Moses Harris

In "The Natural System of Colours" published in 1766, Harris discussed the multitude of colours that can be created using three "grand or principle" colours: red, yellow and blue. As a naturalist and an engraver, Harris focussed on the relationships between colours and how they are coded and created. He explained how three colours can be íntermixed, tinted and shaded to create 660 colours "materially, or by the painters art". Harris referred to red, yellow and blue as "Primitives" and attempted to link these to Isaac Newton's colour theory by making reference to colours "seen in the rainbow refracted by the prism". "The Natural System of Colours" features two illustrations and the first of these is Harris' 'Prismatic' colour wheel which features red, yellow and blue as the key principle colours. These colours sit at the centre of the colour wheel surrounded by variations of 'Mediate' colours, orange, green and purple. The second illustration in "The Natural System of Colours" is Harris' 'Compound' colour wheel which features orange, green and purple at the centre surrounded by variations of tertiary colours between each of the 'Mediate' colours. Harris conflated the creation of colour using pigments with the creation and appearance of colour in respect to light-waves in two ways. Firstly, in his attempt to deal with black and white. He suggested that the admixture of opposing colours create "a dirty unmeaning colour" and he contended that the admixture of red, blue and yellow "in equal force and in the strongest powers which by violently opposing each other and in very unequal contest are all three continually defeated, causing a total confusion and obscurity in darkness", thereby suggesting that these three colours create black. In reference to this claim, the centres of each colour wheel feature three overlaid colours (red, yellow and blue, and orange, green and purple) outlined in black (as a result of the engraving process used to create the illustration) thereby causing a blackish effect but on closer inspection, the central segment of each colour wheel appears a dark, murky brown. In reference to white, Harris suggested that white represented a "total privation or absence of colour". In addition, Harris suggested that his 'Prismatic' colour wheel reflected the colours "shown in the prism" while the colours depicted in the 'Compound' colour wheel "admits of all colours in nature, not found in the prismatic part". The Natural System of Colours was published again in 1811, this time edited by Thomas Martyn and dedicated to the second President of the Royal Academy, Benjamin West. In 1963, a reproduction of "The Natural System of Colours" was privately printed and distributed by the Whitney Library of Design, New York. The reproduction came about when Faber Birren acquired a copy of Harris' original book and arranged to have it faithfully reproduced. Birren supervised the reproduction and ensured that the engravings of the two colour wheels matched those in Harris' original book.

Most of the original drawings and copper plate engravings for Dru Drury's Illustrations of Natural History 44 watercolour drawings on life-cycle of British Lepidoptera for a projected edition of the Aurelian (Natural History Museum) Compound and Prismatic Colour Wheels (Royal Academy)