Nathan Altman

For about a decade, Altman rivaled Chagall in the Russian Jewish art renaissance. In 1911, he painted Evreiskie pokhorony (Jewish Funeral) to acclaim. In 1916, he founded the Jewish Society for the Encouragement of the Arts. From 1918–24, he began designing sets, which led him to the Moscow State Yiddish Theatre. In 1923, he published his first book of Jewish graphic art for the limited edition Evreiskaia Grafika. In 1925, he served as production designer for the 100-minute silent film Jewish Luck, filmed in Altman's hometown, was based on the writing of Sholem Aleichem and Isaac Babel.

Nathan Altman studied at Hrekov Odesa Art school. Training under Luigi Iorini, Kyriak Kostandi and Gennady Ladyzhensky is recorded. The recorded working language is Russian. The field of work recorded is painting. Subjects and genres recorded for the work are avant-garde. Work by Nathan Altman is recorded in the collections of Museum of Modern Art, Russian Museum, Tretyakov Gallery and Art Culture Museum Petrograd. Distinctions recorded are Honored Artist of the RSFSR (visual arts).

A student at Odessa Art School between 1902 and 1907, Altman trained in painting and sculpture, and held his first exhibition locally in 1906. He spent 1910 in Paris, where he studied at the Free Russian Academy in Paris, working in the studio of Wladimir Baranoff-Rossine. In 1910, he became a member of the group Soyuz Molodyozhi (Union of Youth) alongside Marc Chagall, Alexander Archipenko, and David Shterenberg, and befriended Jewish intellectuals such as Chaim Nachman Bialik. In 1918, he was the member of the Board for Artistic Matters within the Department of Fine Arts of the People's Commissariat of Enlightenment together with Malevich, Baranoff-Rossine and Shevchenko. In the same year he had an exhibition with the group Jewish Society for the Furthering of the Arts in Moscow, together with Wladimir Baranoff-Rossine, El Lissitzky and the others. In this same year, he installed a temporary work of architectural sculpture in Palace Square to commemorate the 1st anniversary of the October Revolution. The canvas was subsequently cut up and used for soldiers' foot bindings. In 1920, he became a member of the Institute for Artistic Culture (INKHUK), together with Kasimir Malevich, Vladimir Tatlin and the others. In the same year, he participated in the exhibition From Impressionism to Cubism in the Museum of Painterly Culture in Petrograd, Soviet Union (now Saint Petersburg, Russia). In 1921, he moved to Moscow. From 1921 to 1922 he was director of the Museum of Painterly Culture in Petrograd. From 1920 to 1928, he worked on stage designs for the Habimah Theatre and the Jewish State Theatre in Moscow. In 1923, a volume of his Jewish graphic art, Evrejskaja grafika Natana Al'tmana: Tekst Maksa Osborna [Max Osborn], was published in Berlin. In 1924, he designed the sets for the film Jewish Luck. In 1925, he participated in Exposition Internationale des Arts Decoratifs et Industriels Modernes (Art Deco) in Paris together with Aleksandra Ekster, Vadim Meller, Rudolf Frentz, Sonia Delaunay-Terk and David Shterenberg. His first solo exhibition in Leningrad, Soviet Union (now Saint Petersburg, Russia) was in 1926. Altman moved to Paris in 1928. In 1936, he returned to Leningrad. He worked mainly for the theatre, as a book illustrator, and an authoring essays about art.

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Born to a family of Jewish merchants, Altman studied in a religious Jewish school (cheder) during elementary school before attending art school in Odesa Upon graduation, he moved to Paris. Two years later, he moved to St. Petersburg. Married twice, Altman's first wife was dancer Irina Dega, and his second was Irina Scheglova, the daughter of Russian author Valentin Ternavtsev. Altman died in St. Petersbury at age 81. The apartment building House of Specialists at 61-1 Lesnoy Prospekt features a commemorative plaque in honour of the artist.

Lady with a Dog. Portrait of Esther Schwartzmann. 1911. Oil on canvas mounted on cardboard. 67.5 x 47.5 cm. The Russian Museum, St. Petersburg, Russia. Jug and Tomatoes. 1912. Oil on canvas. 69.5 x 49.5 cm. The Russian Museum, St. Petersburg, Russia. Portrait of Anna Akhmatova. 1914. Oil on canvas. 123.5 x 103.2 cm. The Russian Museum, St. Petersburg, Russia Portrait of a Young Jew (Self-Portrait). 1916. Plaster of Paris, copper, wood. The Russian Museum, St. Petersburg, Russia. (Sculpture) Still Life. Colored Bottles and Planes. 1918. Oil and plaster on canvas. 59.5 x 43.5 cm. The Russian Museum, St. Petersburg, Russia. Material Painting. Still Life with a White Jug. 1919. Oil and enamel on canvas. 84.5 x 62 cm. The Russian Museum, St. Petersburg, Russia. Composition with Material Objects. 1920. Oil, enamel, glue, plaster and sawdust on canvas. 83 x 65.5 (oval). The Russian Museum, St. Petersburg, Russia. Self-Portrait. 1926. Lead pencil on paper. 44.6 x 35.9 cm. The Tretyakov Gallery, Moscow, Russia. Square in a Provincial Town. 1926. Italian and lead pencil on paper. 51.2 x 36.6 cm. The Tretyakov Gallery, Moscow, Russia. Still Life. Mixed technique on paper. 62.5 x 47 cm. The Museum of Russian Art. Erevan, Armenia.