Olga Preobrazhenskaya
Olga Ivanovna Preobrazhenskaya (24 July 1881 – 30 October 1971) was a Russian actress and film director. She was one of the first female film directors and the first female film director in Russia. She is best known for directing the films Women of Ryazan (1927) and And Quiet Flows the Don (1930).
Also recorded as Olga Ivanovna Preobrazhenskaya · Preobrazhenskaya O.
Olga Preobrazhenskaya
- Name
- Olga Preobrazhenskaya
- Born
- 24 July 1881
- Birthplace
- Moscow, Russia
- Died
- 30 October 1971
- Place of death
- Moscow, Soviet Union
- Occupation
- * Film director
- Nationality
- Russian Empire · Soviet Union
- Honours
- Honored art worker of the Russian Soviet Federative Socialist Republic
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Olga Ivanovna Preobrazhenskaya (24 July 1881 – 30 October 1971) was a Russian actress and film director. She was one of the first female film directors and the first female film director in Russia. She is best known for directing the films Women of Ryazan (1927) and And Quiet Flows the Don (1930).
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Olga Preobrazhenskaya (1881–1971) was an actor, actress and film director, among other activities, of Russian and Soviet nationality. The actor was born and died in Moscow. Olga Preobrazhenskaya worked for Gerasimov Institute of Cinematography.
Composed from admitted, traceable facts · 01 October 2026
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Key facts
Key facts
• Name — Olga Preobrazhenskaya • Born — 24 July 1881 • Birthplace — Moscow, Russia • Died — 30 October 1971 • Place of death — Moscow, Soviet Union • Occupation — * Film director • actress • Years Active — 1913–1961
Biography
Biography
Olga Ivanovna Preobrazhenskaya was born on 24 July 1881, in Moscow. From 1901 to 1904, she studied in the actor school of Moscow Art Theater. From 1905, she worked in theaters in Poltava, Tbilisi, Riga, Odessa, Voronezh and Moscow. In 1913, she debuted as film actress in The Keys to Happiness, directed by Vladimir Gardin and Yakov Protazanov, and she starred in several popular adaptations of Russian classics, such as War and Peace and On the Eve (both 1915). Preobrazhenskaya was one of the founders of the actor school of the VGIK, where she taught from 1918 to 1925. In 1916 Preobrazhenskaya directed Miss Peasant — it was her directorial debut. When it was released it received praise, but since it was the debut film of a woman director, it was treated with distrust, and on the posters and reviews her name was often written with a male ending or attributed to other directors. After graduating from the Moscow Art Theater School in 1923 she worked as a director at the Goskino film studio (now Mosfilm), was the second director on the films Locksmith and Chancellor (1923). Starting in 1927, she collaborated with film director Ivan Pravov, with whom she made several films together. Their most well-known films were Women of Ryazan (1927) and And Quiet Flows the Don (1930).
