Nicolas Métru
Nicolas Métru (c. 1610 in Bar-sur-Aube – 1668 in Paris) was a French organist, viol player, and composer of pieces for viol and airs. From 1642 he was organist at St.
Also recorded as Nicolas Metru
Nicolas Métru
![Titre uniforme: Métru, Nicolas (1610?-166.). Compositeur. [Airs. Voix (4). Livre 3] Présentation musicale: [Parties] Appartient à l’ensemble documentaire: RISMImp](https://upload.wikimedia.org/wikipedia/commons/thumb/d/df/III._Livre_d%27airs_%C3%A0_quatre_parties%2C_par_N._Metru%2C_sur_la_Paix_%26_le_mariage_du_Roy_-_bpt6k4500088b_%2829_of_48%29.jpg/1280px-III._Livre_d%27airs_%C3%A0_quatre_parties%2C_par_N._Metru%2C_sur_la_Paix_%26_le_mariage_du_Roy_-_bpt6k4500088b_%2829_of_48%29.jpg)
Métru, Nicolas (1610?-166.). Compositeur · Bibliothèque nationale de France · Public domain
- Born
- 1610 · Bar-sur-Aube.
- Died
- 1668 · Paris.
- Nationality
- France
- Occupation
- composer · viol player
- Movements
- classical music · Baroque music
- Languages
- French
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Nicolas Métru (c. 1610 in Bar-sur-Aube – 1668 in Paris) was a French organist, viol player, and composer of pieces for viol and airs. From 1642 he was organist at St.
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wikidata · Q450147 · wikipedia · Nicolas Métru
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Bar-sur-Aube.
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Paris.
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Nicolas-des-Champs, then some time later master of music for the Jesuits. He taught Couperin and Lully and was an outstanding viol player. His first publication - which survives - was a collection of laudatory airs to verse by Guillaume de Baïf, a minor poet but son of Jean-Antoine de Baïf, for the victorious return of Louis XIII to Paris in 1628 after the end of the 14-month siege of Protestant La Rochelle. His third collection of airs also contains laudatory texts, for the marriage of Louis XIV. His duets for two viols (Paris, 1642) are the first printed example, and therefore probably antedate the duets of Sainte-Colombe. His fantasias for viols, as those of Henry and Moulinié, derive from the air de cour and the dance rather than older styles. His 1642 publication reflects the change in development of the viol in the 1630-1650s with the upper parts being written with the new smaller viols in mind.
Works • Recueil des vers du Sr. G. de Baïf, mis en musique par N. Métru, chantez en l'alégresse de l'heureux retour du roy, Paris, 1628 • Fantaisies, a 2 viole, Paris, 1642 • Premier livre d'airs Paris 1646, - lost • Deuxième livre d’airs, Paris, 1646 • Troisième livre d'airs, Paris, 1661 • Missa ad imitationem moduli Brevis oratio, Paris, 1663 • Contrafacta, 1632 Editions The CMBV have prepared editions of his duets. Recordings • Neufiesme Fantaisie on Orpheus, Ensemble L'Amoroso, Sou GuiBalestraccio. Zig Zag, 2008
Primary material
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reference work
- “Nicolas Métru”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q450147: Nicolas Métru
General reference · Wikidata
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- 1.Sa ville de naissance est précisée au titre de ses éditions ; sa date de naissance s’estime à partir de son emploi de maître de musique en 1631 : on peut supposer qu’il est déjà majeur (25 ans) à cette date.
- 2.Brossard 1965, p. 216.
- 3.Il a été cité comme organiste de l'église Saint-Nicolas-des-Champs, mais ceci ressort d’une mauvaise lecture du factum de 1695 cité plus bas ; voir Morin 1934 p. 266.
- 4.Tournai : Adrien Quinqué, 1632 (RISM 1632 ).
- 5.L’imprimeur du volume dit dans sa préface que « ces airs sont tirez des œuvres de Guedron, Signac, Moulinié, Boyer, Boesset, Richart, Vavasseur, & du Metru, auteurs plus signalez de ce temps & pour le contentement des curieux, l’auteur en a entremeslez d’autres venans tout fraichement de France, qui n’ont pas encore esté imprimez ». Voir f. g8v.
- 6.Gantez 1643, p. 125.
- 7.Raisons 1695, p. 32-33.
- 8.Paris AN : X/1a/8652, f. 144v.
- 9.C’est l’époque où Jacques I de Sanlecque fait ses premiers essais de typographie à Paris. Sur cette hypothèse (qui revient à supposer qu’en fait c’est Métru qui a fait les frais de la première mésentente entre la maison Ballard et la maison Sanlecque), voir Guillo 2003 vol. I p. 29-31 et Guillo 2010.
- 10.Paris AN : V/6/104. Transcrit dans Lepreux 1911, Doc. 120.
- 11.Paris AN : V/6/106. Transcrit dans Lepreux 1911, Doc. 121.
Bibliography printed in the source article · 10
- Yolande de Brossard. Musiciens de Paris 1535-1792 d’après le fichier Laborde. Paris : Picard, 1965.
- Georgie Durosoir, L'air de cour en France : 1571–1655, Liège, Mardaga, 1991.
- Annibal Gantez, L’Entretien des musiciens..., Auxerre, J. Bouquet, 1643, Sur Gallica.
- Laurent Guillo. Pierre I Ballard et Robert III Ballard, imprimeurs du roy pour la musique (1599-1673). Sprimont et Versailles : 2003. 2 vol.
- Laurent Guillo, « Les éditions musicales imprimées par Jacques I de Sanlecque, Jacques II de Sanlecque et Marie Manchon, veuve Sanlecque (Paris, c. 1633-1661) », La, la, la… Maistre Henri » : mélanges de musicologie offerts à Henri Vanhulst (Turnhout : Brepols ; Tours : CESR, 2010), p. 257-295.
- Denise Launay, « La fantaisie en France jusqu’au milieu du XVIIe siècle », La musique instrumentale de la Renaissance, Paris, 1954, p. 327–338.
- Georges Lepreux, Gallia typographica… Série parisienne. 1 : Livre d’or des imprimeurs du roi. Paris : H. Champion, 1911. Sur Internet Archive.
- Jean-Paul Montagnier, The polyphonic mass in France, 1600-1780 : the evidence of the printed choirbooks, Cambridge : Cambridge University Press, 2017.
- Louis Morin, « Nicolas Métru de Bar-sur-Aube, compositeur et maître de chapelle à Paris au XVIIe siècle », Mémoires de la société académique d’agriculture, des sciences, arts et belles-lettres du département de l’Aube, 96 (1933-1934), p. 257-274. Sur Gallica.
- Raisons qui prouvent manifestement, que les compositeurs de musique ou les musiciens qui se servent de clavecins, luths, & autres instrumens d'harmonie pour l'exprimer, n'ont jamais esté, & ne peuvent estre de la communauté des anciens jongleurs & menestriers de Paris... [Paris, 1695]. Paris BnF : V-16930 (sur Gallica).
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