P.T.O.

The player can choose one of several World War Two battles to simulate, or could control the entire Pacific campaign well before the Japanese attack on Pearl Harbor. A sequel, P.T.O. II, was released by Koei in 1993. Teitoku no Ketsudan III (P.T.O. III) was never released outside Japan, but a P.T.O. IV was released for the PlayStation 2 in the US and Europe.

• Title — P.T.O. • Developer — Koei • Publisher — Koei • Composer — Hiroshi Miyagawa • Released — 1989, 1990, 1991, 1992, 1993 • Genre — Turn-based strategy, tactical wargame • Modes — Single-player, multiplayer • Platforms — PC-98, PC-88, X68000, MSX2, FM Towns, Genesis, Super NES

Players must choose one of nine scenarios when starting a game. The first scenario (Negotiations Breakdown) is a long-term campaign, where the player must win the war from mid-1941 before the war is declared. Victory can only be obtained by controlling all ports or eliminating all enemy ships. The other scenarios begin in the midst of a certain major Pacific conflict, where the goal is to capture or defend a certain port or sink or protect a number of enemy ships. If a scenario's goal is achieved, the player can continue with the full campaign.

The player has the option of playing as one of the two major World War II Pacific maritime powers: the United States for the Allies, or Japan for the Axis. Other countries begin as allies of the two nations as they were at whatever point in the war gameplay begins; over time, non-allied nations can be convinced to ally with your side after significant gifts and diplomacy. Nations can also break alliances with poor diplomacy, which can lead to the departure of ships loaned from their navy. For instance, if the United Kingdom breaks off from the Allied forces, the US will lose all British ships from their fleet, such as the Hermes. Other countries will behave as they did historically; for example, Italy will cease being a member of the Axis in 1943, due to Allied invasion. The countries available as allies are: • Germany • Italy • England • France • Holland • China • Australia • Thailand • India • Sweden • Switzerland • USSR • Brazil

Each power begins with control over several Pacific bases, depending on when the scenario starts. The long-term campaign focuses on capturing enemy territories while defending one's own, aiming to reduce the number of ports under enemy control to zero. Territories produce fuel and materials for the power that controls them; fuel encompasses both oil for ships and supplies for soldiers. Materials include all ores and metals, which can be used for base repairs, ship repairs, and the construction of new warships. Money is required to fund the construction of aircraft and transports, as well as to support technological advancements. Consequently, capturing territories increases the resources available to a player while denying their use to the enemy. Each power possesses one home port, where newly manufactured ships and aircraft are stationed upon completion. During a turn, aircraft, fuel, and materials can be assigned to any base. However, depending on the safety and distance of the trade route, some resources may not arrive. Certain ports are capable of "Urgent Repair," allowing for minor repairs to ships docked there. Since not all ports have this capability, control of these key regions is crucial for maintaining the fighting capabilities of one's fleet at sea, as it reduces turnaround time for ship repairs when vessels are damaged in combat.

P.T.O. faithfully recreates many of the actual battleships available in the Pacific during the war, and displays a ship icon relative to that ships. Ships are given several attributes: Fortitude, Speed, Anti-air capability, and Anti-ship capability. Ships can also be fitted with radar (search and gunnery), rockets or scouts, and marines for a land invasion. Ships are also given an overall 'Luck' rating from 1 to 99; ships that survived many conflicts in history, like the Enterprise, have a Luck rating of 99. There are several types of warship available: dreadnought battleships, battleships, cruisers, fleet aircraft carriers, light carriers, destroyers, and submarines. Each power starts out with a certain number of ships of each type, and a number of ships under construction, usually launching around their historical commission date. Additional ships can be constructed, but only to replace ships previously lost in battle, either by the player or prior to the scenario's start date. Ship construction can be scheduled for 6–24 months out; the closer the launch date, the more industrial power will be expended during construction. Materials are consumed as well, dependent on the type of hull being built, and the ship ratings are chosen during design. The ship class chosen during construction is cosmetic only; it does not affect actual ship limitations or attributes like the actual hull type does. Ships are organized into fleets, which can comprise up to 16 ships. Up to 16 fleets can be arranged from inactive ships at the home port. Only one fleet from each side can engage in a battle at any one time, so fleets must attack an enemy in succession rather than at once. Fleets have a rating for Morale and Fatigue, between 0 and 99; morale goes up after victories or during shore leave, and down during defeats or when a flagship is lost. It can also be raised by an emergency banquet at sea. Fatigue goes up after every battle, and when the crew is infected by the plague. Ships also have individual levels of crew experience; this value starts high for the Japanese, and low for the US. Experience levels gradually increase through combat, or by conducting training drills. Another type of ship that can be constructed is transports. These are used for carrying additional fuel to extend fleet range, and for transporting resources from territories to home ports. Additional, non-controlled shipping fleets are constantly active in the game, though not displayed on the tactical maps. Transport fleets supplying bases can be protected by unlisted destroyers and cruisers, but will not engage an enemy fleet.

The following types of aircraft are immediately available: fighters, bombers, and scouts. Later in the game, when technology levels have advanced, jet fighters and long-range bombers become available. Aircraft carriers can be fitted to allow jets once the technology levels are sufficient; the modified carrier will only carry jet fighters and not normal fighters. Long-range bombers can only be launched from land bases. Aircraft can be deployed to bases or to aircraft carriers, although some ship types allow scouts to be launched via catapult. Aircraft placed at bases take a defensive role against attacking fleet(s) or aircraft and are used to scout for enemy fleets during the day. After enemy fleets are found, the land-based aircraft will then sortie to attack.

Each naval fleet begins with a certain number of fictional fleet commanders, depending on the scenario chosen. These commanders can be placed in command of any of the 16 fleets the player arranges. The player creates the commanders with a set of rolled scores in certain attributes – Air command ability, Sea command ability, Bravery, and overall War ability. Scores range from 01 to 99, and the total between the four scores is 102. Air and Sea abilities affect the actual combat performance of ships and planes under that commander's control. Bravery affects the commander's decision making when the fleet is under AI control. War is an overall rating, which is useful when it comes to convincing the Army and other military officials to agree with your submissions for objectives, budgeting, and industrial production.

• Italic Title — no • Name — Teitoku no Ketsudan • Type — soundtrack • Artist — Hiroshi Miyagawa • Released — September 5, 1989 • Genre — Orchestral, video game music • Length — * 41:01 • Label — KOEI (distributed by Polydor K.K.) • Producer — * KOEI Sound Ware Division • Kou Shibusawa The music was composed by longtime anime musician Hiroshi Miyagawa, who wrote a completely orchestral score. The soundtrack was recorded with the Tokyo City Philharmonic Orchestra featuring soprano voice of Kazuko Kawashima among July 18-August 4, 1989. An album CD titled Teitoku no Ketsudan was published by KOEI Sound Ware and distributed by Polydor K.K. on September 5. The disc covers a total duration of 41:01 with 8 tracks, the first half dedicated to the orchestral suite in four movements. This soundtrack has the honor of being the first in-game orchestral score for a video game in history, a milestone achieved in April 1990 when it was released on CD-ROM for FM Towns. In fact, the previous version released for PC-88 already used the Teitoku no Ketsudan album synchronized with the game taking advantage of Sound Ware system made up by KOEI.