Paryse Martin

Work by Paryse Martin is held by Musée national des beaux-arts du Québec, Musée d'art contemporain de Baie-Saint-Paul, Coopérative Méduse and Loto-Québec.

What the record establishes about Paryse Martin.

Saint Christopher Meets Satan; Saint Christopher before the King of Lycia is dated 1480–85 and held by The Art Institute of Chicago (inventory 1962.964). Les oranges sont plus chères l'hiver is dated 1988 and held by Musée national des beaux-arts du Québec (inventory CP.1988.76). Les Glaces. Chûte et Incident is dated 1997 and held by Musée national des beaux-arts du Québec (inventory 2005.2685). Dont Pet the Yelow is catalogued and held by print collection of the national Library of BAnQ (inventory 0000444971). Effleurements du 25 octobre is dated 1992 and held by Musée national des beaux-arts du Québec (inventory CP.1994.17). Magnolias on Light Blue Velvet Cloth is dated 1885–95 and held by The Art Institute of Chicago (inventory 1983.791).

The First Wise Virgin is dated 1480-91 and held by The Art Institute of Chicago (inventory 1956.899). print collection of the national Library of BAnQ records 1 object associated with this heading. Arch, Midnight is dated 1930 and held by The Art Institute of Chicago (inventory 1931.229). Untitled #12 is dated 1977 and held by The Art Institute of Chicago (inventory 1979.356). Musée national des beaux-arts du Québec records 4 objects associated with this heading. Sanctuary is dated 1982 and held by The Art Institute of Chicago (inventory 1982.1473).

The Art Institute of Chicago records 7 objects associated with this heading. Paryse Martin is recorded as painter, printmaker, sculptor and artist. Paryse Martin is recorded with the citizenship of Canada. Le jour is dated 1995.

The identifiers under which Paryse Martin may be traced in institutional catalogues.

Paryse Martin is established in the international name authorities as Wikidata Q59668288.

13 works under this name are catalogued by Wikidata Query Service and The Art Institute of Chicago. Their recorded dates run from 1480 to 1997.

Les Glaces. Chûte et Incident, dated 1997, held by Musée national des beaux-arts du Québec, inventory 2005.2685. Effleurements du 25 octobre, dated 1992, held by Musée national des beaux-arts du Québec, inventory CP.1994.17. Les oranges sont plus chères l'hiver, dated 1988, held by Musée national des beaux-arts du Québec, inventory CP.1988.76. Cap Tourmente, dated 1988, held by Musée national des beaux-arts du Québec, inventory CP.1988.75. Le jour, dated 1995. Porter les songes à la limite du ciel. Dont Pet the Yelow, held by print collection of the national Library of BAnQ, inventory 0000444971. Arch, Midnight, dated 1930, drypoint on cream laid paper, held by The Art Institute of Chicago, inventory 1931.229. Sanctuary, dated 1982, pine, maple and cherry, held by The Art Institute of Chicago, inventory 1982.1473. Saint Christopher Meets Satan; Saint Christopher before the King of Lycia, dated 1480–85, tempera with oil glazes on panel, held by The Art Institute of Chicago, inventory 1962.964. Untitled #12, dated 1977, india ink, graphite, and gesso on canvas, held by The Art Institute of Chicago, inventory 1979.356. The First Wise Virgin, dated 1480-91, engraving on paper, held by The Art Institute of Chicago, inventory 1956.899. Magnolias on Light Blue Velvet Cloth, dated 1885–95, oil on canvas, held by The Art Institute of Chicago, inventory 1983.791.

Work associated with this heading is recorded in 3 named public collections.

Musée national des beaux-arts du Québec: 4 recorded objects, read from the institution's own published catalogue. print collection of the national Library of BAnQ: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 7 recorded objects, read from the institution's own published catalogue.

8 scholarly publications naming this subject were located in the registry of record.

An accessible and open-source workflow for fabrication of custom PDMS culture chambers using 3D printing., MethodsX. Migration of perivenous opacities during retinal vasculopathy and retinal vasculitis., Am J Ophthalmol Case Rep. Laying the Foundations for Co-Design: A Micro-Community Engagement Approach to Patient and Public Involvement in Rural Health Research., Health Expect. Semi-Natural Habitats Buffer the Effects of Crop Diversification on Arthropod Pest Control Services in Agricultural Landscapes., Ecol Lett. Decoding the causes of ischemic stroke despite ongoing oral anticoagulation and their clinical impact: the ASPERA-R study., J Neurol. Identification of key symptoms impacting HRQOL in advanced renal cell carcinoma: nivolumab plus cabozantinib versus sunitinib in CheckMate 9ER., Oncologist. Limited capacity for rapid acclimation to marine heatwaves in coastal invertebrates., J Anim Ecol. The Impact of Isoniazid Preventive Therapy on Tuberculosis Infection and Disease Progression., Clin Infect Dis.

Bibliographic registers publish measured figures for this heading: 4 language editions of the general reference literature carrying an article (Wikimedia (language editions)) and 272590 biomedical publications indexed (PubMed (National Library of Medicine)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 22 further registers were consulted and returned nothing for this heading.

Paryse Martin studied at Laval University and Université du Québec à Montréal. the recorded working language is French.

Subjects and genres recorded for the work are public art.

Residence is recorded at Quebec City. Employment is recorded with Laval University.

Work by Paryse Martin is recorded in the collections of Musée national des beaux-arts du Québec, Musée d'art contemporain de Baie-Saint-Paul, Coopérative Méduse, Loto-Québec and print collection of the national Library of BAnQ.