Michiyo Yagi
Michiyo Yagi, a Japanese musician who studied koto under Tadao Sawai, Kazue Sawai and Satomi Kurauchi, and graduated from the NHK Professional Training School for Traditional Musicians. Between 1989 and 1990, during her tenure as visiting professor of music at Wesleyan University in Connecticut, U.S.A, she premiered numerous modern compositions for koto and came under the influence of maverick American composers such as John Cage, Conlon Nancarrow, and John Zorn. Her solo koto CD Shizuku was produced by Zorn and released on the Tzadik label in 1999.
Michiyo Yagi

Nomo michael hoefner / · CC BY-SA 3.0
- Name
- Michiyo Yagi
- Birthplace
- Tokoname, Aichi
- Occupation
- Musician, educator
- Born
- 1962 · Tokoname.
- Nationality
- Japan
- Languages
- Japanese
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In this article
Biography
Biography
In 2001 she recorded "Yural" with her koto ensemble Paulownia Crush for the East Works label. Under the auspices of the Japan Foundation, Yagi toured Russia with this ensemble in the fall of 2004. An eclectic musician, Yagi has frequently appeared on Japanese TV and has performed at the Moers Jazz, Festival International de Musique Actuelle de Victoriaville, Archipel, Bang on a Can, Tokyo Summer, Vision, Punkt, Instal, Music Unlimited, Météo-Mulhouse, Born Creative, and Jazztopad Festivals. Yagi's koto has been featured in ex-Judy and Mary guitarist/singer Takuya's rock band, and she has recorded and appeared onstage with Ayumi Hamasaki, one of Japan's best-selling pop singers. Yagi was a founding member of the quartet Koto Vortex with fellow Sawai apprentices Yoko Nishi, Miki Maruta and Etsuko Takezawa, as well as Kokoo, a trio which performs originals and progressive rock covers exclusively on traditional Japanese instruments. She was also one-third of the avant-pop girl group Hoahio which recorded two CD's for Tzadik. Yagi is one of the few improvising koto players on the international stage. Among Yagi's post-Tzadik recordings are Seventeen, entirely performed on the giant 17-string koto; Live!
Key facts
Key facts
• Name — Michiyo Yagi • Landscape — yes • Birthplace — Tokoname, Aichi • Instruments — koto (21-string, 17-string, 18-string, 13-string), shamisen, electronics, voice • Genre — Traditional Japanese music, jazz, free improvisation, progressive rock, contemporary classical music • Occupation — Musician, educator • Years Active — 1986–present • Label — Idiolect, Tzadik, Zipangu, East Works Entertainment / BAJ • Illustration — Michiyo Yagi, Moers Festival 2011
Discography (as leader or co-leader)
• 1994: Koto Vortex I: Works by Hiroshi Yoshimura (Dainippon Katei Ongakukai / Paradise) • 1996: Koto Vortex II: Arcadia (Dainippon Katei Ongakukai / Paradise) • 1997: Hoahio: Happy Mail (Amoebic) • 1999: Shizuku (Tzadik) • 2000: Hoahio: Ohayo! Hoahio! (Tzadik) • 2001: Yural with Paulownia Crush (East Works Entertainment / BAJ) • 2003: Hoahio: Peek-Ara-Boo! (Tzadik) • 2005: Seventeen (Zipangu) • 2006: Live! at SuperDeluxe with Ingebrigt Håker Flaten and Paal Nilssen-Love (Idiolect) • 2008: Head On with Peter Brötzmann and Paal Nilssen-Love (Idiolect) • 2009: Volda with Peter Brötzmann and Paal Nilssen-Love (Idiolect) • 2010: Reflexions with Elliott Sharp (Idiolect) • 2014: Dōjō: Ichi no Maki (Vol. 1) with Tamaya Honda (Idiolect) • 2015: Soul Stream with Joe McPhee, Paal Nilssen-Love and Lasse Marhaug (PNL) • 2015: Angular Mass with Paal Nilssen-Love and Lasse Marhaug • 2017: Dōjō: Ni no Maki (Vol. 2) with Tamaya Honda (Idiolect) • 2017: Decayed with Ingebrigt Håker Flaten, Paal Nilssen-Love and Henry Kaiser (Idiolect) • 2019: Into The Forest (Mori no Naka e) with Tamaya Honda, Noritaka Tanaka and Takashi Sugawa (Idiolect)
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Michiyo Yagi, revision 1374678347 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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