Oscar Apfel
Apfel (January 17, 1878 – March 21, 1938) was an American film actor, director, screenwriter, and producer. He appeared in more than 160 films between 1913 and 1939, and also directed 94 films between 1911 and 1927.
Also recorded as Oscar C. Apfel
Oscar Apfel

The First One Hundred Noted Men and Women of the Screen, by Carolyn Lowrey. Retrieved from Google Book Search. · Public domain
- Name
- Oscar Apfel
- Born
- 17 January 1878
- Birthplace
- Cleveland, Ohio, U.S.
- Died
- 21 March 1938
- Place of death
- Hollywood, U.S.
- Occupation
- Actor, director, producer, screenwriter
- Nationality
- United States
- Languages
- English
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Apfel (January 17, 1878 – March 21, 1938) was an American film actor, director, screenwriter, and producer. He appeared in more than 160 films between 1913 and 1939, and also directed 94 films between 1911 and 1927.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Oscar Apfel. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q3356950 · wikipedia · Oscar Apfel
In this article
Biography
Biography
Apfel worked between 1878 and 1938 across actor, screenwriter, film director, film producer and stage actor and 1 further recorded occupations. This article rests on 5 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
Key facts
Key facts
• Name — Oscar Apfel • Born — 17 January 1878 • Birthplace — Cleveland, Ohio, U.S. • Died — 21 March 1938 • Place of death — Hollywood, U.S. • Occupation — Actor, director, producer, screenwriter • Years Active — 1913–1938
Biography
Biography
Apfel was born in Cleveland, Ohio. After a number of years in commerce, he decided to adopt the stage as a profession. He secured his first professional engagement in 1900, in his hometown. He rose rapidly and soon held a position as director and producer, and was at the time noted as being the youngest stage director in America. He spent 11 years on the stage on Broadway, then joined the Edison Manufacturing Company. Apfel first directed for Thomas A. Edison, Inc. in 1911–12, where he made the innovative short film The Passer-By (1912). He also did some experimental work at Edison's laboratory in Orange, on the Edison Talking Pictures devices.
Lasky
Lasky
When Apfel left the Edison company, he joined Reliance-Majestic Studios, remaining with them 18 months. In 1913, he became one of two main directors for the Jesse Laskyn Feature Play Company, the other being Cecil B. DeMille. All the first Lasky pictures were produced under his direction. Among these were the notable successes The Squaw Man, Brewster's Millions, The Master Mind, The Only Son, The Ghost Breaker, The Man on the Box, The Circus Man, and Cameo Kirby. Apfel's directorial collaboration with DeMille was a crucial element in the development of DeMille's filmmaking technique.
Fox
Fox
In late 1914, Apfel left the Lasky Company and directed for various companies into the 1920s. His first move was to the producing staff of the William Fox Corporation, where he directed a series of pictures in which William Farnum starred. Some of these were A Soldier's Oath, Fighting Blood, The End of the Trail, The Battle of Hearts, and A Man of Sorrow.
Paralta
Paralta
For the Paralta Company, where Apfel went after leaving the Fox Corporation, he produced Peter Kyne's A Man's a Man and The Turn of a Card in which J. Warren Kerrigan starred.
Armenian relief
Armenian relief
Ravished Armenia (1919) (also known as Auction of Souls), a public-awareness picture for the Armenian Relief Committee, was Apfel's work. This production commanded wide attention and attracted great crowds at the special showings, which took place at the Plaza and other prominent hotels. The sympathetic interest evoked by its revelations helped in materially adding to the large sums that were subscribed to this cause. A series of pictures for the World Film Corporation, starring Kitty Gordon, Montague Love, June Elvidge, Louise Huff, and Evelyn Greeley, was also among Apfel's successful productions.
Final years
Final years
After many years as a director, he gradually returned to acting. On March 21, 1938, Apfel died in Hollywood from a heart attack.
Actor
Actor
• The Texan (1930) as Thacker • Abraham Lincoln (1930) as Secretary of War Stanton • The Spoilers (1930) as A. Struve • Liliom (1930) as Stefen Kadar (uncredited) • The Virtuous Sin (1930) as Maj. Ivanoff • Huckleberry Finn (1931) as The King • Five Star Final (1931) as Bernard Hinchecliffe • Sidewalks of New York (1931) as Judge • The Yellow Ticket (1931) as British Embassy Butler (uncredited) • The Woman from Monte Carlo (1932) as Dr. Rabeouf • Speak Easily (1932) as Lawyer's Representative (uncredited) • A Successful Calamity (1932) as President of the United States • Make Me a Star (1932) as Henshaw • False Faces (1932) as Fineberg • High Pressure (1932) as Mr. Hackett • Call Her Savage (1932) as Doctor Treating Crosby (uncredited) • Rasputin and the Empress (1932) as Undetermined Secondary Role (uncredited) • Employees' Entrance (1933) as Board of Directors Member #5 (uncredited) • Gabriel Over the White House (1933) as German Delegate to Debt Conference (uncredited) • The Story of Temple Drake (1933) as District Attorney (uncredited) • Storm at Daybreak (1933) as Counselor Velasch (uncredited) • Tugboat Annie (1933) as Reynolds (uncredited) • One Man's Journey (1933) as John Radford • The Bowery (1933) as Ivan Rummel • The World Changes (1933) as Mr. Morley • The House of Rothschild (1934) as Prussian Officer • Whirlpool (1934) as Newspaper Editor • Manhattan Melodrama (1934) as Speaker of Assembly (uncredited) • The Old Fashioned Way (1934) as Mr. Livingston (uncredited) • Bordertown (1935) as Judge Rufus Barnswell (uncredited) • Romance in Manhattan (1935) as The Judge • Dante's Inferno (1935) as Mr. Williams (uncredited) • Man on the Flying Trapeze (1935) as President Malloy • O'Shaughnessy's Boy (1935) as Martha's Lawyer • Sutter's Gold (1936) as Bartender (uncredited) • Hearts in Bondage (1936) as Capt. Gilman • San Francisco (1936) as Founders' Club Member (uncredited) • Crack-Up (1936) as Alfred Knuxton • The Toast of New York (1937) as Wallack (uncredited) • Fifty Roads to Town (1937) as Smorgen • Conquest (1937) as Count Potocka (uncredited) • Angel of Mercy (1939, Short) as Red Cross Representative (uncredited)
Director
Director
• The Bells (1913) • The Squaw Man (1914) • The Master Mind (1914) • The Man on the Box (1914) • After Five (1915) • The Little Gypsy (1915) • The Battle of Hearts (1916) • The Hidden Children (1917) • The Turn of a Card (1918) • The Rough Neck (1919) • Ravished Armenia (1919) • Phil for Short (1919) • Ten Nights in a Bar Room (1921) • Bulldog Drummond (1922) • The Sporting Chance (1925) • The Thoroughbred (1925) • The Last Alarm (1926) • Somebody's Mother (1926)
Work for the screen
Work for the screen
Among them are A Man for All That (1911), Home (1911), The Awakening of John Bond (1911), The Minute Man (1911), Aida (1911) and The Battle of Bunker Hill (1911).
