Norma Cole

She has also translated nine volumes of poetry and critical work by French-language poets, including Emmanuel Hocquard, Danielle Collobert, Fouad Gabriel Naffah, and Jean Daive. Cole moved to San Francisco in 1977 and joined the community of poets congregating around Robert Duncan and the New College of California. Her papers are collected at the Archive for New Poetry at the Mandeville Special Collections Library, University of California San Diego and at the Poetry Collection at Buffalo Libraries Special Collection.

• Name — Norma Cole • Born — 12 May 1945 • Birthplace — Toronto, Canada • Occupation — Poet, visual artist, translator, curator • Education — University of Toronto • Period — Late 20th century – present • Genre — Poetry, translation, visual art • Notable Works — Alibi Lullaby, "Where Shadows Will", Spinoza in Her Youth, Collective Memory • Awards — Gerbode Poetry Prize, Foundation for Contemporary Arts Grants to Artists Award, Robert D. Richardson Non-Fiction Award • Website — NormaCole.org

Born in Toronto, Canada to an Anglophone family, Norma Cole began writing poetry at a young age. She received a B.A. in Modern Languages and Literature (French and Italian) from the University of Toronto in 1967 and an M.A. in French Language and Literature in 1969. Cole then moved to France and lived for several years in a small village of artists and artisans in the foothills of the Alpes-Maritimes near Nice, where she immersed herself in writing and visual art. In the early 1970s, Cole returned to Toronto and then moved to San Francisco in 1977, where she has lived since, while still maintaining a close relationship to France. Cole quickly became engaged with the lively poetry community in San Francisco, particularly the community connected with the New College of California, including Robert Duncan, Michael Palmer, David Levi Strauss, Susan Thackrey, Aaron Shurin, and Laura Moriarty.

Norma Cole's work has been noted for its "openness to traditions and practices, artists and writings, radically divergent from her own". And throughout her career, she has been recognized “as a connector of diverse communities through multiple pathways and associations.” In collaboration with the San Francisco State Poetry Center, she created a three-part installation, Collective Memory, which was shown at The California Historical Society from Dec. 2004-April 2005 as part of the exhibition Poetry and its Arts: Bay Area Interactions 1954–2004. She also collaborated with San Francisco’s Poets’ Theater throughout the 80s, 90s, and 00s, and wrote two of their plays with the director, Kevin Killian. And she has collaborated with a number of other visual artists, including Marina Adams, Amy Trachtenberg, and Jess (Collins). She is also a curator; she organized and presented a show of Marina Adams’ work at the Cue Arts Foundation in NYC, and has served as a curatorial member of the Right Window Collective in San Francisco for the past several years.

In 2025, literary critic and professor Dale M. Smith edited That Tongue Be Time, a collection of essays on Cole’s work by writers, translators, and critics, including Vincent Katz, David Levi Strauss, Laura Moriarty, Martin Corless-Smith, Roberto Tejada, and Garrett Caples. The essays cover all aspects of her work, touching on her poetics, her visual art, her community involvements, and her translations as well as presenting in-depth discussions of her extensive body of poetry. It was published by the University of New Mexico Press.

• Mace Hill Remap (Paris: Moving Letters, 1988). [e-text version available: see External links below] • Quotable Gestures, (CREAPHIS/un bureau sur l'Atlantique, France, 1998) • Desire & its Double (Instress, 1998). • The Vulgar Tongue (a+bend, 2000). • A little a & a (Seeing Eye Books, Los Angeles, 2002). • Burns (Belladonna Books, 2002). • 14000 Facts (A+Bend Press, 2009)

• It Then by Danielle Collobert (O Books, 1989). • The Surrealists Look at Art, essays by Aragon, Breton, Eluard, Soupault, Tzara, edited and translated with Michael Palmer, (Lapis Press, Venice, California, 1990). • This Story is Mine: Little Autobiographical Dictionary of Elegy by Emmanuel Hocquard, (Instress, 1999). • A Discursive Space: Interviews with Jean Daive by Anne-Marie Albiach, (Duration Press, Sausalito, California, 1999. • (editor and translator) Crosscut Universe, an anthology of poetry / poetics by contemporary French writers, (Burning Deck, 2000). • Nude by Anne Portugal [Le Plus simple appareil], (Kelsey Street Press, Berkeley, California, 2001) • Distant Noise by Jean Frémon, (with Lydia Davis, Serge Gavronsky, Cole Swensen), (Avec Books, Penngrove, California, 2003). • Notebooks 1956-1978 by Danielle Collobert, (Litmus Press, 2003) • Mind-God and the Properties of Nitrogen by Fouad Gabriel Naffah (Post-Apollo Press, Sausalito, California, 2004). • Paul Celan: les jours et les nuits by Jean Daive (Duration Press, 2020).

• Metamorphopsia (Poets & Poets, 1988). • My Bird Book (Littoral, 1991). • Mars (Listening Chamber, Berkeley, California 1994). • Moira (O Books, 1995). • Contrafact (Poets & Poets, 1996). • Spinoza in Her Youth (Omnidawn Publishing, Richmond, CA, 2002). • Do the Monkey (Zasterle, 2006). • Natural Light (Libellum, 2009) • Where Shadows Will: Selected Poems 1988-2008 (City Lights Books, San Francisco, 2009). • Win These Posters and Other Unrelated Prizes Inside. (Omnidawn Publishing, Richmond, CA, 2010) • Actualities (collaboration with painter Marina Adams) (New York: Litmus Press, 2015) • FATE NEWS (Richmond, CA: Omnidawn, 2018) • Alibi Lullaby (Omnidawn Publishing, Richmond CA, 2025) • Mars (City Lights Books, San Francisco, California 2026).

• Scout, text/image work in CD ROM format, (Krupskaya, 2004). • At All: Tom Raworth & His Collages (Hooke Press, 2006). • Collective Memory (Granary Books, 2006), poetry/photos, with book design by Emily McVarish; based on Cole's extended installation/performance for the exhibition "Poetry and its Arts: Bay Area Interactions 1954-2004" (California Historical Society, San Francisco, CA, 2004–05).