Mohamed Fawzi Elhaw
Mohamed Fawzi (also Mohamed Fawzi) was an Egyptian singer, composer, and film actor. Fawzi reigned supreme in Egyptian musical and revue films throughout the 1940s and 1950s. His artistic style was characterized by simplicity and joy, and he also possessed a talent for managing finances, business, and artistic production.
Mohamed Fawzi Elhaw

منتخبات بهنا · Public domain
- Born
- 19 August 1918
- Birthplace
- Qutur, Egypt
- Died
- 20 October 1966
- Place of death
- Cairo, Egypt
- Occupation
- * Singer
- Full name
- محمد فوزى عبد العال.
- Nationality
- Egypt.
- Known for
- Kassaman.
- Languages
- Egyptian Arabic.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Mohamed Fawzi (also Mohamed Fawzi) was an Egyptian singer, composer, and film actor. Fawzi reigned supreme in Egyptian musical and revue films throughout the 1940s and 1950s. His artistic style was characterized by simplicity and joy, and he also possessed a talent for managing finances, business, and artistic production.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Mohamed Fawzi Elhaw. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q3056474
In this article
Biography
Biography
Mohamed Fawzi composed the melody for the Algerian national anthem, "Qassaman", with lyrics by the Algerian revolutionary poet Mufdi Zakaria.

ملصق فيلم بنت باريز عام 1950، رسوم حسن جسور؛ أحد أشهر رسامي البورتريه في السينما المصرية، تتلمذ على يد الفنان "راغب" وبدأ العمل منذ عام 1940 تقريبا. تخرج جسور من كلية الفنون الجميلة، قسم حفر، اشتهر بإتقانه لرسم صور الفنانين لدرجة تقترب من الملاح الأصلية التي تظهر في صور الفوتوغرافيا وعلى شاشة السينما.
منتخبات بهنا
Key facts
Key facts
• Born — 19 August 1918 • Birthplace — Qutur, Egypt • Origin — Egypt • Died — 20 October 1966 • Place of death — Cairo, Egypt • Genre — Egyptian music, Tarab • Occupation — * Singer • actor • Instrument — * Vocals • oud • Years Active — 1933–1966 • Label — Sono Cairo
About his life
About his life
Mohamed Fawzi was born in the village of Kafr Abu Gundi, in the Qutur district of Gharbia Governorate. He was the twenty-first of twenty-five children, including the singers Huda Sultan and Hind Allam. Fawzi received his primary education at Tanta School in 1931. He was drawn to music and singing from a young age, learning the fundamentals of music from Mohamed El-Kharbatli, a firefighter and friend of his father, who used to take him along to sing at religious festivals, celebrations, and weddings. Fawzi was influenced by the songs of Mohamed Abdel Wahab and Umm Kulthum, and he would perform their songs for people in the Montazah Gardens and at the city's celebrations of the Mawlid of Sayyid al-Badawi. After completing his preparatory education, he enrolled in the Fouad I Institute of Music in Cairo. He left his studies after two years to work at the nightclub owned by the sisters Ratiba and Insaf Rushdi. Later, Badia Masabni lured him to work at her establishment, where he met Farid al-Atrash, Mohamed Abdel-Mottaleb, and composer Mahmoud El-Sherif. He formed a close friendship with them, composing and performing sketches and revues, which later proved beneficial to his film career. At the age of twenty, Fawzi auditioned for the radio as both a singer and composer, following in the footsteps of FFarid al-Atrash, who had done so two years prior. Fawzi failed as a singer but succeeded as a composer, emulating the success of Mahmoud El-Sherif.
