Pedro Muñoz Seca

His most ambitious and best known play is La venganza de Don Mendo (Don Mendo's Revenge, 1918); other major works include La barba de Carrillo (Carrillo's Beard, 1918) and Pepe Conde (1920).

Pedro Muñoz Seca studied at University of Seville and Padre Luis Coloma High School. The recorded working language is Spanish. Subjects and genres recorded for the work are dramaturgy. Work by Pedro Muñoz Seca is recorded in the collections of Lluís Domènech i Montaner House-Museum.

• Name — Pedro Muñoz Seca • Birth Name — Pedro Muñoz Seca • Born — 20 February 1879 • Birthplace — Puerto de Santa María, Andalusia, Spain • Died — 28 November 1936 • Place of death — Paracuellos de Jarama, Spain • Occupation — Writer, dramatist • Language — Spanish • Genre — Astracanada • Spouse — María Asunción Ariza Díez de Bunes Pedro Muñoz Seca (20 February 1879 – 28 November 1936) was a Spanish comic playwright. He was one of the most successful playwrights of his era. He wrote approximately 300 dramatic works, both sainetes (short vignettes) and longer plays, often in collaboration with Pedro Pérez Fernández or Enrique García Álvarez. His most ambitious and best known play is La venganza de Don Mendo (Don Mendo's Revenge, 1918); other major works include La barba de Carrillo (Carrillo's Beard, 1918) and Pepe Conde (1920).

Muñoz Seca was born into a large family in El Puerto de Santa María, Cádiz, Spain, on 20 February 1879. (Because Muñoz Seca loved palindromic numbers, however, he often claimed that he was born in 1881. He also claimed to have been born at 10:15 pm, "the normal time for shows to start".) Muñoz Seca attended primary school at the Jesuit school of San Luis Gonzaga in El Puerto de Santa María. He then moved to Seville to study philosophy and law; he graduated in 1901. While Muñoz Seca was still a student, his first plays premiered in El Puerto de Santa María (República estudiantil, Un Perfecto de pasivas, and El señor de Pilili) and in Seville (Las Guerreras). After his graduation, Muñoz Seca moved to Madrid. There, he taught Latin, Greek, and Hebrew and later would work as a lawyer. He often attended literary society meetings, and there met Sebastian Alonso. The two collaborated on the play El Contrabando, which premiered in 1904. Muñoz Seca entered public service in 1908, taking a post in the Ministry of Public Works and Transport. Soon thereafter, he married María Asunción Ariza Díez de Bulnes; they would have nine children.

His work often employed "slang, puns, plays on words, caricature, parody, and dramatic tricks". He was the inventor of a new genre of comic theatre, the astracanada, the most celebrated example of which is La venganza de Don Mendo, a satire of the romances popular in Spain at the turn of the century. Muñoz Seca's popularity grew after the premiere of La venganza de Don Mendo. Many of his later plays were very successful, including La pluma verde (1922), Los chatos (1924), La tela (1925), and Los extremeños se tocan (1927) (all written in collaboration with Pedro Pérez Fernández, but who contributed little to the works). These works shifted away from costumbrismo toward Muñoz Seca's trademark astracanada. After the establishment of the Second Spanish Republic in 1931, Muñoz Seca was at the height of his career, though his dramatic output slowed. Major works during this period include La voz de su amo (1933), Anacleto se divorcia (1932), La EME (1934), and La plasmatoria (1935). Muñoz Seca was a royalist and friend of Alfonso XIII, and his plays La oca (1931) and Jabalí (1932) sharply criticized the Second Republic. In July 1936, after the outbreak of the Spanish Civil War, he was arrested in Barcelona; he was later transported to Madrid. A humorist to the end, he said to his court-martial, "You can take my hacienda, my land, my wealth, even—as you are going to do—my life. But there is one thing that you cannot take from me—the fear that I have!""¡Podéis quitarme la hacienda, mis tierras, mi riqueza, incluso podéis quitarme, como vais a hacer, la vida, pero hay una cosa que no me podéis quitar, y es el miedo que tengo!" Other versions of the quote have also been reported. This phrase is often called his last words, but it was reported several weeks before his death. On 28 November 1936 he was executed by a Spanish Republican Army firing squad in the Paracuellos massacre. His final words, addressed to the firing squad, were "I am starting to believe you are not intending to count me among your friends!"

• República estudiantil • El espanto de Toledo • La novela de Rosario • Las inyecciones • ¡Usted es Ortiz! • Calamar • El alfiler • ¡Pégame, Luciano! • Satanelo • ¡Un! ¡Dos! ¡Tres!... ¡La niña para usted! • ¡Todo para ti! • El drama de Adán • Una que no sirve • Equilibrios • ¡Te quiero, Pepe! • Bronca en el ocho • El refugio • Los quince millones • La Eme • El gran ciudadano • El rey negro • ¡¡Cataplum!! • ¡Sola! • Las cuatro paredes • El verdugo de Sevilla • La venganza de Don Mendo • Los extremeños se tocan • La Oca • Anacleto se divorcia • El último pecado • La razón de la locura • ¡Por peteneras! • La canción húngara • Coba Fina • Las cosas de la vida • El medio ambiente • La Nicotina • Trampa y cartón • El milagro del santo • López de Coria • El incendio de Roma • Cachivache • Naide es ná • La perla ambarina • Lolita Tenorio • El marido de la Engracia • Albi-Melén • El voto de Santiago • El teniente alcalde de Zalamea • De rodillas a tus pies • La fórmula 3k3 • Los rifeños • Un drama de Calderón • Trianerías • Las verónicas • La Tiziana • El mal rato • Los amigos del alma • Pepe Conde o el mentir de las estrellas • Martinglas • El clima de Pamplona • San Pérez • El parque de Sevilla • La hora del reparto • Tirios y troyanos • El número 15 • De lo vivo a lo pintado • ¡Plancha! • El Goya • La pluma verde • El rey nuevo • La mujer de nieve • Los chatos • Bartolo tiene una flauta • La tela • Los campanilleros • El sonámbulo • La cabalgata de los Reyes • María Fernández • Seguidilla gitana • El voto • La caraba • La mala uva • La Lola • El rajáh de Cochin • Ali-Gui • ¡Un millón! • El sofá, la radio, el peque y la hija de Palomeque • ¿Qué tienes en la mirada? • Los ilustres gañanes • El cuatrigémino • La perulera • Una mujer decidida • El alma de corcho • Mi padre • El corzo • ¡No hay no! • Jabalí • Trastos viejos • La voz de su amo • El Ex... • Mi chica • El escándalo • ¡Soy un sinvergüenza! • Papeles • Marcelino fue por vino • La plasmatoria • Zape • Las guerreras • El contrabando • De balcón en balcón • Las tres cosas de Jérez • El lagar • El jilguerillo de los parrales • La neurastenia de Satanás • La cucaña de Solarillo • Fúcar XXI • Pastor y Borrego • La niña de las planchas • La frescura de Lafuente • La casa de los crímenes • La Remolino • El castillo de los ultrajes • La escala de Milán • La conferencia de Algeciras • El último Bravo • Los cuatro Robinsones • La mujer • El rayo • Poca cosa es un hombre • La cura • El clamor • La Academia • La tonta del rizo • Las cuatro paredes (posthumous, premiered in 1940)

Pedro Muñoz Seca is recorded as writer and playwright.