Millie Jackson
Mildred Virginia Jackson (born July 15, 1944) is an American R&B and soul recording artist. Beginning her career in the early 1960s, three of Jackson's albums were certified gold by the RIAA for over 500,000 copies sold. Jackson's songs often include long spoken sections, sometimes humorous, sometimes sexually explicit.
Also recorded as Mildred Virginia Jackson
Millie Jackson
Millie_Jackson.jpg: Albert Domasin derivative work: FotoPhest (talk) · Millie_Jackson.jpg · CC BY 3.0
- Name
- Millie Jackson
- Birth Name
- Mildred Virginia Jackson
- Born
- 15 July 1944
- Birthplace
- Thomson, Georgia, U.S.
- Occupation
- * Singer
- Full name
- Mildred Virginia Jackson.
- Nationality
- United States.
- Fields
- music composing.
- Languages
- English.
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Mildred Virginia Jackson (born July 15, 1944) is an American R&B and soul recording artist. Beginning her career in the early 1960s, three of Jackson's albums were certified gold by the RIAA for over 500,000 copies sold. Jackson's songs often include long spoken sections, sometimes humorous, sometimes sexually explicit.
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bnf · gnd · loc · wikidata · Q275575 · wikipedia · Millie Jackson
In this article
Biography
Biography
Jackson worked across musician, singer-songwriter, singer and recording artist. The registers place that work in pop music, soul and rhythm and blues. This article rests on 26 catalogued compositions, 3 published texts, 56 issued recordings, 5 digitised documents and 3 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

millie jackson @ sunset junction
Albert Domasin · originally posted to Flickr as [1]
Key facts
Key facts
• Name — Millie Jackson • Birth Name — Mildred Virginia Jackson • Born — 15 July 1944 • Birthplace — Thomson, Georgia, U.S. • Instrument — Vocals • Genre — * Soul • disco • R&B • Occupation — * Singer • songwriter • model • Years Active — 1964–present • Label — * MGM • Spring • Polydor • Sire/Warner Bros. • Jive/BMG • Ichiban • Wierd • Website — weirdwreckuds.com aj-productions.com
Early life
Early life
Born in Thomson, Georgia, Jackson is the daughter of a sharecropper, Jubilee Jackson. Her mother died when she was a child and, subsequently, she and her father moved to the New York City area and settled in Newark, New Jersey. By the time Jackson was in her mid-teens, she had moved into New York City to live with an aunt who resided in Brooklyn. She found an occasional modeling gig for magazines like JIVE and Sepia. In 1964, Jackson performed at a club in New York City. She subsequently appeared in a "string of one nighters" after this. Her performance was mostly talk and spoken words, but her onstage banter would become a focal point in her stage act. This banter stemmed from her being unsure of what to do in front of the crowd. "I just talked to the audience because I was nervous," Jackson said. "Then my label (Spring) wanted to record it like I was doing it live. It was longer than a three-minute single, but not quite a whole album side so I said, 'We need to keep this story going.
