Mririda n’Ait Attik
Mririda n'Aït Attik (in Amazigh: Mririda n Ayt Atiq) (c. 1900) was a Berber Moroccan Shilha poet writing in Tashelhit. Her poems were put to paper and translated into French in the 1930s by René Euloge, a French civil servant based in Azilal.[1] Little is known about her life.
Mririda n’Ait Attik

permission given by Dr. Abderrahmane Ammar · Public domain
- Born
- 1900
- Died
- 1940
- Nationality
- Morocco
- Occupation
- poet · writer
- Languages
- Arabic · Berber
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Mririda n'Aït Attik (in Amazigh: Mririda n Ayt Atiq) (c. 1900) was a Berber Moroccan Shilha poet writing in Tashelhit. Her poems were put to paper and translated into French in the 1930s by René Euloge, a French civil servant based in Azilal.[1] Little is known about her life.
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Mririda n’Ait Attik (1900–1940) was a poet and writer and a national of Morocco. Languages used include Arabic and Berber.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q6929604 · wikipedia · Mririda n'Ait Attik
In this article
Anthologies
Anthologies
• Bending the Bow: an anthology of African love poetry, ed. Frank M. Chipasula (2009) • Mririda N’Ait Atiq: The Brooch (poem)[6] • The Penguin Book of Women Poets, ed. Carol Cosman, Joan Keefe, and Kathleen Weaver (1978) • Mririda N’Ait Atiq: God hasn't made room (poem)
Identity
Identity
Mririda n’Ait Attik is recorded with the occupation writer. Recorded as a citizen of Morocco.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1900
Mririda n’Ait Attik was born in 1900.
1940
Mririda n’Ait Attik died in 1940.
Books ===== Poetry collections =
Mririda n’Ait Attik was born in the village of Megdaz, in the Tassaout valley, Mririda married at a very early age, but soon fled her unhappy life at home to become an itinerant oral poet and performer. She toured from market to market, improvising and performing her poetry, which she composed in Tashelhit.[2] Mririda was the pen name she used on stage, and her real name is unknown. She was illiterate and never committed her poems to paper. Her poetry dealt with topics tabu at the time (particularly coming from a woman poet), such as divorce, love between women, household problems, and unrequited love, and she openly voiced her inner thoughts as a means of resistance and rebellion against a culture of patriarchy.[3][4] During the 1940s, she is said to have been a courtesan in the souk (marketplace) in Azilal, and was famed for the songs she sang to the men who visited her house. No one knows when or where she died.
• Les Chants de la Tassaout de Mririda N’aït Attik (1959, tr. René Euloge) • Songs of Mririda by Mririda n’Ait Attik (1974, translated from Euloge's version in French by Daniel Halpern and Paula Paley) • Tassawt Voices, by Mririda n-Ayt Attiq and René Euloge (2001, translated from Euloge's version in French by Michael Peyron)
Primary material
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reference work
- “Mririda n'Ait Attik”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q6929604: Mririda n’Ait Attik
General reference · Wikidata
References ==== Further reading
References ==== Further reading
* *
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.University of California Press. Poems for the Millennium, Volume Four: The University of California Book of North African Literature. 515. 2012. 978-0-520-27385-6.
- 2.juliana. Mririda N'Ait Atiq. the [blank] garden. 2021-01-18.
- 3.mona-badri. "Mririda N'Ait Atiq:" a Moroccan Berber Artist. Morocco World News. 2014-03-30.
- 4.Fatéma Chahid. Mririda N'aït Attik: la poétesse rebelle amazigh. Femmes du Maroc. 2020-04-10.
- 5.Osire Glacier. Power and the production of knowledge: the case of Moroccan feminism. Études marocaines, Osire Glacier. journal of new media studies in MENA, issue no.1. Winter 2012. 2162-6669.
- 6.The Brooch by Mririda n'Ait Attik. Scottish Poetry Library.
Bibliography printed in the source article · 7
- Les Chants de la Tassaout de Mririda N'aït Attik, trad. René Euloge, Maroc Editions, 1972
- Songs of Mririda, by Mririda n’Ait Attik and René Euloge, translated by Daniel Halpern and Paula Paley, Unicorn Press, Greensboro, N.C., 1974. .
- Tassawt Voices, by Mririda n-Ayt Attiq and René Euloge, translated by Michael Peyron, AUI Press, Ifrane 2008. .
- Haddad, Lahcen. "Engaging Patriarchy and Oral Tradition: Mririda N'Ait Attik or the Gendered Subaltern's Strategies of Appropriation and Deconstruction", in: Le Discours sur la Femme Ed. Fouzia Ghissassi, Rabat: Publications de la Faculté des Lettres et des Sciences Humaines, n° 65.
- Simour, Lhoussain: Colonial Encounters in Gendered Settings – Reflections on Mrīrīda nʾait ʿAtiq, a Moroccan Amazīgh Courtesan and Singing Poet, in Teresa Iribarren, Roger Canadell, Josep-Anton Fernàndez (eds.), Narratives of Violence, (Biblioteca di Rassegna iberistica; 21), Venice: Edizioni Ca’ Foscari – Digital Publishing, 2021. .
- Simour, Lhoussain. Colonial Encountersin Gendered Settings: Reflections on Mrīrīda nʾait ʿAtiq,a Moroccan Amazīgh Courtesanand Singing Poet. Narratives of violence, 2021, ISBN 978-88-6969-460-8, págs. 14–31. Ca’ Foscari. 14–31. 2021. 978-88-6969-460-8.
- Simour, Lhoussain. Narratives of Violence. Edizioni Ca’ Foscari. 15–33. 2021. 978-88-6969-460-8.
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