Óscar Esplá
Óscar Esplá y Triay (5 August 1886 – 6 January 1976) was a Spanish composer. The Conservatorio Superior de Música (conservatory) of the city of Alicante is dedicated to him. The Premio internacional de composición Óscar Esplá (Óscar Esplá international prize for composition) was created in 1955 and is awarded by the city of Alicante.
Also recorded as Oscar Espla · Óscar Esplá y Triay
Óscar Esplá

Vicente Bañuls · Photograph: Luis García (Zaqarbal), 16 July 2008. · Public domain
- Name
- Óscar Esplá
- Birth Name
- Óscar Esplá y Triay
- Born
- 5 August 1886
- Birthplace
- Alicante, Spain
- Died
- 6 January 1976
- Place of death
- Madrid, Spain
- Occupation
- composer
- Nationality
- Spain.
- Fields
- opera.
- Education
- Conservatori Superior de Música del Liceu and University of Barcelona.
- Teachers
- Max Reger, Juan Latorre Baeza and Camille Saint-Saëns.
- Honours
- Knight of the Legion of Honour, Chevalier des Arts et des Lettres, Grand Cross of the Civil Order of Alfonso X the Wise and Gold Medal of Merit in the Fine Arts.
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wikidata · Q3751764 · wikipedia · Óscar Esplá
In this article
Biography
Biography
Óscar Esplá studied at Conservatori Superior de Música del Liceu and University of Barcelona. Training under Max Reger, Juan Latorre Baeza and Camille Saint-Saëns is recorded. Gustavo Pittaluga González del Campillo and Joaquín Villatoro are recorded as having studied under Óscar Esplá. The recorded working language is Spanish. Subjects and genres recorded for the work are opera. Distinctions recorded are Knight of the Legion of Honour, Chevalier des Arts et des Lettres, Grand Cross of the Civil Order of Alfonso X the Wise and Gold Medal of Merit in the Fine Arts.
Key facts
Key facts
• Honorific Prefix — The Most Excellent • Name — Óscar Esplá • Birth Name — Óscar Esplá y Triay • Born — 5 August 1886 • Birthplace — Alicante, Spain • Died — 6 January 1976 • Place of death — Madrid, Spain • Occupation — composer
Life
Life
Óscar Esplá was born on 5 August 1886 in Alicante, in the Kingdom of Spain. His early musical studies were with his father, Trino Esplá, and with Fernando Lloret and Juan Latorre Baeza. In 1903 he went to Barcelona to study industrial engineering, but later changed to study philosophy. He studied composition with Francisco Sánchez Gavagnac. In 1911, after winning an international prize, he went to Austria and Germany; he met Ferdinand Löwe in Vienna, and Max Reger in Meiningen. In 1912–13 he was in Paris; he met Saint-Saëns, but there is no evidence that he studied with him. In 1936 Esplá was appointed director of the Conservatorio Nacional de Música y Declamación in Madrid, but did not take up the position. Instead, because of the Spanish Civil War, he left Spain and went with his family to Belgium, where he worked for Le Soir, which at that time was under Nazi control. He was not permitted to return to Spain until 1950. With Roberto Gerhard, Frederic Mompou and Adolfo Salazar, he was a part of the Spanish Grupo de los cuatro. He died in Madrid on 6 January 1976, and was buried in the church of the Monasterio de la Santa Faz in Alicante.
Works
Works
• El sueño de Eros (1910), symphonic poem • Suite levantina (1911) • La nochebuena del diablo (1923), cantata • Don Quijote velando las armas (1924), symphonic poem • Himno republicano (1931), which contributed to the official version of the Himno de Riego under the Second Spanish Republic (1931–1939) • Tres Canciones (1952) • Sinfonía Aitana (1964) • Tres Movimientos para piano • Sonata Española para piano • Crespusculum op. 15 para piano
Life and career
Dated record
Life and career
The full dated record · 1 entries
1976
Óscar Esplá died at Madrid.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Alicante.
