Nicolai Fechin

After immigrating with his family to New York in 1923 and working there for a few years, Fechin developed tuberculosis and moved West for a drier climate. He and his family settled in Taos, New Mexico, where he became fascinated by Native Americans and the landscape. The adobe house which he renovated in Taos is listed on the National Register of Historic Places and houses the Taos Art Museum. After leaving Taos in 1933, Fechin eventually settled in southern California.

Nicolai Fechin studied at Imperial Academy of Arts, Qazan Art School and Higher Art School at the Imperial Academy of Arts. Pyotr Kotov is recorded as having studied under Nicolai Fechin. The recorded working language is Russian and English. The field of work recorded is painting, graphics and art of sculpture. Subjects and genres recorded for the work are portrait, painting, graphics and art of. Places of work recorded in the authority are Vasilyevo and Nadezhdino. Work by Nicolai Fechin is recorded in the collections of Art Institute of Chicago, New Mexico Museum of Art, Tatarstan State Museum of Fine Arts, Russian Museum and Gilcrease Museum. Distinctions recorded are Order of Saint Stanislaus, 3rd class and Order of Saint Stanislaus.

• Name — Nicolai Fechin • Birth Name — Nikolai Ivanovich Feshin • Born — 8 December 1881 • Birthplace — Kazan, Russian Empire • Died — 5 October 1955 • Place of death — Santa Monica, California, U.S. • Resting Place — Arskoe Cemetery, Kazan • Children — Eya Fechin • Known for — Painting • Training — Imperial Academy of Arts Kazan Art School • Patrons — William S. Stimmel

Nicolai Fechin was born in 1881 in Kazan, Russia. As a child, he almost died from meningitis. His father was a woodcarver and gilder, and the boy learned carving from him. By age eleven, the boy was drawing designs for his father to use in the construction of altars. At the age of 13, he enrolled in the newly established Kazan Art School, a branch of the Imperial Academy of Arts in the capital of St. Petersburg. Based on his work, Fechin was admitted for further study to the Imperial Academy of Arts in Saint-Petersburg, where he studied with Ilya Repin and Filipp Malyavin. During the summer of 1904 he had an influential trip to Siberia, where he was fascinated by the landscape and native peoples. When he returned to Kazan, he often traveled outside the city to capture the rural people and places. In 1909 Fechin graduated with the highest grade possible, and his final competitive canvas won him the Prix de Rome. The traveling scholarship allowed him to visit and study in the artistic capitals of Europe in 1909. The following year he won a gold medal at the annual International Exhibition in Munich. Fechin was invited to show his work at an international exhibition at the Carnegie Institute in Pittsburgh, Pennsylvania in 1910. He began to sell his work in the United States that year through W.S. Stimmel, a patron in New York.

• Illustration — Portrait of Varya Adoratskaya (1914), State Art Museum of Tatarstan, Kazan When Fechin returned from traveling, he resumed teaching at Kazan, where he taught for ten years. He was a popular instructor. He had a less demanding style of lessons than the gruelling exercises he had been forced to complete at the Imperial Academy. Among his students was Konstantin Chebotaryov. In 1910 Fechin was among the founders of the Commune of Artists. He exhibited with the Itinerants from 1912 to 1922 and with the Association of Artists of Revolutionary Russia (AKhRR) from 1922 to 1926. In addition, he designed sets and other scenic elements for the theatre from 1920 to 1922.

In 1913, with his position at the school secure, Fechin married Alexandra Belkovitch (c. 1893–1983), the daughter of the director of the Kazan School of Art. They had a daughter, Eya (1914–2002). In 1933 they divorced and Eya lived with her father most of the time.

The social disruption and widespread deprivation after the Russian Revolution made life difficult, and Fechin's parents died of typhoid fever. During the Russian famine of 1921 he was rescued by the American Relief Administration. In 1923 Fechin and his family emigrated to the United States, where they settled in New York. He was already well known in the States from canvases at American and European exhibitions, as well as sales. His patrons Stimmel and Jack Hunter, also John Burnham, the notable architect and a major collector of his work, helped Fechin and his family leave Russia. He soon was commissioned for new portraits and started teaching at the New York Academy of Art. He exhibited at the National Academy of Design, where in 1924 he won the first prize; in 1926 he won a medal at the 1926 International Exposition in Philadelphia. He became well known for his powerful portraits, which observers said seemed to radiate from the eyes of the subject. Some of his more renowned subjects are Frieda Lawrence, Douglas MacArthur, Anna May Wong, Ella Young, Willa Cather, Mabel Dodge Luhan, Rebecca Salsbury James, Ariadna Mikeshina, David Burliuk, Nikolai Evreinov, and Lillian Gish. At an early age, Fechin had learned carving from his father. As an adult, he produced impressionistic sculpture, primarily from wood. At the Academy he had worked with other materials as well, but he was impatient about the processes of constructing armatures and going through seemingly endless casting cycles. He enjoyed the more direct creative process of working in wood.

While in New York, Fechin developed tuberculosis. Lacking effective antibiotics then, doctors recommended a drier climate for him. Fechin traveled west and in 1927 eventually settled with his family in Taos, New Mexico, which was developing as an arts center. The Taos mountains reminded him of the beauty he had seen in Siberia and he soon painted with fervor. He felt particularly close to the Native Americans, and many of his most acclaimed works done in the United States were of the Native Americans. Fechin had great affection for Taos and became a naturalized American citizen while living there. The Fechins purchased a two-story adobe house, and spent several years enlarging and modifying it according to designs by Fechin. Changes included adding and enlarging windows, enlarging the porch and making the rooms more open. He also carved 51 intricate doors according to Russian style, created triptych windows, and carved furniture for use in the house, which reflects a combination of modernist, Russian and Native American sensibility. A variety of Fechin's works in a range of genres can be seen at his former home, as part of the collection of the Taos Art Museum. Some of the personal spaces have also been preserved. In 1979 the building was listed on the National Register of Historic Places.

Fechin stopped working on the house when he and his wife Alexandra divorced in 1933. She lived at the house until her death in 1983. Fechin returned to New York with their daughter Eya for the winter, and she lived mostly with him until her own marriage. After New York, he traveled to Southern California, Mexico, Japan, and the Pacific Islands of Java and Bali. Soon he bought a spacious house in Hollywood, but in 1948 sold it and moved into a studio in Rustic Canyon in Santa Monica. There he taught small groups of students, painted, and entertained. In 1955 he died in Santa Monica. In 1976 his daughter Eya took his remains back to Russia for reinterment at Arskoe Cemetery in Kazan. The Russian artist Sergei Bongart bought the Rustic Canyon studio where Fechin had lived and painted there until his own death later in 1985.

The authorities additionally record the headings N. Fechin, Nicolai Ivanovich Fechin, Nikolaĭ Ivanovich Feshin, Nikolai Fechin and Nikolay Ivanovich Feshin. His recorded languages were Russian and English. One child is recorded: Eya Nikolaivna Fechin.

Nicolai Fechin is recorded as painter, pastellist, watercolorist, sculptor and artist.