Museo Nacional Centro de Arte Reina Sofía

The museum is mainly dedicated to Spanish art. Highlights of the museum include collections of Spain's two greatest 20th-century masters, Pablo Picasso and Salvador Dalí. The most famous masterpiece in the museum is Picasso's 1937 painting Guernica. Along with its extensive collection, the museum offers a mixture of national and international temporary exhibitions in its many galleries, making it one of the world's largest museums for modern and contemporary art. In 2025 the museum's main site received 1,601,732 visitors, up 4.2 percent on 2024. It consistently ranks among the world's most-visited museums of modern and contemporary art. It also hosts a free-access library specializing in art, with a collection of over 100,000 books, over 3,500 sound recordings, and almost 1,000 videos.

It is associated with Spain. The record gives 1992 as its date of establishment or first appearance. Its recorded founders are Juan Carlos I of Spain and Queen Sofía of Spain. Its recorded seat is Museo Nacional Centro de Arte Reina Sofía.

• Name — Museo Nacional Centro de Arte Reina Sofía • Location — Madrid, Spain • Visitors — 1,601,732 (2025) • Director — Manuel Segade • Public Transit — * Estación del Arte • Madrid Atocha

• Illustration — Courtyard in old hospital building • Illustration — Jean Nouvel building interior

The building is on the site of the first General Hospital of Madrid. King Philip II centralised all the hospitals that were scattered throughout the court. In the eighteenth century, King Ferdinand VI decided to build a new hospital because the facilities at the time were insufficient for the city. The building was designed by architect José de Hermosilla and his successor Francisco Sabatini who did the majority of the work. In 1805, after numerous work stoppages, the building was to assume its function that it had been built for, which was being a hospital, although only one-third of the proposed project by Sabatini was completed. Since then it has undergone various modifications and additions until, in 1969, it was closed down as a hospital.

Extensive modern renovations and additions to the old building were made starting in 1980. The central building of the museum was once an 18th-century hospital. The building functioned as the Centro del Arte (Art Centre) from 1986 until established as the Museo Nacional Centro de Arte Reina Sofía in 1988. In 1988, portions of the new museum were opened to the public, mostly in temporary configurations; that same year it was decreed by the Ministry of Culture as a national museum. Its architectural identity was radically changed in 1989 by Ian Ritchie with the addition of three glass circulation towers. In June 2023 the art historian and curator Manuel Segade became director of the museum, succeeding Manuel Borja-Villel, who had led it for fifteen years.

An 8000 m 2 (86,000 ft 2) expansion costing €92 million designed by French architect Jean Nouvel opened in October 2005. The extension includes spaces for temporary exhibitions, an auditorium of 500 seats, and a 200-seat auditorium, a bookshop, restaurants and administration offices. Ducks Scéno was consultant for scenographic equipment of auditoriums and Arau Acustica for acoustic studies.

Reina Sofía has other two places where several exhibitions usually take place. These are the Crystal Palace and the Velázquez Palace, both in Retiro Park. • Illustration — Front entrance • Illustration — Close up of the front of the Reina Sofía in Madrid Spain. • Illustration — Reina Sofía Museum • Illustration — Interior gallery photo inside the Reina Sofía Museum • Illustration — Inside the Reina Sofía Museum • Illustration — Crystal Palace in the Retiro Park, a Reina Sofía exhibition centre

• Guernica by Pablo Picasso • The Great Masturbator by Salvador Dalí • Equal-Parallel/Guernica-Bengasi by Richard Serra • 6 TV Dé-Coll/age by Wolf Vostell

The museum features, as a major location, in Jim Jarmusch's The Limits of Control (2009). In the 2003 Spanish film Noviembre, the school entrance scenes and some performance scenes were shot in the square in front of the museum.