Neville Marriner

• Composer — Title — Other Artists (Marriner as conductor) — Year — Label • Handel — Concerti grossi, Op. 3 — Academy of St. Martin in the Fields — 1964 — Argo • Various — Recital for Strings — Academy of St. Martin in the Fields — 1965 — Argo • Various — Italian Concertos — Roger Lord (clarinet), Barry Tuckwell (horn), Kenneth Heath (cello), Academy of St. Martin in the Fields — 1965 — Argo • Various — 18th Century Flute Concertos — Claude Monteux (flute), Academy of St. Martin in the Fields — 1965 — L'Oiseau-Lyre • Handel — Concertos for Oboe — Roger Lord (clarinet), Academy of St. Martin in the Fields — 1965 — L'Oiseau-Lyre • Vivaldi / Pergolesi — Gloria & Magnificat — Elizabeth Vaughan (soprano), Janet Baker (contralto), Ian Partridge (tenor), Christopher Keyte (bass), Choir of King's College, Cambridge, Academy of St. Martin in the Fields — 1966 — Argo • Various — Concertos for Recorders and Strings — Bernard Krainis (recorder), Academy of St. Martin in the Fields — 1966 — Mercury Living Presence • Bach — Cantatas BWV 159 & 170 — Janet Baker (contralto), Robert Tear (tenor), John Shirley-Quirk (bass), Academy of St. Martin in the Fields — 1966 — L'Oiseau-Lyre • Bach — Cantatas BWV 56 & 82 — John Shirley-Quirk (bass), St. Anthony Singers, Academy of St. Martin in the Fields — 1966 — L'Oiseau-Lyre • Mendelssohn — String Symphonies Nos. 9, 10 & 12 — Academy of St. Martin in the Fields — 1966 — Argo • Haydn — Concertos for Horn — Barry Tuckwell (horn), Academy of St. Martin in the Fields — 1966 — Argo • Rossini — String Sonatas — Academy of St. Martin in the Fields — 1967 — Argo • J. Haydn / M. Haydn — Trumpet Concerto / Horn Concerto — Alan Stringer (trumpet), Barry Tuckwell (horn), Academy of St. Martin in the Fields — 1967 — Argo • Handel — Arias — Forbes Robinson (bass), Academy of St. Martin in the Fields — 1967 — Argo • Stravinsky — Pulcinella / Apollon Musagète — Academy of St. Martin in the Fields — 1968 — Argo • Mozart / Haydn — Piano Concerto No. 9 / Piano Concerto in D — Igor Kipnis (harpsichord), Academy of St. Martin in the Fields — 1968 — Columbia Masterworks • Handel — Concerti grossi, Op. 6 — Academy of St. Martin in the Fields — 1968 — Decca • Gluck — Don Juan — Academy of St. Martin in the Fields — 1968 — Decca • Arne / C.P.E. Bach — Concerto in C minor / Concerto in G minor — George Malcolm (harpsichord), Academy of St. Martin in the Fields — 1968 — Argo • Mozart — Three Divertimenti for Strings / Serenata Notturna — Academy of St. Martin in the Fields — 1968 — Argo • Elgar — Introduction and Allegro / Sospiri / Elegy / Dances from The Spanish Lady — Academy of St. Martin in the Fields — 1968 — Argo • Various — Baroque Trumpet Concertos — John Wilbraham (trumpet), Academy of St. Martin in the Fields — 1969 — Argo • Strauss / Wagner — Metamorphosen / Siegfried Idyll — Academy of St. Martin in the Fields — 1969 — Argo • Rossini / Donizetti — String Sonatas Nos. 2 & 4 / String Quartet in D — Academy of St. Martin in the Fields — 1969 — Argo • Tchaikovsky — Serenade for Strings / Souvenir de Florence — Academy of St. Martin in the Fields — 1969 — Argo • Various — Baroque Trumpet Anthology — Don Smithers (trumpet), Michael Laird (trumpet), Academy of St. Martin in the Fields — 1970 — Philips • Haydn — Symphonies Nos. 52 & 53 "L'Impériale" — Academy of St. Martin in the Fields — 1970 — Philips • M. Haydn / J. Haydn — Duo Concertante for Viola and Organ / Organ Concerto in C major — Simon Preston (organ), Stephen Shingles (viola), Academy of St. Martin in the Fields — 1970 — Argo • Bartók — Music for Strings, Percussion and Celesta / Divertimento — Leslie Pearson (celesta), Academy of St. Martin in the Fields — 1970 — Argo • Britten — Saint Nicolas — Robert Tear (tenor), King's College Choir, Cambridge, Academy of St. Martin in