Life and career
Dated record
Life and career
Explore 1878–1938
The full dated record · 3 entries
1878
Oscar Apfel born at Cleveland.
1938
Dies at Hollywood.
1938
Oscar Apfel died at Hollywood.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Cleveland.
Birth place
Hollywood.
Death place
Films and moving-image works, 1911–1919
Catalogued output
Films and moving-image works, 1911–1919
They belong to a run of 98 titles in all, from 1911 to 1927. A selection is set out below and the complete run may be opened beneath it.
The run opens with A Man for All That and closes with The Oakdale Affair
A Man for All That
1911
Home
1911
The Awakening of John Bond
1911
The Minute Man
1911
Aida
1911
The Battle of Bunker Hill
1911
Foul Play
1911
The Black Arrow
1911
The Capture of Fort Ticonderoga
1911
Then You'll Remember Me
1911
Uncle Hiram's List
1911
The complete catalogue · 60
The run opens with A Man for All That and closes with The Oakdale Affair
A Man for All That
1911
Home
1911
The Awakening of John Bond
1911
The Minute Man
1911
Aida
1911
The Battle of Bunker Hill
1911
Foul Play
1911
The Black Arrow
1911
The Capture of Fort Ticonderoga
1911
Then You'll Remember Me
1911
Uncle Hiram's List
1911
The Wedding Bell
1911
How Washington Crossed the Delaware
1912
Martin Chuzzlewit
1912
Thirty Days at Hard Labor
1912
The Passer-By
1912
The Corsican Brothers
1912
Tony's Oath of Vengeance
1912
The Bank President's Son
1912
The Boss of Lumber Camp Number Four
1912
Caleb West
1912
The Guilty Party
1912
A Romance of the Ice Fields
1912
The Heir Apparent
1912
Thelma
1912
The Winner and the Spoils
1912
Hazel Kirke
1912
The Fires of Conscience
1912
Duty and the Man
1913
The Bells
1913
The Fight for Right
1913
The Man from Outside
1913
The Open Road
1913
The Tangled Web
1913
Held for Ransom
1913
The Judge's Vindication
1913
Half a Chance
1913
The Squaw Man
1914
The Call of the North
1914
Brewster's Millions
1914
Rose of the Rancho
1914
The Ghost Breaker
1914
The Making of Bobby Burnit
1914
The Man on the Box
1914
The Master Mind
1914
The Only Son
1914
The Circus Man
1914
Cameo Kirby
1914
Ready Money
1914
The Last Volunteer
1914
A Leech of Industry
1914
A Soldier's Oath
1915
Snobs
1915
The Rug Maker's Daughter
1915
After Five
1915
Kilmeny
1915
Peer Gynt
1915
The Wild Olive
1915
The Broken Law
1915
A further 22 recorded entries stand behind this article and are held on the record.
Films and moving-image works, 1921–1927
Catalogued output
Films and moving-image works, 1921–1927
17 films carry dates between 1921 and 1927
The run opens with Ten Nights in a Bar Room and closes with Code of the Cow Country
Ten Nights in a Bar Room
1921
Bulldog Drummond
1922
The Man Who Paid
1922
A Man's Man
1923
The Lion's Mouse
1923
The Social Code
1923
In Search of a Thrill
1923
The Sporting Chance
1924
The Trail of the Law
1924
The Heart Bandit
1924
Primary material
Documents and archives
reference work
- “Oscar Apfel”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q3356950: Oscar Apfel
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Carolyn Lowrey (1920) The First One Hundred Noted Men and Women of the Screen, Moffat, Yard and Company, New York
- 2.Oscar Apfel. The New York Times. 2013.
- 3.OSCAR C. APFEL; Movie Director and Character Actor Dies in Hollywood. The New York Times. 23. March 23, 1938.
- 4.Kinnard, Roy. Horror in Silent Films: A Filmography, 1896-1929. McFarland. April 8, 1995. 9780786400362.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
Elsewhere in Film memorabilia
37,408 published records in this field, each with its sources named.
- Orwa NyrabiaPerson
- Osamu KanedaPerson
- Osamu MukaiPerson
- Oscar A. C. LundPerson
- Oscar AschePerson
- Oscar Barney FinnPerson
- Óscar CatacoraPerson
- Oscar Fritz SchuhPerson
Best supported in this field
For owners
Own a work by Oscar Apfel?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.