Career
Career
Jackson's recording career reportedly began on a dare to enter a 1964 talent contest at Harlem nightclub Smalls Paradise, which she won. Although she first recorded for MGM Records in 1970, she soon left and began a long association with New York-based Spring Records. Working with the label's in-house producer, Raeford Gerald, her first single to chart was 1971's "A Child of God (It's Hard to Believe)," which reached number 22 on the R&B chart. In 1972, Jackson had her first R&B top ten single with the follow-up, "Ask Me What You Want", which also reached the pop top 30, then "My Man, A Sweet Man" reached No. 7 R&B and No. 50 on the UK Singles Chart; all three songs were co-written by Jackson. "My Man, A Sweet Man" was a northern soul hit record in the UK as was her 1976 recording "A House for Sale". The following year brought her third US R&B top ten hit, "It Hurts So Good," which made No. 3 on the R&B chart and No. 24 on the US Billboard Hot 100 pop chart. The single was featured on the album of the same name and in the blaxploitation film Cleopatra Jones. In 1974, she released the album Caught Up, which introduced her innovative style of raunchy spoken words. The featured release was her version of Luther Ingram's million-seller, "(If Loving You Is Wrong) I Don't Want to Be Right", for which she received a Grammy nomination. By now, she had switched producers to work only with Brad Shapiro, who had been involved with "It Hurts So Good" and "Love Doctor". Working at Muscle Shoals Studio in Alabama with the renowned Muscle Shoals Rhythm Section, she continued to record most of her material for Spring there, including the follow-up album, Still Caught Up. Over the next ten years, Jackson had a string of successful albums and numerous R&B chart entries, the biggest being her 1977 version of Merle Haggard's country hit "If We're Not Back in Love By Monday". That single was followed by many more, including her version of the Boney M. song the disco single "Never Change Lovers in the Middle of The Night." This single peaked at No. 33 on the Billboard R&B chart in 1979. Jackson recorded an album in 1979 with Isaac Hayes called Royal Rappin's and the same year saw her release a double album, Live and Uncensored, recorded in concert at Los Angeles venue the Roxy and Live and Outrageous at Atlanta's Mr. V's Figure8. Jackson also formed and produced the group Facts of Life. It had a major hit in 1976 with "Sometimes" (No. 3 R&B, No. 31 Pop). Jackson found herself without a label when Spring closed down in 1984, but in 1986, she signed with Jive Records in a deal that produced four albums and resulted in further R&B top ten hits with "Hot! Wild! Unrestricted! Crazy Love" and "Love Is a Dangerous Game". She appeared on an Elton John track in 1985, "Act of War", which was a top 40 hit in the UK, but failed to chart in the US. In 1991, she wrote, produced and starred in the successful touring play Young Man, Older Woman, based on her album of the same title for Jive. On November 24, 1994, Jackson appeared in the Thanksgiving episode "Feast or Famine" of Martin as Florine. In 2000, her voice featured in "Am I Wrong" by Etienne de Crécy, sampled from her performance in "(If Loving You Is Wrong) I Don't Want to Be Right". Jackson has frequently appeared on "worst ever" lists for her album covers. E.S.P. (Extra Sexual Persuasion) features Jackson peering into a crystal ball that accentuates her cleavage; Back to the S**t! depicts Jackson sitting on a toilet where it is implied she is defecating. Jackson now runs her own record label, Weird Wreckuds. After a lengthy hiatus from recording, she released her 2001 album, Not for Church Folk, which marked a return to her style with an Urban contemporary sound. The album features the singles "Butt-A-Cize" and "Leave Me Alone". The album also features a collaboration with rapper Da Brat on the song "In My Life". Jackson had her own radio show in Dallas, Texas, for 13 years. Broadcasting via remote from her home in Atlanta, Georgia, Jackson worked in afternoon drive-time from 3–6 pm on KKDA 730 AM, until January 6, 2012. In 2006, five of Jackson's best-selling albums—Millie Jackson (1972), It Hurts So Good (1973), Caught Up (1974), Still Caught Up (1975), and Feelin' Bitchy (1977)—were digitally remastered and released on CD with bonus tracks. All of Jackson's Spring Records-era albums are available from Ace Records in the UK. An Imitation of Love was re-issued on CD in 2013 by the Funkytowngrooves label in a remastered, expanded edition. Other albums released on the Jive and Ichiban labels remain out of print, though some of those songs appear on compilation CDs. On February 6, 2012, the documentary, Unsung: the Story of Mildred 'Millie' Jackson aired on the TV One network. Jackson performed at Washington, D.C.'s historic Howard Theatre on August 3, 2012, and at B.B. King's Blues Club in New York on August 4, 2012. On June 6, 2015, Jackson was inducted into the Official Rhythm & Blues Music Hall of Fame in Clarksdale, Mississippi. Jackson also starred in Joe's College Road Trip as Geraldine, a R&B singer at a club on Beale Street.