the Fields — 1970 — EMI • Elgar — The Lighter Elgar — Northern Sinfonia — 1970 — EMI • J.C. Bach — Six Symphonies, Op. 3 — Academy of St. Martin in the Fields — 1970 — Philips • Various — Strings & Brass — John Wilbraham (trumpet), Philip Jones Brass Ensemble, Academy of St. Martin in the Fields — 1970 — Argo • Dvořák / Grieg — Serenade for Strings / Holberg Suite — Academy of St. Martin in the Fields — 1970 — Argo • Mendelssohn — Piano Concertos — Brenda Lucas (piano), Academy of St. Martin in the Fields — 1970 — Argo • Vivaldi — The Four Seasons — Alan Loveday (violin), Academy of St. Martin in the Fields — 1970 — Argo • Britten — Serenade for Tenor, Horn and Strings • Les Illuminations — Heather Harper (soprano), Robert Tear (tenor), Alan Civil (horn), Northern Sinfonia — 1971 — Angel Records • Mozart — Symphonies Nos. 35 "Haffner" & 40 / March, K. 408, No. 2 — Academy of St. Martin in the Fields — 1971 — Philips • Bach — Brandenburg Concertos — Thurston Dart (harpsichord and arranger), Academy of St. Martin in the Fields — 1971 — Philips • Various — Living Baroque — Don Smithers (trumpet), John Wilbraham (trumpet), Carmel Kaine (violin), Academy of St. Martin in the Fields — 1971 — Philips • Mozart — Eine kleine Nachtmusik / Sinfonia Concertante — Alan Loveday (violin), Stephen Shingles (viola), Academy of St. Martin in the Fields — 1971 — Argo • Bach — Suites for Orchestra — William Bennett (flute), Thurston Dart (harpsichord), Academy of St. Martin in the Fields — 1971 — Argo • Various — Trumpet Concerti — John Wilbraham (trumpet), Academy of St. Martin in the Fields — 1971 — Argo • Various — Academy '72 — Barry Tuckwell (horn), Josef Suk (violin), Academy of St. Martin in the Fields — 1972 — EMI • Mozart — Exsultate Jubilate — Erna Spoorenberg (soprano), Academy of St. Martin in the Fields — 1972 — Argo • Shostakovich / Stravinsky — Concerto for Piano, Trumpet and Strings / Capriccio — John Ogdon (piano), John Wilbraham (trumpet), Academy of St. Martin in the Fields — 1972 — Argo • Mozart — Clarinet Concerto / Bassoon Concerto / Andante for Flute — Jack Brymer (clarinet), Michael Chapman (bassoon), Claude Monteux (flute), Academy of St. Martin in the Fields — 1972 — Philips • Handel — Ballet Music — Academy of St. Martin in the Fields — 1972 — Argo • Mozart — Concerto for Flute and Harp / Sinfonia Concertante, K. 297b — Claude Monteux (flute), Osian Ellis (harp), Academy of St. Martin in the Fields — 1972 — Philips • Bach — The Complete Harpsichord Concertos — Igor Kipnis (harpsichord), Academy of St. Martin in the Fields — 1972 — CBS • Various — English String Music — Academy of St. Martin in the Fields — 1972 — EMI • Mozart — Piano Concertos Nos. 19 & 23 — Alfred Brendel (piano), Academy of St. Martin in the Fields — 1972 — Philips • Mozart — Overtures and Ballet Music — Academy of St. Martin in the Fields — 1972 — EMI • Mozart — Coronation Mass / Litaniae Lauretanae BMV, K. 195 — Ileana Cotrubaș (soprano), Helen Watts (contralto), Robert Tear (tenor), John Shirley-Quirk (bass), Schola Cantorum of Oxford, Academy of St. Martin in the Fields — 1972 — Argo • Mozart — Piano Concertos Nos. 12 & 17 — Alfred Brendel (piano), Academy of St. Martin in the Fields — 1972 — Philips • Mozart — Symphonies Nos. 29 & 25 — Academy of St. Martin in the Fields — 1972 — Argo • Vaughan Williams — Fantasia on a Theme by Thomas Tallis / The Lark Ascending / Five Variants of Dives and Lazarus / Fantasia on Greensleeves — Academy of St. Martin in the Fields — 1972 — Argo • Mozart — Divertimento in D, K. 334 / Notturno for Four Orchestras — Academy of St. Martin in the Fields — 1972 — Argo • Mozart — The Horn Concertos — Barry Tuckwell (horn), Academy of St. Martin in the Fields — 1972 — EMI • Mozart — The 4 Horn Concertos — Alan Civil (horn), Academy of St. Martin in the