Milton Moses Ginsberg
Milton Moses Ginsberg (September 22, 1935May 23, 2021) was an American film director and editor. He was noted for writing and directing Coming Apart, a 1969 film starring Rip Torn and Sally Kirkland, and The Werewolf of Washington starring Dean Stockwell.
Milton Moses Ginsberg
- Name
- Milton Moses Ginsberg
- Born
- 22 September 1935
- Birthplace
- The Bronx, New York, U.S.
- Died
- 23 May 2021
- Place of death
- Manhattan, New York, U.S.
- Education
- Columbia University (BA)
- Occupation
- Director, Writer, Editor,
- Spouse
- Nina Posnansky
- Nationality
- United States
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Milton Moses Ginsberg (September 22, 1935May 23, 2021) was an American film director and editor. He was noted for writing and directing Coming Apart, a 1969 film starring Rip Torn and Sally Kirkland, and The Werewolf of Washington starring Dean Stockwell.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Milton Moses Ginsberg (1943–2021) was a cinematographer, director and screenwriter, of American nationality. The cinematographer was born in New York and died in Manhattan.
Composed from admitted, traceable facts · 27 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Milton Moses Ginsberg. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q6861351 · wikipedia · Milton Moses Ginsberg
In this article
Key facts
Key facts
• Name — Milton Moses Ginsberg • Born — 22 September 1935 • Birthplace — The Bronx, New York, U.S. • Died — 23 May 2021 • Place of death — Manhattan, New York, U.S. • Education — Columbia University (BA) • Occupation — Director, Writer, Editor, • Spouse — Nina Posnansky
Early life
Early life
Ginsberg was born in the New York City borough of The Bronx on September 22, 1935, to Jewish parents Elias, a cutter in Manhattan's garment district, and Fannie (Weis), a housewife. He attended the Bronx High School of Science, before studying literature at Columbia University, where he obtained a bachelor's degree.
Coming Apart
Coming Apart
Ginsberg directed his first feature film, Coming Apart, in 1969. It starred Rip Torn as a mentally disturbed psychologist who secretly films his sexual encounters with women. Sally Kirkland, who was simultaneously filming Futz! at the time, also stars. The film was shot in a one-room, apartment in Kips Bay Plaza, on a budget of $60,000. Shooting lasted three weeks. Ginsberg filmed the entire movie with one static camera setup, in a manner simulating a non-constructed "fake documentary" style, influenced by Jim McBride's David Holzman's Diary. Critical reception was mixed. Life reviewer Richard Schickel praised Torn's performance, Ginsberg's inventive use of camera and sound, and the "illuminating" portrayal of a schizophrenic breakdown. Critic Andrew Sarris gave it a less-favorable review, and the film was a commercial failure. The film later attained a cult following among critics and filmmakers. In a 1999 volume of Film Comment, Ginsberg stated:... the film was about a psychiatrist encased in his own reflection, using a hidden camera to record his own disintegration. The film was also about the pleasures and price of promiscuity, and about the form and duration of cinema itself - or so I hoped. And to a degree that still embarrasses, it was about me. Appropriate, the title, Coming Apart.
Subsequent work
Subsequent work
In 1973, Ginsberg wrote and directed the satirical horror film The Werewolf of Washington starring Dean Stockwell. Eschewing the minimalism of his previous feature, Ginsberg demonstrated a more technically complex film style. After a diagnosis of non-Hodgkin's Lymphoma in 1975, Ginsberg became depressed and withdrew from filmmaking. He returned to directing in 1999 and 2001, with the short films The City Below the Line and The Haloed Bird. After his final feature film, Ginsberg primarily made a living as a film editor, working on two Academy Award-winning documentaries, Down and Out in America and The Personals, among others. He edited both parts of the miniseries Fidel (2002) for director David Attwood.
Personal life
Personal life
Ginsberg married Nina Posnansky, a painter, in 1983. They remained married until his death. Ginsberg died on May 23, 2021, at his apartment in Manhattan. He was 85, and suffered from cancer prior to his death.
Filmography
Filmography
• Year — Title — Notes — Reference • 1969 — Coming Apart — Director • 1973 — The Werewolf of Washington — Writer and director • 1986 — Down and Out in America — Editor • 1990 — Listen Up: The Lives Of Quincy Jones — Editor • 1995 — Catwalk — Editor • 1997 — Pronto — Editor • 1998 — The Personals: Improvisations on Romance in the Golden Years — Editor • 2000 — Sidney Poitier: One Bright Light — Editor • 2002 — Fidel — Editor • 2005 — A Father... A Son... Once upon a Time in Hollywood — Editor
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
New York.
Birth place
Manhattan.
Death place
Primary material
Documents and archives
reference work
- “Milton Moses Ginsberg”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q6861351: Milton Moses Ginsberg
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ginsberg, Milton Moses. Woof!: Making The Werewolf of Washington. Metrograph.
- 2.Sandomir, Richard. Milton Moses Ginsberg, Unconventional Filmmaker, Dies at 85. The New York Times. June 12, 2021.
- 3.Smith, Howard. Rip Torn, Sally Kirkland, and the Sexual Revolution on Stage and Film. The Village Voice. March 13, 1969.
- 4.Smith, Dinitia. After 'Coming Apart,' a Life Did Just That. The New York Times. September 10, 1998.
- 5.Horwath, Alexander. The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam University Press. 2004. 90-5356-493-4.
- 6.Schickel, Richard. "Cracking Up On Camera" Life, October 17, 1969
- 7.Ginsberg, Milton Moses. How to Fall Into Oblivion and Take Your Movie With You: COMING APART. Film Comment. 35. 1. 4–6. 1999. 0015-119X.
- 8.Malcolm, Derek. Yawning space: Derek Malcolm reviews more new films. The Guardian. October 23, 1976.
- 9.Puchalski, Steven. Slimetime: A Guide to Sleazy, Mindless Movies. Headpress/Critical Vision. 2002. 1-900486-21-0.
- 10.Senn, Bryan. The Werewolf Filmography: 300+ Movies. McFarland. 238. February 6, 2017. 9781476626918.
- 11.Wertheimer, Ron. Television Review – Castro's Road, a Historical Pageant. The New York Times. January 26, 2002.
- 12.British Film Institute. Milton Moses Ginsberg.
- 13.Ebert, Roger. Listen Up: The Lives Of Quincy Jones movie review (1990). www.rogerebert.com. October 5, 1990.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Film memorabilia
37,409 published records in this field, each with its sources named.
- Milton H. BrenPerson
- Milton J. FahrneyPerson
- Milton KatselasPerson
- Milton KrimsPerson
- Milton RaisonPerson
- Milton ReidPerson
- Milton RosmerPerson
- Milton SelzerPerson
Best supported in this field
For owners
Own a work by Milton Moses Ginsberg?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.