Masaaki Nakagawa

What the record establishes about Masaaki Nakagawa.

Masaaki Nakagawa is recorded with the occupation photographer. Masaaki Nakagawa is recorded as a citizen of Empire of Japan. Tenman Shrine Bell is dated 1860s and held by The Art Institute of Chicago (inventory 1972.1780). Peasant Woman is dated 1957 and held by The Art Institute of Chicago (inventory 1973.601). Spring (Haru) is dated 1957 and held by The Art Institute of Chicago (inventory 1973.602). The Art Institute of Chicago records 3 objects associated with this heading.

The identifiers under which Masaaki Nakagawa may be traced in institutional catalogues.

Masaaki Nakagawa is established in the international name authorities as Gemeinsame Normdatei (GND) 17435567X, VIAF 215411874 and Wikidata Q6413597.

3 works under this name are catalogued by The Art Institute of Chicago. Their recorded dates run from 1860 to 1957.

Tenman Shrine Bell, dated 1860s, color woodblock print; surimono, held by The Art Institute of Chicago, inventory 1972.1780. Peasant Woman, dated 1957, color woodblock print, held by The Art Institute of Chicago, inventory 1973.601. Spring (Haru), dated 1957, color woodblock print, held by The Art Institute of Chicago, inventory 1973.602.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 3 recorded objects, read from the institution's own published catalogue.

Bibliographic registers publish measured figures for this heading: 22 scientific preprints indexed (arXiv (Cornell University)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 23 further registers were consulted and returned nothing for this heading.