Michèle Pearson Clarke
Michèle Pearson Clarke (born February 16, 1973) is a Trinidadian filmmaker and photographer based in Toronto, Ontario, Canada.
Also recorded as Michele Clarke · Michele Pearson Clarke
Michèle Pearson Clarke
- Name
- Michèle Pearson Clarke
- Born
- 16 February 1973
- Birthplace
- Port of Spain, Trinidad
- Occupation
- Filmmaker Photographer
- Education
- Queen's University University of Toronto Ryerson University
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Michèle Pearson Clarke (born February 16, 1973) is a Trinidadian filmmaker and photographer based in Toronto, Ontario, Canada.
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In this article
Key facts
Key facts
• Name — Michèle Pearson Clarke • Born — 16 February 1973 • Birthplace — Port of Spain, Trinidad • Occupation — Filmmaker Photographer • Education — Queen's University University of Toronto Ryerson University • Years Active — 2005–present
Early life
Early life
Clarke was born in Port of Spain, Trinidad, and was educated at Queen's University and the University of Toronto. She received her MFA from Ryerson University in 2015.
Career
Career
Her first film, Surrounded by Water, was completed through the Liaison of Independent Filmmakers of Toronto. Her second film, Black Men and Me, was featured in the 2007 Inside Out Film and Video Festival and explores Clarke's perceptions of black masculinity from a black lesbian's perspective. The film has since been featured at the 2007 Reel World Film Festival (Toronto), the 2007 Miami Gay and Lesbian Film Festival and the 2007 San Francisco International LGBT Film Festival. Clarke is also an author and has been published in Bent on Writing: An Anthology of Queer Tales. In 2013, she started a portrait series "It’s Good To Be Needed," in which she photographed ex-partners who remained friends holding hands. In 2016, she was commissioned by The Robert McLaughlin Gallery in Oshawa, Ontario, to create a two-channel video installation called "I’m Thinking of Ending Things." The project commemorates the 150 years or Oshawa's manufacturing history through personal stories of job loss. Clarke's video work "Suck Teeth Compositions (After Rashaad Newsome)" was included in Here We Are Here: Black Canadian Contemporary Art, an exhibition at the Royal Ontario Museum in 2018. That same year her work was included at the LagosPhoto Festival. Clarke's 2018 exhibition in Toronto, A Welcome Weight on My Body, explored film in photographic form, focusing on creating analog still images of Caribbean Canadian friends and family, whom she found missing or exploited in the genre historically. The scrapbook-like installation of photographs hung in composition of groups on shelves, floor, in wood or metal frames complicated the presentation, in an attempt to pull them away from a minimalist, colder conceptual tradition. In this exhibition Clarke explores the cultural weight of Blackness and presents the photographs in a way that is meant to feel approachable and part of a practice as opposed masterful print and modern presentation. In 2018 Clarke exhibited her video titled "All That Is Left Unsaid" in Los Angeles. In the video Clarke edited together all of the moments without speech from an Audre Lorde documentary.
Identity
Identity
Michèle Pearson Clarke is recorded as writer, filmmaker, photographer, installation artist and film director.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1973
Michèle Pearson Clarke born at Port of Spain.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Trinidad and Tobago and Toronto
Residences
Port of Spain.
Birth place
Publications
*
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Vaughan, RM. Michèle Pearson Clarke at Gallery 44 Centre for Contemporary Photography. www.artforum.com. September 2018.
- 2.Mizota, Sharon. Sweat lodge, Audre Lorde, magical holograms: Three stellar art shows that pull you to another place. Los Angeles Times. March 10, 2018.
- 3.Aisha Fairclough. Black Women's Film Festival Brings Sex, Violence, History and Identity to the Forefront. March 14, 2008.
- 4.Bergman, S. Bear. From exes to friends: The lasting bonds of many LGBTQ relationships. The Globe and Mail. February 22, 2017.
- 5.McMillan, Ian. Robert McLaughlin Gallery exhibit to delve into stories of grief, loss due to GM layoffs in Oshawa. October 24, 2016.
- 6.'Here We Are Here: Black Canadian Contemporary Art' at MMFA BLOUIN ARTINFO. www.blouinartinfo.com.
- 7.Whyte, Murray. New show returns ROM to African-Canadian issues — and scores a provocative success The Star. thestar.com. January 28, 2018.
- 8.Ritchie, Kevin. An exhibit devoted to Black Canadian contemporary art is opening at the ROM next year. NOW Magazine. September 2024.
- 9.LagosPhoto Festival 2018. Vogue Italia. 25 October 2018.
- 10.Cho, Lily. Making Heavy Weights Light. Gallery 44 Centre for Contemporary Photography. 2–3. 2018.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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