Fields — 1972 — Philips • Tippett — Little Music for String Orchestra / Concerto for Double String Orchestra / Fantasia Concertante on a Theme of Corelli — Academy of St. Martin in the Fields — 1972 — Argo • Handel — Music for the Royal Fireworks / Water Music — Academy of St. Martin in the Fields — 1972 — Argo • Mozart — The Symphonies, Vol. 1 — Academy of St. Martin in the Fields — 1972 — Decca • Handel / Mozart / Rossini — Meister der Musik — Academy of St. Martin in the Fields — 1972 — Decca • Mahler / Britten — Lieder Eines Fahrenden Gesellen / Nocturne — Robert Tear (tenor), Academy of St. Martin in the Fields — 1973 — Argo • Mozart — Violin Concerto in G, K. 216 / Concertone for 2 Violins, K. 190 — Alan Loveday (violin), Carmel Kaine (violin), Iona Brown (violin), Kenneth Heath (cello), Tess Miller (oboe), Academy of St. Martin in the Fields — 1973 — Decca • Bizet / Prokofiev — Symphony in C / Classical Symphony — Academy of St. Martin in the Fields — 1973 — Argo • Bach — Cantatas BWV 202 & 209 — Elly Ameling (soprano), Academy of St. Martin in the Fields — 1973 — EMI • Walton / Prokofiev — Sonata for Strings / Visions Fugitives — Academy of St. Martin in the Fields — 1973 — Argo • Mozart — Flute Concerto, K. 313 / Oboe Concerto, K. 314 — Claude Monteux (flute), Neil Black (oboe), Academy of St. Martin in the Fields — 1973 — Philips • Mozart — The Early Symphonies — Academy of St. Martin in the Fields — 1973 — Philips • Vivaldi — L'estro armonico — Alan Loveday (violin), Carmel Kaine (violin), Iona Brown (violin), Academy of St. Martin in the Fields — 1973 — Argo • Tchaikovsky / Dvořák — Serenades for Strings — Academy of St. Martin in the Fields — 1973 — Argo • Rossini — Famous Overtures — Academy of St. Martin in the Fields — 1974 — Philips • Various — Munrow & Marriner — David Munrow (treble recorder), Academy of St. Martin in the Fields — 1974 — EMI • Schoenberg / Webern / Hindemith — Verklärte Nacht, Op. 4 / Fünf Sätze, Op. 4 / Fünf Stücke, Op. 44, No. 4 — Los Angeles Chamber Orchestra — 1974 — Argo • Mozart — Piano Concertos Nos. 20 & 23 — Alfred Brendel (piano), Academy of St. Martin in the Fields — 1974 — Philips • Corelli — Concerti grossi, Op. 6 — Academy of St. Martin in the Fields — 1974 — Argo • Various — The Academy in Concert — Academy of St. Martin in the Fields — 1974 — EMI • Various — Six Concertos for Trumpet — Maurice André (trumpet), Academy of St. Martin in the Fields — 1974 — Erato • Corelli — Christmas Concerto — Academy of St. Martin in the Fields — 1974 — Argo • Suk / Strauss / Janáček — Serenade for Strings / Sextet from "Capriccio" / Suite for String Orchestra — Academy of St. Martin in the Fields — 1975 — Argo • J.C. Bach / Haydn — Harpsichord Concerto in A / Harpsichord Concerto in D / Overture in D — George Malcolm (harpsichord), Academy of St. Martin in the Fields — 1975 (recorded in 1969 — Decca • Rodrigo — Concierto Madrigal / Fantasía Para un Gentilhombre — Pepe Romero (guitar), Ángel Romero (guitar), Academy of St. Martin in the Fields — 1975 — Philips • Mozart — Piano Concertos Nos. 27 & 18 — Alfred Brendel (piano), Academy of St. Martin in the Fields — 1975 — Philips • Bach — Concerto for Three Violins / Concerto for Violin and Oboe / Concerto for Flute — William Bennett (flute), Tess Miller (oboe), Carmel Kaine (violin), Richard Studt (violin), Ronald Thomas (violin), Academy of St. Martin in the Fields — 1975 — Argo • Stravinsky — Concerto in D / Danses Concertantes / Dumbarton Oaks — Los Angeles Chamber Orchestra — 1975 — EMI • Vivaldi — La Stravaganza, Op. 4 — Carmel Kaine (violin), Alan Loveday (violin), Academy of St. Martin in the Fields — 1975 — Argo • Bach — The Art of Fugue — Academy of St. Martin in the Fields — 1975 — Philips • Mendelssohn — Piano Concertos Nos. 1 & 2 — Murray Perahia (piano), Academy of