orpharion
The orpharion (or) or opherion is a plucked stringed instrument from the Renaissance, a member of the cittern family. Its construction is similar to the larger bandora and is an ancestor of the guitar. The metal strings are tuned like a lute and are plucked with the fingers.
orpharion

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- Name
- Orpharion
- Field
- necked, flat-backed, plucked lute and Multi-scale fingerboard.
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Documentary evidence
Documentary basis
Authority files
gnd · 16343528-5 · wikidata · Q1751664 · wikipedia · Orpharion
In this article
Overview
Overview
It has a multi-scale fingerboard: the nut and bridge of an orpharion are typically sloped, so that the string length increases from treble to bass. Due to the extremely low-tension metal strings, which would easily distort the notes when pushed down, the frets were almost flush with the fingerboard, which was gently scalloped. According to Stow's "Annals" (1631), John Rose of Bridewell invented the instrument in 1581. A Rose orpharion in Helmingham Hall was allegedly given as a gift to Queen Elizabeth I, and may well be that first example. It has six courses and the bridge and nut are parallel. The only other surviving orpharion, now in the Claudius Collection in Copenhagen, has nine courses with fanned frets, and dates to 1617. The name orpharion comes from Orpheus and Arion. William Barley published a book of Orpharian tablature in 1596. It contained music by Francis Cutting, John Dowland, Philip Rosseter, Peter Philips, Anthony Holborne, Edward Johnson and William Byrd. It was entitled A new book of tablature for the orpharion, containing sundry sorts of lessons, collected together [by William Barley] out of diverse good authors, for the furtherance and delight of such as are desirous to practise on this instrument.
Key facts
Key facts
• Name — Orpharion • Classification — String instrument (plucked) • Hornbostel Sachs — 321.322 • Hornbostel Sachs Desc — Composite chordophone • Developed — 15th century • Related — * Lute • Mandolin
Literature
Literature
Literature
Oxford English Dictionary, 2023
The Orpharion and Bandora, The Galpin Society Journal, 1960
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Orpharion, revision 1249599140 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Orpheoreon" in Groves Dictionary of Music and Musicians (1946).
Bibliography printed in the source article · 1
- Wells, Robin Headlam. Elizabethan Mythologies: Studies in Poetry, Drama, and Music. 1946.
References
Citations
References
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reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Collectables
20,755 published records in this field, each with its sources named.
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