Nicolò Minato

Minato is best remembered for his vast output as a librettist for opera. In total, he wrote over 200 librettos. His career began with Orimonte, written in 1650 for Francesco Cavalli. At this time he worked primarily as a lawyer, and it was only over a decade later that he abandoned this, his first profession, and turned fully to the composition of librettos and theatre management (as did his contemporary, Giovanni Faustini. Minato was also a member of several literary academies, including, along with Busenello, the Accademia degli Imperfetti, a group that devoted itself to studying the classics and contemporary jurisprudence. He wrote 11 librettos for Venice, most of them for Cavalli, though a few were first set by Antonio Sartorio. In 1665 he became a prominent figure in the running of the Teatro San Salvador. While there he collaborated with composer Giovanni Legrenzi in revising his opera Zenobia e Radamisto in 1667. In 1669 he left Venice to take up a post in Vienna as court poet to the Emperor Leopold I. At Vienna he wrote over 170 librettos, averaging around 5 a year, in genres as diverse as opera seria and festa teatrale. In addition to his duties as a writer of secular works, Minato was also a prolific producer of sacred texts, often described as oratorios. He largely provided these texts for performances given to mark special occasions - birthdays in the royal family, for example, or possibly Lenten celebrations or court weddings.