St. Martin in the Fields — 1975 — Columbia Masterworks • Beethoven — Symphony No. 4 / Grosse Fuge — Academy of St. Martin in the Fields — 1975 — Philips • Haydn — 12 Name Symphonies — Academy of St. Martin in the Fields — 1976 — Philips • Various — A Festival of English Music — Academy of St. Martin in the Fields — 1976 — Argo • Haydn — Symphonies Nos. 48 "Maria Theresa" & 85 "La Reine" — Academy of St. Martin in the Fields — 1976 — Philips • Various — Music for Double Bass — Rodney Slatford (double bass), Academy of St. Martin in the Fields — 1976 — EMI • Handel — Complete Organ Concertos — George Malcolm (organ), Academy of St. Martin in the Fields — 1976 — Argo • Haydn — Symphonies Nos. 43 "Mercury" & 59 "Fire" — Academy of St. Martin in the Fields — 1976 — Philips • Handel — Messiah — Elly Ameling (soprano), Anna Reynolds (contralto), Philip Langridge (tenor), Gwynne Howell (bass), Academy and Chorus of St. Martin in the Fields — 1976 — Argo • Telemann — Don Quichotte / Viola Concerto / Overture in D — Stephen Shingles (viola), Academy of St. Martin in the Fields — 1976 — Argo • Barber / Ives / Copland — Adagio for Strings / Symphony No. 3 / Quite City — Academy of St. Martin in the Fields — 1976 — Argo • Haydn — Symphonies Nos. 44 "Mourning" & 49 "La Passione" — Academy of St. Martin in the Fields — 1976 — Philips • Handel — Two Double Concertos ("A Due Cori") — Academy of St. Martin in the Fields — 1976 — EMI • Respighi — Ancient Airs and Dances — Los Angeles Chamber Orchestra — 1976 — Angel Records • Bach — Arias from Cantatas and Oratorios — Janet Baker (contralto), Academy of St. Martin in the Fields — 1976 — EMI • Mozart — Piano Concerto No. 22 / Concert Rondos K. 382 & 386 — Alfred Brendel (piano), Academy of St. Martin in the Fields — 1976 — Philips • Bach — Violin Concertos — Henryk Szeryng (violin), Academy of St. Martin in the Fields — 1976 — Philips • Butterworth / Britten — A Shropshire Lad / Two English Idylls / The Banks of Green Willow / Variations on a Theme of Frank Bridge — Academy of St. Martin in the Fields — 1976 — Argo • Haydn — Symphonies Nos. 100 "Military" & 103 "Drum Roll" — Academy of St. Martin in the Fields — 1976 — Philips • Vivaldi — Concerti for Wind and Strings, Vol. 1 — Academy of St. Martin in the Fields — 1977 — Argo • Vivaldi — Concerti for Wind and Strings, Vol. 2 — Academy of St. Martin in the Fields — 1977 — Argo • Mozart — Piano Concerto No.21 K467 / Sonata No.10 K330 — Yeol Eum Son (piano), Academy of St. Martin in the Fields — 2018 (final recording) — Onyx Classics Look at CD: PHILIPS 456 662-2 SOLO Franz von Suppe "The famous overtures" London Philharmonic Orchestra Alexander Cameron, cello solo in "Poet and Peasant"

Described as "one of the world's greatest conductors", Gramophone lists Marriner as one of the 50 greatest conductors and another compilation ranks Marriner number 14 of the 18 "Greatest and Most Famous Conductors of All Time". He founded the Academy of St Martin in the Fields, and his partnership with them is the most recorded of any orchestra and conductor. Marriner was appointed a Commander of the Order of the British Empire (CBE) in 1979. He was created a Knight Bachelor in 1985. In 1990 the Hamburg-based Alfred Toepfer Foundation awarded Marriner its annual Shakespeare Prize in recognition of his life's work. In the 2015 Queen's Birthday Honours, he was appointed a Member of the Order of the Companions of Honour (CH). He was appointed an officer of the French Ordre des Arts et des Lettres. His recordings of Mozart were honoured with two Gemeinde Awards from the Austrian Music Academy. Marriner won three Grammy Awards for his recordings of Haydn's The Creation (1982), the soundtrack for Amadeus (1985) and violin concertos by Brahms and Stravinsky (2003). He also received a total of 9 nominations.