Personal life
Personal life
Jackson has two children: singer Keisha Jackson, and a son. Jackson was married for a period of eight months to Victor Davis.
Albums
Albums
• Year — Album — Chart positions — Certification • US — US R&B — AUS — UK • 1972 — Millie Jackson — 166 — — — — — — • 1973 — It Hurts So Good — 175 — 13 — — — — • 1974 — I Got to Try It One Time — — — — — — — — • Caught Up — 21 — 4 — — — — — *RIAA: Gold • 1975 — Still Caught Up — 112 — 27 — 96 — — • 1976 — Free and in Love — — — 17 — — — — • 1977 — Lovingly Yours — 175 — 44 — — — — • Feelin' Bitchy — 34 — 4 — — — — — *RIAA: Gold • 1978 — Get It Out'cha System — 55 — 14 — — — — — *RIAA: Gold • 1979 — A Moment's Pleasure — 144 — 47 — — — — • Royal Rappin's (with Isaac Hayes) — 80 — 17 — — — — • Live & Uncensored — 94 — 22 — — — 81 • 1980 — For Men Only — 100 — 23 — — — — • I Had to Say It — 137 — 25 — — — — • 1981 — Just a Lil' Bit Country — 201 — 43 — — — — • 1982 — Hard Times — 201 — 29 — — — — • Live and Outrageous — 113 — 11 — — — — • 1983 — E.S.P. (Extra Sexual Persuasion) — — — 40 — — — 59 • 1986 — An Imitation of Love — 119 — 16 — — — — • 1988 — The Tide Is Turning — — — — — — — — • 1989 — Back to the S**t! — — — 79 — — — — • 1991 — Young Man, Older Woman — — — — — — — — • 1993 — Young Man, Older Woman: Cast Album — — — — — — — — • 1994 — Rock N' Soul — — — — — — — — • 1995 — It's Over — — — — — — — — • 1997 — The Sequel, It Ain't Over — — — — — — — — • 2001 — Not for Church Folk! — — — — — — — — • 2014 — On the Soul Country Side — — — — — — — — • "—" denotes a recording that did not chart or was not released in that territory.
Singles
Singles
• Year — Single — Chart positions — Album • US — US R&B — UK • 1971 — "A Child of God" — 102 — 22 — — — Millie Jackson • 1972 — "Ask Me What You Want" — 27 — 4 — — • "My Man, a Sweet Man" — 42 — 7 — 50 • "I Miss You Baby" — 95 — 22 — — • 1973 — "Breakaway" — 110 — 16 — — — It Hurts So Good • "It Hurts So Good" — 24 — 3 — — • 1974 — "I Got to Try It One Time" — — — 21 — — — I Got to Try It One Time • "How Do You Feel the Morning After" — 77 — 11 — — • 1975 — "The Rap" — — — 42 — — — Caught Up • "(If Loving You Is Wrong) I Don't Want to Be Right" — 42 — (flip) — — • "I'm Through Trying to Prove My Love to You" — — — 58 — — • "Leftovers" — 87 — 17 — — — Still Caught Up • "Loving Arms" — — — 45 — — • 1976 — "Bad Risk" — — — 24 — — — Free and in Love • "There You Are" — — — (flip) — — • "Feel Like Making Love" — — — 71 — — • 1977 — "I Can't Say Goodbye" — — — 40 — — — Lovingly Yours • "A Love of Your Own" — — — 87 — — • "If You're Not Back in Love By Monday" — 43 — 5 — — — Feelin' Bitchy • 1978 — "All the Way Lover" — 102 — 12 — — • "Sweet Music Man" — — — 33 — — — Get It Out'cha System • "Keep the Home Fires Burnin'" — — — 83 — — • 1979 — "Never Change Lovers in the Middle of the Night" — — — 33 — — — A Moment's Pleasure • "A Moment's Pleasure" — — — 70 — — • "We Got to Hit It Off" — — — 56 — — • "Do You Wanna Make Love" (with Isaac Hayes) — — — 30 — — — Royal Rappin's • 1980 — "Didn't I Blow Your Mind" — — — 49 — — — Live & Uncensored • "You Never Cross My Mind" (with Isaac Hayes) — — — 78 — — — Royal Rappin's • "Despair" — — — 61 — — — For Men Only • "This Is It (Part One)" — — — 88 — — • 1981 — "I Can't Stop Loving You" — — — 62 — — — Just a Lil' Bit Country • 1982 — "Special Occasion" — — — 51 — — — Hard Times • 1983 — "I Feel Like Walking in the