Birth place
Madrid.
Death place
Honours
Esplá was elected to the Académie des Beaux-Arts de Paris on 9 May 1956. In 1959 he received the Grand Cross of the Orden de Alfonso X el Sabio. He was elected an honorary member of the International Society for Contemporary Music in 1965.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Óscar Esplá, revision 1343944293 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Tomás Marco, Spanish Music in the Twentieth Century, .
- 2.Révisée pour la création espagnole et renommée Suite levantina l'année suivante.
- 3.Jan de Kloe, Oscar Esplá in Belgium (1936-1949).
- 4.L'écrivain lui dédicacera l'un de ses livres paru en 1919, : cf. Rosa Elia Castelló Gómara, Gabriel Miró y Óscar Esplá (2007).
- 5.Diego lui dédicace son livre de poèmes : À mon très grand ami Oscar Esplá.
- 6.Pedro Aullón de Haro (2005) : Óscar Esplá y Eusebio Sempere en la Construcción de la Modernidad ( ), .
- 7.Unión Musical Ediciones , révisions et corrections par Margherita Marseglia et . Voyez leur enregistrement dans la discographie.
- 8.L'épisode fait référence au Chapitre III du Don Quichotte de Cervantes.
- 9.Tomás Marco, Spanish Music in the Twentieth Century, 53.
- 10.https://cvc.cervantes.es/literatura/aih/pdf/15/aih_15_3_024.pdf
Bibliography printed in the source article · 12
- Antonio Iglesias, Óscar Esplá, Madrid, Servicio de Publicaciones de Educación y Ciencia. Secretaría Técnica, 1973 .
- Jeannine Bouché, Cancionero de Joaquín Turina y Óscar Esplá, Madrid, J. Bouché, 1998 (tesina leída en la U. de Toulouse-le-Mirail, 1975) .
- Emiliano García Alcázar, Óscar Esplá y Triay: (Alicante, 5-8-1886, Madrid, 6-1-1976): estudio monográfico y documental, Alicante, Instituto de Cultura Juan Gil-Albert: CAM, Fundación Cultural, 1993 .
- Xavier Montsalvatge, Introduccion sobre la obra de Óscar Esplá, Sociedad, Arte y cultura en la obra de Óscar Esplá, Madrid, INAEM, 1996.
- Jan de Kloe, Oscar Esplá in Belgium (1936-1949), Columbus (États-Unis), Éditions Orphée, 2001 .
- Paloma Otaola, Don Quichotte dans l'œuvre d'Óscar Esplá (1886-1976) ( ), dans Don Quichotte au : réceptions d'une figure mythique dans la littérature et les arts [colloque interdisciplinaire] par Danielle Perrot (compilation), Presses universitaires Blaise Pascal, 2003 . Touche à l'étude d'un article et la pièce symphonique La veillée d'arme de Don Quichotte de Esplá. Exemples musicaux.
- Luis Español Bouché, « Oscar Esplá: la música en el exilio », dans Ateneístas Ilustres, Madrid, Ateneo de Madrid, 2005, .
- VV. AA., Sociedad Arte y Cultura en la obra de Óscar Esplá, Madrid, Instituto Nacional de Arts Escénicas y de la Música, 1996.
- María Victoria García Martínez, El regreso de Óscar Esplá, análisis del proceso de inserción de la figura y obra del compositor en la vida musical y cultural tras el exilio, Instituto alicantino de cultura Juan Gil-Albert, Alicante 1950,
- Tomás Marco, Spanish Music in the Twentieth Century Harvard University Press, 1993,
- Correspondecia de Óscar Esplá a Eduardo del Pueyo, Instituto alicantino de cultura Juan Gil-Albert, Alicante 2001,
- Paloma Otaola Gonzalez, Poetas y músicos en torno a 1927: la inspiración literaria en las obras de Oscar Esplá (1886-1976), Actes du XV Congrès de l'Association Internationale d'Hispanistes .
References
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References
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Secondary witness
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