Maury Muehleisen

On September 20, 2006, 33 years to the day of Muehleisen's death, the first domestic CD of his Gingerbreadd LP was reissued, along with a companion CD, Maury Muehleisen – Before the Ever Since, featuring early home and studio recordings. Liner notes on Gingerbreadd explain the title. In addition to early renditions of the original Gingerbreadd song lineup, the companion CD includes Muehleisen's original solo guitar recording of "Salon and Saloon" (the version sung by Croce was accompanied only by Tommy West on piano). In an August 12, 2010, article in Inside [New] Jersey magazine, Muehleisen's sister, Mary, discussed his music and his association with Croce.

Muehleisen had written several songs and was introduced to producers Terry Cashman and Tommy West, who offered to produce an album of his songs. At that time, Jim Croce was out of the music industry and was working a series of odd jobs. Muehleisen and Croce were introduced by a mutual friend and developed an immediate and lasting rapport. With steady gigs and a growing fan base, Muehleisen invited Croce to back him up as a second guitarist at local Philadelphia-area venues just before the release of the Gingerbreadd album by Capitol Records in November 1970. Although commercial results were minimal, Muehleisen's music and the songwriting began to have a significant impact—the emergence of a new structural sophistication and commercial appeal—on the musical development of Croce's own songwriting. The result was a sound captured by Cashman and West's sparse production on Croce's three albums—You Don't Mess Around with Jim, Life and Times, and I Got a Name, which was released posthumously. The resulting commercial success of the music launched Croce and Muehleisen on 18 months of frequent touring, both in the United States and abroad; seven national television appearances, including The Tonight Show, American Bandstand, The Dick Cavett Show, The Midnight Special and the Helen Reddy Show; as an opening act for Randy Newman, Woody Allen, and Loggins and Messina; and numerous radio interviews. A typical concert venue featured Muehleisen and Croce in a two-guitar acoustic duet, playing to audiences sometimes as large as 10,000 people (Chicago's Ravinia Folk Festival, July 1973). Occasionally, producer Tommy West would join them onstage, typically on the TV appearances, playing the piano. With constant touring becoming a grind, and a No. 1 record on the charts ("Bad, Bad Leroy Brown"), Muehleisen and Croce returned to New York's The Hit Factory in the summer of 1973 to record Croce's third record as a solo artist. Recording sessions were sandwiched between tour stops, and the final song was finished on September 14, 1973. Croce's last recording was a song written by Muehleisen, titled "Salon and Saloon", one of the few songs on Croce's solo albums where he was not the primary songwriter—the I Got a Name LP included two other non-Croce-written tunes.