Rain" — — — 58 — 55 — E.S.P. (Extra Sexual Persuasion) • 1985 — "Act of War" (with Elton John) — — — — — 32 — Non-album single • 1986 — "Hot Wild Unrestricted Crazy Love" — — — 9 — 99 — An Imitation of Love • 1987 — "Love Is a Dangerous Game" — — — 6 — 81 • "An Imitation of Love" — — — 58 — — • "It's a Thang" — — — 79 — — • "Be Yourself" (with Whodini) — — — 20 — — — Open Sesame • 1988 — "Something You Can Feel" — — — 45 — — — The Tide Is Turning • "—" denotes a recording that did not chart or was not released in that territory.
Life and work
Life and work
Millie Jackson was born on 15 July 1944 in Thomson. Jackson held the nationality of United States. Recorded child: Keisha Jackson. Jackson worked as musician, singer-songwriter, singer and recording artist. Jackson was active from 1964. The fields Jackson worked in include pop music, soul and rhythm and blues. Jackson played the voice. Jackson worked in English.
Compositions, 1973–1986
Catalogued output
Compositions, 1973–1986
The entries below are works composed by the subject, as the institutional registers catalogue them; later performances and commercial recordings of the same music are listed separately. They belong to a run of 26 titles in all, from 1973 to 1986.
2 compositions carry dates between 1973 and 1986
The run opens with It Hurts So Good and closes with Hot!
It Hurts So Good
1973
Crazy Love
1986
Compositions without a settled date
Catalogued output
Compositions without a settled date
24 further compositions are catalogued under Jackson's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. Hold the Line. This Is It. (If Loving You Is Wrong) I Don’t Want to Be Right.
Never Change Lovers in the Middle of the Night
Mess on Your Hands
Here You Come Again
All the Way Lover
Didn’t I (Blow Your Mind This Time)
Act of War
How Do You Feel the Morning After
Feel Like Makin’ Love
Watch the One Who Brings You the News
I’ll Be Rolling (With Punches)
A Fool’s Affair
Love on the Rocks
Issued recordings, 1972–2001
Primary material
Issued recordings, 1972–2001
These are published sound issues catalogued under the name. Most postdate the works they carry, and an issue is never counted here as a work of composition. 11 issues carry dates between 1972 and 2001. The run opens with Millie Jackson and closes with Not for Church Folk! The 1970s are the densest part of the run, with 7 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 12 titles in all, from 1972 to 2001.
Issued recordings without a settled date
Primary material
Issued recordings without a settled date
1 further issue are catalogued under Jackson's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. Live & Uncensored.
Recordings and discography
Primary material
Recordings and discography
The discography assembled here shows how Jackson's work has been published in sound, not what Jackson made. 44 sound issues are catalogued, carrying dates from 1969 to 2025. An issue is a published recording, distinct from the composition it carries, from a printed score of that composition and from any single performance of it; none of the entries below is counted in the catalogue of compositions above, and several of them carry the same work in different readings. The 1970s are the densest decade of publication, with 13 issues. The performers and issuing labels are as the discographic register states them; where it names no performer the article names none.
