Napoleon and Uncle Elby

• Title — Napoleon and Uncle Elby • Author — Clifford McBride (1932–1951) • Current — Margot Fischer McBride (1951–1961) • Illustrator — Roger Armstrong (1950–1953, 1958–1960), Joseph Messerli (1953-1956), Ed Nofziger (1956-1958) • Status — Daily and Sunday; concluded • First — June 6, 1932 • Last — 1960 • Altnames — Napoleon • Syndicate — Lafave Newspaper Features (1932–1952) Mirror Enterprises Syndicate (1952–1961) • Genre — Humor • Illustration — Roger Armstrong, who illustrated the strip in the 1950s.

While drawing such features as McBride's Cartoon (1927) and Clifford McBride's Pantomime Comic (1932), McBride introduced Elby, a character based on his uncle, Wisconsin lumberman Henry Elba Eastman. He soon began to add situations involving Elby's dog, Napoleon. For a minor syndicate, Lafave Newspaper Features, McBride began Napoleon as a daily strip on June 6, 1932. His Sunday strip was added on March 12, 1933, and the following year, the title was changed to Napoleon and Uncle Elby. McBride's assistant on the strip was former Disney artist Roger Armstrong (1917–2007). After McBride's 1951 death in Altadena, California, his second wife, Margot Fischer McBride, wrote the strip, and she hired Armstrong as the illustrator. In 1952, the team switched to the Mirror Enterprises Syndicate in Los Angeles, keeping the strip going for the next eight years. The strip was drawn by Joseph Messerli from 1953 to 1956, by Ed Nofziger from 1956 to 1958, and then Armstrong returned for the final two years. The Sunday page ended on November 27, 1955, and the daily strip ended in 1960.

Elby was based on McBride's uncle, Henry Elba Eastman. McBride soon began to add situations involving Elby's dog, Napoleon. Comics historian Don Markstein described the characters:

Napoleon became a spokesdog during the 1940s for Red Heart Dog Food. Merchandising included a stuffed toy of Napoleon. Although Napoleon was an Irish Wolfhound, McBride's own dog was Ace, a 190-pound St. Bernard, who sometimes was used for promotional purposes with McBride, including two short films, Unusual Occupations (1941) and Artist's Antics (1946).