuvigild, and whose defeat, exile, and death were celebrated as a martyrdom in the struggle against Arianism. Pallavicino's postscript to the play elucidates the author's views on theatre, its rules, and its functions as a pedagogical tool. While contemporary secular plays and operas played to an uneducated crowd that wanted to be amazed by scenic effects, the unspectacular theatre of Sforza Pallavicino aspired to educate by providing the public with strong and exemplary characters to emulate. Pallavicino identifies the true function of the tragic genre in the fortification of honesty and morality in the audience. He believes that the plot of the tragedy is the foundation on which its success should rely. His disdain for deus ex machina characters, personifications of moral and allegorical qualities, supernatural events, and asides, choruses and messengers as devices to provide information, fully represents his belief that the dramatist should build dramatic action on detailed and verisimilar situations. According to Pallavicino «wonder without verisimilitude is easily achieved and gives no pleasure except perhaps that of laughter to those who hear the plot, nor does it merit the name of poetry». In clear opposition to the taste of Marino and his followers, Pallavicino suggests looking at classical writers to see how verisimilitude can convey a feeling of wonder. Unlike the baroque writers of the time who thought that precious style could make the reader forget about any violation of verisimilitude, Pallavicino affirms that classic decorum and good taste, the very foundation of verisimilitude, can convey the feeling of marvel to the public.

Several of Pallavicino's works were not printed until later; others are still in manuscript. An opinion which he had written on the question whether it was most appropriate that the pope live in Rome at St. Peter's, was printed together with a discussion of the same question by his fellow Lincean Lucas Holstenius, in Rome (1776). Larger collections of various works of Pallavicino were brought out as late as the nineteenth century. His biography of Alexander VII, written in close collaboration with the pope himself, was published posthumously in 1839–40 as Della vita di Alessandro VII.

• Illustration — Vera concilii tridentini historia. Antwerp: Plantin Press, 1670. * * * * * * • Assertiones theologicæ. Rome. 1649–1652; * * * * * • Della vita di Alessandro VII. 2 vols. Prato: Giachetti. 1839–1840. The following editions of his Complete Works are to be noted as the most important: Rome, 1834 (in 2 volumes); Rome, 1844–1848 (in 33 volumes); and a collection of other works in five volumes published at the same time by Ottavio Gigli.

• Pallavicino, Sforza. Martyr Hermenegild. Edited and translated by Stefano Muneroni. Renaissance and Reformation Texts in Translation 13. Toronto: Centre for Reformation and Renaissance Studies, 2019.

Pietro Sforza Pallavicino was born on 28 November 1607 in Rome. Pallavicino held the nationality of Papal States. Pallavicino studied under Vincenzo Guinigi and John de Lugo. Pallavicino worked as historian, writer, Catholic priest and philosopher, and the authority record catalogues a further 1 occupations under the same name, among them Catholic theologian. Pallavicino was employed by Pontifical Gregorian University. Pallavicino worked in Italian.

In the year after Pallavicino's death, his former secretary, Giambattista Galli Pavarelli, published a collection of his letters, Lettere dettate dal card. Sforza Pallavicino (Rome, 1668). Other collections appeared in Bologna (1669), in Venice (1825), in Rome (4 vols., 1848). His extensive network of correspondents included Fabio Chigi, the future Pope Alexander VII, the scientist Carlo Roberto Dati, and Philip IV's official historian Virgilio Malvezzi.