Mordecai Richler

Urbain's Horseman and 1989 novel Solomon Gursky Was Here were nominated for the Booker Prize. He is also well known for the Jacob Two-Two fantasy series for children. In addition to his fiction, Richler was a journalist, and his non-fiction writing included essays about the Jewish community in Canada, and about Canadian and Quebec nationalism. Richler's Oh Canada! (1992), a book version of an essay that originally appeared in The New Yorker, generated considerable controversy. For his literary and cultural contributions, Richler was awarded Companionship of the Order of Canada in 2001. He was also a two-time recipient of the Governor General's Award for Literature (1968 and 1971), and winner of the Giller Prize (1997). Charles Foran for Historica Canada called Richler "without question one of Canada's greatest writers."

Mordecai Richler studied at Concordia University, Sir George Williams University and Baron Byng High School. The recorded working language is French, Yiddish and English. Distinctions recorded are Governor General's Literary Awards, Companion of the Order of Canada, Canada's Walk of Fame and Giller Prize.

The son of Lily (née Rosenberg) and Moses Isaac Richler, a scrap metal dealer, Richler was born on January 27, 1931, in Montreal, Quebec, and raised on St. Urbain Street in that city's Mile End area. Richler was fluent in English and Yiddish but had poor French. Richler graduated from Baron Byng High School and enrolled in Sir George Williams College (now Concordia University) to study but did not complete his degree. Years later, Richler's mother published an autobiography which discusses Mordecai's birth and upbringing, and the sometimes difficult relationship between them. Mordecai Richler's grandfather and Lily Richler's father was Rabbi Yehudah Yudel Rosenberg, a celebrated rabbi in both Poland and Canada, chief rabbi of Montreal, and a prolific author of many religious texts, as well as religious fiction and non-fiction works on science and history geared for religious communities. Richler's parents had had an arranged marriage which his mother deeply resented. She began an affair with a boarder in 1944 and divorced her husband, events which deeply upset the 12-year-old Richler. Richler moved to Paris at age nineteen, intent on following in the footsteps of a previous generation of literary exiles, the so-called Lost Generation of the 1920s, many of whom were from the United States. Richler considered his time in Paris studying and writing at his favourite café, the Mabillon on St. Germain des Prés, as the equivalent of university years.

Richler returned to Montreal in 1952, working briefly at the Canadian Broadcasting Corporation, then moved to London in 1954. He published seven of his ten novels, as well as considerable journalism, while living in London. Worrying "about being so long away from the roots of my discontent", Richler returned to Montreal in 1972. He wrote repeatedly about the Anglophone community of Montreal and especially about his former neighbourhood, portraying it in multiple novels.

In England, in 1954, Richler married Catherine Boudreau, nine years his senior. On the eve of their wedding, he met and was smitten by Florence Mann (née Wood), then married to Richler's close friend, screenwriter Stanley Mann. Some years later Richler and Mann both divorced their prior spouses and married each other, and Richler adopted her son Daniel. The couple had four other children together: Noah, Emma, Martha and Jacob. These events inspired his novel Barney's Version. Richler died of cancer on July 3, 2001, in Montreal, aged 70. He was also a second cousin of novelist Nancy Richler.

Throughout his career, Richler wrote journalistic commentary, and contributed to The Atlantic Monthly, Look, The New Yorker, The American Spectator, and other magazines. In his later years, Richler was a newspaper columnist for The National Post and Montreal's The Gazette. In the late 1980s and early 1990s, he authored a monthly book review for Gentlemen's Quarterly. Richler was often critical of Quebec but of Canadian federalism as well. Another favourite Richler target was the government-subsidized Canadian literary movement of the 1970s and 1980s. Journalism constituted an important part of his career, bringing him income between novels and films.

Richler published his fourth novel, The Apprenticeship of Duddy Kravitz, in 1959. The book featured a frequent Richler theme: Jewish life in the 1930s and 40s in the neighbourhood of Montreal east of Mount Royal Park including St. Urbain Street and Saint Lawrence Boulevard (or Boulevard Saint Laurent, known colloquially as "The Main"). Richler wrote of the neighbourhood and its people, chronicling the hardships and disabilities they faced as a Jewish minority. Following the publication of Duddy Kravitz, according to The Oxford Companion to Canadian Literature, Richler became "one of the foremost writers of his generation".

