Ngongo ya Chintu
Ngongo ya Chintu, known as the Master of Buli (19th century), was a sculptor of Luba art in what is today the Democratic Republic of the Congo. Little is known of his life, but his work has been collected internationally, and he was said to be well respected in his home village.
Also recorded as Master of Buli
Ngongo ya Chintu
- Name
- Ngongo ya Chintu
- Birthplace
- Kateba, Katanga Province, Democratic Republic of Congo
- Movement
- Luba art
- Field
- Sculpture
- Nationality
- Democratic Republic of the Congo
- Occupation
- artist · sculptor
- Languages
- French
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Documentary summary
Ngongo ya Chintu, known as the Master of Buli (19th century), was a sculptor of Luba art in what is today the Democratic Republic of the Congo. Little is known of his life, but his work has been collected internationally, and he was said to be well respected in his home village.
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wikidata · Q55625155 · wikipedia · Ngongo ya Chintu
In this article
Key facts
Key facts
• Name — Ngongo ya Chintu • Birthplace — Kateba, Katanga Province, Democratic Republic of Congo • Movement — Luba art • Field — Sculpture • Works — Prestige Stool: Female Caryatid (19th Century)
Life and career
Life and career
Ngongo ya Chintu (an honorific title meaning "the great leopard, the father of sculpted things") worked in what was then the Kingdom of Luba, sometime between 1810 and 1870. He carried on a long tradition of Hemba art. Hemba sculpture usually honoured prominent male leaders of the tribe. Ngongo ya Chintu carved both ancestor figures and female figures such as vessel bearers and caryatids, which served as stools for leaders.
Style
Style
According to Alisa LaGamma in Heroic Africans: Legendary Leaders, Iconic Sculptures: The artist's signature expressionistic style features exaggeration of the face and hands through elongation, which allowed him to reinterpret and ingeniously exploit the formal possibilities of different genres of prestige sculpture: standing figures as caryatid supports for seats...seated mboko (bowl bearers)...and stately male figures.
Discovery and collection
In the 1930s, Belgian art historian Frans Olbrechts noted that some ten figures, assembled for an exhibition, shared similar characteristics, and that two had been collected in the same town, Buli. As nothing was yet known of the sculptor in Western circles, Olbrechts gave him the title "Master of Buli". In the 1970s, Ngongo ya Chintu was identified by the owners of one of his figures as being an artist from the village of Kateba. Marilyn Stokstad notes that villagers in Kateba knew of the master's work, as he was well regarded there.
Citations
References
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Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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