Lovingly Yours
1976
Sex and Soul
2000
The Very Best of Millie Jackson
1994
Feelin' Bitchy
1977
Royal Rappin’s
1979
Get It Out'cha System
1978
Back to the Shit
1989
Free and in Love
1976
21 of the Best (1971-1983)
1994
Just a Lil’ Bit Country
1981
Young Man, Older Woman (The Cast Album)
1993
Rock 'N' Soul
1994
Live & Uncensored
1979
It Ain't Over
1997
Not for Church Folk!
2001
(Extra Sexual Persuasion)
1983
The Tide Is Turning
1988
I Had to Say It
1980
An Imitation of Love
1986
The Moods of Millie Jackson: Her Best Ballads
2013
Between the Sheets
1999
On The Soul Country Side
2014
We Got To Hit It Off
2025
A Moment's Pleasure
1979
Still Caught Up
1975
Hard Times
1982
It's Over!?
1995
It's Gonna Take Some Time This Time
1985
Essentials
2001
I Got to Try It One Time
1974
For Men Only
1980
A Little Bit of Something
1969
Act of War (Remix Number Two)
1985
Caught Up
1974
The Multi Track Sessions
2018
Soul for the Dancefloor
2008
Young Man, Older Woman
1991
The Millie Jackson Anthology
1997
Further digitised and archival material
Primary material
Further digitised and archival material
A further 72 rows were returned by the same open archives and are not shown here, because the only tie between them and this person was lexical: the name appeared in a title, a description or a series heading without the register stating any relation to Jackson. They are kept in the evidence layer and return the moment a relation is demonstrated. The register's own description is kept rather than reclassified, so a reader can see what each institution says it holds.
Eddie Kendrisks, Millie Jackson, the Tramps
1978
Millie Jackson, Jerry Butler, Peaches and Herb
1979
Act Of War (Part 5) (Radio Edit)
1985. 포에버뮤직카페 김현우 If Loving You Is Wrong Millie Jackson. Millie-jackson-the-rap
Documents and archives
Primary material
Documents and archives
institutional register
- Bibliothèque nationale de France authority file 13974775c
General reference · Bibliothèque nationale de France
- Discogs authority file 94928
General reference · Discogs
- FAST authority file 303540
General reference · FAST
- GND (German National Library) authority file 134415396
General reference · GND (German National Library)
- ISNI authority file 0000000055195491
General reference · ISNI
- Library of Congress authority file n92047680
General reference · Library of Congress
reference work
- “Millie Jackson”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
institutional register
Bibliothèque nationale de France authority file 13974775cBibliothèque nationale de France
Secondary witnessinstitutional register
Discogs authority file 94928Discogs
Secondary witnessinstitutional register
Secondary witnessinstitutional register
GND (German National Library) authority file 134415396GND (German National Library)
Secondary witnessinstitutional register
Secondary witnessinstitutional register
Library of Congress authority file n92047680Library of Congress
Secondary witnessinstitutional register
Secondary witnessinstitutional register
Secondary witness
Every cited source · 10
- 01
Bibliothèque nationale de France authority file 13974775c
institutional register · General reference · Bibliothèque nationale de France
Consult the source - 02
- 03
- 04
GND (German National Library) authority file 134415396
institutional register · General reference · GND (German National Library)
Consult the source - 05
ISNI authority file 0000000055195491
institutional register · General reference · ISNI
Consult the source - 06
Library of Congress authority file n92047680
institutional register · General reference · Library of Congress
Consult the source - 07
MusicBrainz artist authority
institutional register · General reference · MusicBrainz
Consult the source - 08
- 09
Wikidata, structured authority record Q275575: Millie Jackson
institutional register · General reference · Wikimedia Foundation
Consult the source - 10
“Millie Jackson”, English Wikipedia, consulted as further reading
reference work · Reputable secondary · Wikipedia
Consult the source
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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Best supported in this field
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