The beginning of his artistic career
The beginning of his artistic career
After arriving in Cairo in 1938, Fawzi began working with Badia Masabni's troupe, then Fatima Rushdi's troupe, and finally the National Theatre Troupe. Singing was Mohamed Fawzi's passion, so he decided to revive the works of Sayed Darwish as a springboard to performing his own compositions. His opportunity arose when the Egyptian Acting and Music Troupe contracted him as an actor and singer in Sayed Darwish's play Scheherazade; his failure in the role left him disheartened, especially in front of an unforgiving audience. He withdrew from the scene for a while until actress Fatima Rushdi, who admired him and believed in his talent, offered him a position in her troupe as an actor, composer, and singer. He gratefully accepted her offer. In 1944, Youssef Wahbi asked him to play a small role in the film The Executioner's Sword, in which he would sing two songs composed by Wahbi. A stipulation from Wahbi was that Fawzi be credited simply as "Mohamed Fawzi," to which Fawzi agreed without hesitation. Director Mohamed Karim saw The Executioner's Sword and was looking for a new face to play the lead role in his film The Happy Ones opposite Suleiman Naguib and the singer Raja Abdo. He found what he was looking for in Mohamed Fawzi, but required that he undergo cosmetic surgery to correct his slightly flat upper lip. Fawzi complied, and later discovered that Mohamed Karim had been right. His success in The Happy Ones helped him establish his own film company, Mohamed Fawzi Films, in 1947. Egyptian radio, which had rejected him as a singer, continued to broadcast his film songs without ever considering signing him. After the July 1952 revolution, radio began to play his patriotic songs, such as "My Country, I Loved You, My Country," and religious songs like "O Oft-Returning, O Forgiving," and "My God, How Just You Are." He also sang children's songs such as "Mama's Coming Soon" and "The Night Has Gone," which he performed in the film "Miracle of Heaven." Fawzi also participated with Madiha Yousri, Emad Hamdi, Shadia, Farid Shawqi, and Huda Sultan in the "Mercy Train" trips, which the revolution ordered to run in 1953 between the governorates of Lower and Upper Egypt. He and other artists performed to comfort patients in hospitals and social welfare centers. Fawzi sang many songs he composed for films. He also composed for many singers of his era, such as Mohamed Abdel-Mottaleb, Laila Mourad, Nazik, Huda Sultan, Najah Salam, and many others.
The Algerian National Anthem
The Algerian National Anthem
In 1956, two Algerian officials traveled to Egypt to meet with Mohamed Fawzi at the Voice of the Arabs radio station and ask him to compose the Algerian national anthem. However, Mohamed Abu al-Futuh, head of the Moroccan section at the station, objected to Fawzi, deeming him a weak composer unsuitable for the task. Fawzi took this as a slight against his abilities and talent and presented the work "Kassaman," the Algerian national anthem that remains in use to this day.
Founding and Nationalization of the Masrafon Company
Founding and Nationalization of the Masrafon Company
In 1958, Fawzi was able to establish the Masrafon Company for record production. His company sold records for thirty-five piasters, undercutting foreign record companies that were selling records for ninety piasters. His Masrafon company produced songs by the leading singers of that era, such as Umm Kulthum and Mohamed Abdel Wahab. The success of Fawzi's company and the quality of its production led the government to nationalize it in 1961 and appoint him as its director with a salary of 100 Egyptian pounds. Ahmed Al-Samahi stated: "Nationalization was the reason for Fawzi's downfall. After being the owner and backbone of the company, which was his whole life, his work there began to shrink. Then one day, he went to the company and found someone at the door saying, 'We will give you a monthly salary of one hundred pounds, and you will have an office there and be the head of the company.' But he found his office in the room that had been a tea and coffee shop. Fawzi suffered from an illness that baffled doctors worldwide. He decided to travel abroad for treatment and indeed went to London in early 1965. He then returned to Egypt, but visited doctors in Germany two months later. However, the German hospital issued a statement saying that they had not been able to determine his true illness or how to treat it, and that he was the fifth person in the world to be afflicted with this disease, which had reduced his weight to 36 kilograms. The disease is now known as retroperitoneal fibrosis, sometimes referred to as "Fawzy's disease," as the German doctor named it after Mohamed Fawzy. Thus, Mohamed Fawzi entered a long and arduous battle with illness that ultimately claimed his life, until he passed away on October 20, 1966.
Personal life
Personal life
Mohamed Fawzi married his first wife, Huda, in 1943. They had three children: Nabil (born 1944), Samir (born 1946), and Munir (born 1948), before divorcing in 1952. Later that same year, he married the actress Madiha Yousri, with whom he had a son, Amr (born 1955). Two of his sons with Madiha Yousri predeceased him. They divorced in 1959. In 1960, he married his third wife, Karima (actress), and they had their daughter, Iman, in 1961. She remained with him until his death.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1966
Mohamed Fawzi Elhaw died at Cairo.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Kafr Abu Jindi.
Birth place
Cairo.