Richler had recurrent conflicts with members of the Quebec nationalist movement. In articles published between the late 1970s and the mid-1990s, Richler criticized Quebec's restrictive language laws and the rise of sovereigntism. Critics took particular exception to Richler's allegations of a long history of antisemitism in Quebec. Soon after the first election of the Parti Québécois (PQ) in 1976, Richler published "Oh Canada! Lament for a divided country" in the Atlantic Monthly to considerable controversy. In it, he claimed the PQ had borrowed the Hitler Youth song "Tomorrow Belongs to Me" from the musical Cabaret for their anthem "À partir d'aujourd'hui, demain nous appartient" (which translates as "From today, tomorrow belongs to us"), though he later acknowledged his error on the song, blaming himself for having "cribbed" the information from an article by Irwin Cotler and Ruth Wisse published in the American magazine Commentary. Richler apologized for the mistake and called it an "embarrassing gaffe". In 1992 Richler published Oh Canada! Oh Quebec!: Requiem for a Divided Country, which parodied Quebec's language laws. He commented approvingly on Esther Delisle's The Traitor and the Jew: Anti-Semitism and the Delirium of Extremist Right-Wing Nationalism in French Canada from 1929–1939 (1992), about French-Canadian anti-Semitism in the decade before the start of World War II. Oh Canada! Oh Quebec! was criticized by the Quebec sovereigntist movement and to a lesser degree by other anglophone Canadians. His detractors claimed that Richler had an outdated and stereotyped view of Quebec society and that he risked polarizing relations between francophone and anglophone Quebecers. Sovereigntist Pierrette Venne, later elected as a Bloc Québécois MP, called for the book to be banned. Daniel Latouche compared the book to Mein Kampf. Nadia Khouri believes that there was a discriminatory undertone in the reaction to Richler, noting that some of his critics characterized him as "not one of us" or that he was not a "real Quebecer". She found that some critics had misquoted his work; for instance, in reference to the mantra of the entwined church and state coaxing females to procreate as vastly as possible, a section in which he said that Quebec women were treated like "sows" was misinterpreted to suggest that Richler thought they were sows. Québécois writers who thought critics had overreacted included Jean-Hugues Roy, Étienne Gignac, Serge-Henri Vicière, and Dorval Brunelle. His defenders asserted that Mordecai Richler may have been wrong on certain specific points, but was certainly not racist nor anti-Québécois. Nadia Khouri acclaimed Richler for his courage and for attacking the orthodoxies of Quebec society. He has been described as "the most prominent defender of the rights of Quebec's anglophones". Some commentators were alarmed about the strong controversy over Richler's book, saying that it underlines and acknowledges the persistence of anti-Semitism among sections of the Quebec population. Richler received death threats; an anti-Semitic Francophone journalist yelled at one of Richler's sons, "[I]f your father was here, I'd make him relive the Holocaust right now!" An editorial cartoon in L'actualité compared him to Hitler. One critic controversially claimed that Richler had been paid by Jewish groups to write his critical essay on Quebec. His defenders believed this accusation was evoking old stereotypes of Jews. When leaders of the Jewish community were asked to dissociate themselves from Richler, the journalist Frances Kraft said that indicated that they did not consider Richler as part of the Quebec "tribe" because he was Anglo-speaking and Jewish. About the same time, Richler announced he had founded the "Impure Wool Society," to grant the Prix Parizeau to a distinguished non-Francophone writer of Quebec. The group's name plays on the expression Québécois pure laine, typically used to refer to Quebecker with extensive French-Canadian multi-generational ancestry (or "pure wool"). The prize (with an award of $3000) was granted twice: to Benet Davetian in 1996 for The Seventh Circle, and David Manicom in 1997 for Ice in Dark Water. In 2010, Montreal city councillor Marvin Rotrand presented a 4,000-signature petition calling on the city to honour Richler on the 10th anniversary of his death with the renaming of a street, park or building in Richler's old Mile End neighbourhood. The council initially denied an honour to Richler, saying it would sacrifice the heritage of their neighbourhood. In response to the controversy, the City of Montreal announced it was to renovate and rename a bandstand, loosely termed a gazebo in media accounts, in his honour. For various reasons, the project stalled for several years but was completed in 2016. Richler has also been honoured with a mural and the renaming of a library.

• St. Urbain's Horseman (1971) was made into a CBC television drama. • In 1973 The Apprenticeship of Duddy Kravitz was adapted into a film of the same name starring Richard Dreyfuss as Duddy. • The Apprenticeship of Duddy Kravitz has repeatedly been adapted as a musical play, i.e. in 1984 (Edmonton, Alberta, Canada), 1987 (Philadelphia), and 2015 (Montreal). • The animator Caroline Leaf created The Street (1976), based on Richler's 1969 short story of the same name. It was nominated for an Academy Award in animation. • In 1978 Jacob Two-Two Meets the Hooded Fang was adapted into a theatrical film as Jacob Two-Two Meets the Hooded Fang (1978 film). • In 1999 Jacob Two-Two Meets the Hooded Fang was again adapted into a theatrical film as Jacob Two Two Meets the Hooded Fang (1999 film). • In 1985 Joshua Then and Now (1980) was adapted into a film of the same name. • In 2003 Jacob Two-Two was adapted into an animated series of the same name loosely based on the titular character of the book series. • In 2009 Barney's Version was adapted for radio by the CBC. • In 2010 Barney's Version (1997) was adapted into a film of the same name.

• Jacob Two-Two series • Jacob Two-Two Meets the Hooded Fang (Alfred A. Knopf, 1975), illustrated by Fritz Wegner • Jacob Two-Two and the Dinosaur (1987) • Jacob Two-Two's First Spy Case (1995)

• Images of Spain (1977) • This Year in Jerusalem (1994)

• Hunting Tigers Under Glass: Essays and Reports (1968) • Shovelling Trouble (1972) • Notes on an Endangered Species and Others (1974) • The Great Comic Book Heroes and Other Essays (1978) • Home Sweet Home: My Canadian Album (1984) • Broadsides (1991) • Belling the Cat (1998) • Oh Canada! Oh Quebec! Requiem for a Divided Country (1992) • Dispatches from the Sporting Life (2002)

• On Snooker: The Game and the Characters Who Play It (2001)

• Canadian Writing Today (1970) • The Best of Modern Humour (1986) (U.S. title: The Best of Modern Humor) • Writers on World War II (1991)

• The Street (1969)

• Charles Foran, Mordecai: The Life & Times (Toronto: Alfred A. Knopf Canada, 2010) • Reinhold Kramer, Mordecai Richler: Leaving St Urbain (2008) • Victor Teboul, Ph.D., "Mordecai Richler, le Québec et les Juifs", Tolerance website • M. G. Vassanji, Extraordinary Canadians: Mordecai Richler (Penguin, 2009), biography