Filmography
Filmography
• As Actress • Year — Title — Role — Notes • 1924 — Locksmith and Chancellor (Слесарь и канцлер) • 1923 — The Landowner (Помещик) • 1919 — The Iron Heel (Железная пята) • 1916 — Whose Guilt? (Чья вина?) • 1916 — Deep Pool (Омут) • 1916 — The Great Passion (Великая страсть) • 1915 — Privalov's Millions (Приваловские миллионы) • 1915 — Plebeian (Плебей) • 1915 — Peterburg Slums (Петербургские трущобы) • 1915 — On the Eve (Накануне) • 1915 — The Garnet Bracelet (Гранатовый браслет) • 1915 — War and Peace (Война и мир) • 1914 — Mask of Death (Маска смерти) • 1914 — A Nest of Gentlefolk (Дворянское гнездо) • 1914 — Dionysus' Anger (Гнев Диониса) • 1913 — The Keys to Happiness (Ключи счастья) • As Director • Year — Title — Role — Notes • 1941 — Lad from Taiga (Парень из тайги) — Director — co-directed with Ivan Pravov • 1939 — Stepan Razin (Степан Разин) — Director — co-directed with Ivan Pravov • 1935 — Paths of Enemies (Вражьи тропы) — Director — co-directed with Ivan Pravov • 1930 — And Quiet Flows the Don (Тихий Дон) — Director — co-directed with Ivan Pravov • 1929 — The Last Attraction (Последний аттракцион) — Director — co-directed with Ivan Pravov • 1928 — A Town Full of Light (Светлый город) — Director — co-directed with Ivan Pravov • 1927 — Women of Ryazan (Бабы рязанские) — Director • 1927 — Anne (Аня) — Director • 1926 — Kashtanka (Каштанка) — Director • 1925 — Fedka's truth (Федькина правда) — Director • 1923 — The Landowner (Помещик) — Director • 1918 — Tale of Priest Pankrat (Сказка о попе Панкрате) — Director • 1917 — Victoria (Виктория) — Director • 1916 — Miss Peasant (Барышня - крестьянка) — Director — co-directed with Vladimir Gardin
Identity
Identity
Olga Preobrazhenskaya is recorded as having received Honored art worker of the Russian Soviet Federative Socialist Republic.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1971
Olga Preobrazhenskaya died at Moscow.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Voront͡sov, I͡Uriĭ. The Phenomenon of the Soviet Cinema. Progress Publishers. 19. 1980. 978-0-7147-1613-8.
- 2.Peter Rollberg. Historical Dictionary of Russian and Soviet Cinema. Rowman & Littlefield. 542–544. 2009. 978-0-8108-6072-8.
- 3.Smith, Sharon. Women who Make Movies. Hopkinson and Blake. 135. 1975. 978-0-911974-09-6.
- 4.Foster, Gwendolyn Audrey. Women Filmmakers & Their Films. St. James Press. IX, 338. 1998. 978-1-55862-357-6.
- 5.Hysteria Magazine Collective. Hysteria. 18. 1982.
- 6.Ferro, Marc. Cinema and History. Wayne State University Press. 48. 1988. 978-0-8143-1905-5.
- 7.Jay Leyda. Kino: A History of the Russian and Soviet Film. George Allen & Unwin. 231. 1960.
- 8.A Soviet Silent Film. The New York Times. 1932-03-19. 0362-4331.
- 9.Encyclopedia of Native Cinema. Ольга Преображенская.
- 10.Horton, Andrew. The Zero Hour: Glasnost and Soviet Cinema in Transition. Princeton University Press. 103, 258. 2021-03-09. 978-0-691-22786-3.
- 11.Yulia Shamporova. Человек с киноаппаратом: 5 женщин-режиссеров, стоявших у истоков кинематографа. Forbes. 20 August 2021.
- 12.Leyda, Jay. Kino, a History of the Russian and Soviet Film. Collier Books. 419, 428. 1973.
- 13.Liehm, Mira. The Most Important Art: Soviet and Eastern European Film After 1945. University of California Press. 40. 1980-01-01. 978-0-520-04128-8.
- 14.Dobrenko, Evgeny. Stalinist Cinema and the Production of History: Museum of the Revolution. Edinburgh University Press. 24. 2008-03-05. 978-0-7486-3243-5.
- 15.H.W. Wilson Company. Motion Picture Review Digest. 67. 1936.
- 16.Kozlov, Vladimir. Russian Culture Ministry to Finance TV Series Based on Classic Novel. The Hollywood Reporter. 2013-08-01.
- 17.Vitale, Serena. Shklovsky: Witness to an Era. Deep Vellum Publishing. 2012-12-18. 978-1-56478-824-5.
- 18.Stites, Richard. Russian Popular Culture: Entertainment and Society Since 1900. Cambridge University Press. 60. 1992-08-20. 978-0-521-36986-2.
- 19.Olsen, Kirstin. Chronology of Women's History. Greenwood Publishing Group. 200, 224. 1994. 978-0-313-28803-6.
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