Death place
Films of Mohamed Fawzi
Mohamed Fawzi produced a number of films between 1947 and 1959, all of which he starred in except for the films Futuwat Al-Husayniya and Al-Gha'iba (The Absent One). • Year — Works • 1947 — Mind on Vacation • 1948 — Love and Madness Soul and Body • 1949 — The Madwoman Fatima, Marika and Rachel The Pennywise Woman • 1950 — A Dancer's Love Miss Mama • 1951 — The End of a Story The Rose of Love • 1952 — Where Did You Get This? • 1953 — A Good Samaritan • 1954 — The Tough Guys of Al-Husayniya Always With You Daughters of Eve • 1955 — The Absent One • 1956 — Miracle in Heaven • 1959 — [Every Beat of My Heart (film) | Every Beat of My Heart
Works and artistic legacy
Mohamed Fawzi's repertoire included 400 songs, approximately 300 of which were featured in films. Among his most famous songs are "Habibi wa Ainih" (My Beloved and His Eyes), "Shahhat al-Gharam" (The Beggar of Love), "Tamally fi Qalbi" (Always in My Heart), "Wahashouna al-Habayeb" (We Miss Our Loved Ones), "Elli Yehwak Ahwah" (I Love the One Who Loves You), and "Mal al-Qamar Malo" (What's Wrong with the Moon?). He also composed a collection of beloved children's songs, including "Mama Zamanha Gaya" (Mama's Coming Soon) and "Dahab al-Layl Tala' al-Fajr" (The Night Has Gone, Dawn Has Come). Fawzi wrote the famous patriotic song "Baladi Ahbabtak Ya Baladi" (My Country, I Loved You, My Country), and songs for special occasions such as "Hatou al-Fawanees Ya Awlad" (Bring the Lanterns, Children) for Ramadan and "Enti Ya Ummi" (You, My Mother) for Mother's Day. He also composed a unique melody called "Mustafa Ya Mustafa" (Mustafa, Oh Mustafa), which became an icon in world music and has been used in numerous international songs. Mohamed Fawzi acted in 36 films (in addition to his appearance in the 1939 film Cairo Nights), making him arguably the most prolific male actor among singers. He also allowed other composers to compose music in the films he starred in (such as Kiss Me, My Father, Nargis, The City's Revolution, and Layla, the Beach Girl), while Mohamed Abdel Wahab and Farid al-Atrash each composed all the songs in their respective films. • Film Title — Release Date — Director • The Executioner's Sword — October 1944 — Youssef Wahbi • A Kiss in Lebanon — January 1945 — Ahmed Badrakhan • The Happy Ones — April 1946 — Mohamed Karim • Tears and Glory — March 1946 — Ahmed Badrakhan • The Enemy of Women — December 16, 1946 — Abdel Fattah Hassan • Kiss Me, Dad — September 8, 1947 — Ahmed Badrakhan • The Mermaid — September 27, 1947 — Abbas Kamel • Good Morning — December 1, 1947 — Hussein Fawzi • The Mind on Vacation — Helmy Rafla • The Landlady — March 18, 1948 — Abdel Fattah Hassan • Love and Madness — March 29, 1948 — Helmy Rafla • Narges — Abdel Fattah Hassan • The Soul and the Body — October 4, 1948 — Helmy Rafla • Lucky Girl — November 1, 1948 — Abdel Fattah Hassan • The Woman Is a Devil — February 28, 1949 — Abdel Fattah Hassan • The Madwoman — January 31, 1949 — Helmy Rafla • Fatima, Marika and Rachel — July 25, 1949 — Helmy Rafla • The Penny Owner — September 26, 1949 — Ezz El-Din Zulfikar • The Girl from Paris — April 3, 1950 — Helmy Rafla • Ah Men El Regala — June 2, 1950 — Helmy Rafla • Gharam Raqisa — September 18, 1950 — Helmy Rafla • The Seventh Wife — April 10, 1950 — Ibrahim Amara • Miss Mama — July 10, 1950 — Helmy Rafla • Love in Danger — July 2, 1951 — Helmy Rafla • The End of a Story — September 3, 1951 — Helmy Rafla • The Rose of Love — December 10, 1951 — Henry Barakat • Where Did You Get This — June 9, 1952 — Niazi Mustafa • The Sweetness of Love — October 29, 1952 — Director: Hussein Fawzi • Son for Rent — September 13, 1953 — Helmy Rafla • Doer of Good — March 21, 1953 — Helmy Rafla • Always with You — August 2, 1954 — Henry Barakat • Daughters of Eve — March 1, 1954 — Niazi Mustafa • A City in Revolt — October 30, 1955 — Helmy Rafla • Miracle of Heaven — March 19, 1956 — Atef Salem • Layla Bint Al-Shati’ — January 12, 1959 — Hussein Fawzi • Every Beat of My Heart — February 9, 1959 — Ahmed Diaa El-Din
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Mohamed Fawzi Elhaw was recorded at birth as محمد فوزى عبد العال. His recorded language was Egyptian Arabic. He married Madiha Yousri and Karima.
Identity and origins
Love and Madness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Music memorabilia
42,934 published records in this field, each with its sources named.
- MoguaiPerson
- Mohamad FityanPerson
- Mohamed BadawiPerson
- Mohamed El QasabgiPerson
- Mohamed FouadPerson
- Mohamed HamakiPerson
- Mohamed MounirPerson
- Mohammad Din ZakhilPerson
Best supported in this field
For owners
Own a work by Mohamed Fawzi Elhaw?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.