Mary Clemens de Lisle
Mary Clemens de Lisle (née Hay) was an architect and artist based in Hamilton, New Zealand. She was the fifth woman to graduate with a bachelor of architecture and the sixth to become member of the New Zealand Institute of Architects (NZIA). She worked at the Hamilton-based firm White, de Lisle and Fraser, with her husband Aubrey de Lisle.
Also recorded as Mary Clemens Hay · Mary Hay · Mary de Lisle
Mary Clemens de Lisle
- Birth Name
- Mary Clemens Hay
- Born
- 1922
- Birthplace
- Auckland, New Zealand
- Education
- University of Auckland
- Spouse
- Aubrey de Lisle
- Died
- 11 January 2012
- Occupation
- architect
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Mary Clemens de Lisle (née Hay) was an architect and artist based in Hamilton, New Zealand. She was the fifth woman to graduate with a bachelor of architecture and the sixth to become member of the New Zealand Institute of Architects (NZIA). She worked at the Hamilton-based firm White, de Lisle and Fraser, with her husband Aubrey de Lisle.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
The Wikipedia record describes Mary Clemens de Lisle as an architect. Mary Clemens de Lisle was born in 1922. Death followed in 2012. Workplaces include Hamilton.
Composed from admitted, traceable facts · 27 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Mary Clemens de Lisle. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q115122060 · wikipedia · Mary Clemens de Lisle
In this article
Key facts
Key facts
• Birth Name — Mary Clemens Hay • Born — 1922 • Birthplace — Auckland, New Zealand • Education — University of Auckland • Spouse — Aubrey de Lisle • Children — 2 • Died — 11 January 2012
Biography
Biography
De Lisle was born in Auckland in 1922 as Mary Clemens Hay. She was the only child of Gordon Clemens Hay and Gertrude Williams. Hay began studying architecture at School of Architecture at the University of Auckland in 1939 and in 1945 became the fifth woman in Aotearoa New Zealand to graduate with a bachelor of architecture. During this time she served for one year on the Auckland University College Students' Executive In 1943, Hay became ill with meningitis which delayed her taking her final exams and completing her final year thesis. Later she became the sixth woman in the country to become a member of the New Zealand Institute of Architects (NZIA). Hay worked for the Ministry of Works housing division after university. She then left to work with Vernon Brown, largely on residential projects in Auckland, and working on detailing. She returned to the Ministry of Works in 1945, also becoming an Associate member of the Royal Institute of British Architects (RIBA) at this time. Hay married Aubrey de Lisle, whom she met at the University of Auckland, in 1950, following their move to Hamilton in 1948. De Lisle and her husband had two sons. Mary de Lisle's speech in 1969 to the Architect's Wives at the N.Z.I.A Conference at Rotorua, identified issues of addressing housing to meet the future population growth, noting that each month 70-80 new houses should be constructed. de Lisle provided an example of the expected growth through to 2020. At the N.Z.I.A Conference de Lisle reminded everyone of the Declaration of Human Rights from the 1948 Paris conference and the 1966 21st Session of the United Nations General Assembly and the adoption key international covenants the International Covenants on Human Rights and the International Covenant on Economic, Social and Cultural Rights (IESCR) and the International Covenant on Civil and Political Rights (ICCPR). de Lisle had highlighted that the key items were on the rights on freedom of speech, beliefs and to live without fear and want. Mary de Lisle presented to her audience how different housing typologies could create interactive communities for all ages and one her key messages was: "The Maori - pakeha relationships are most important in our North Island towns and cities and in the overall standard of our architecture which is for people - Maori and European..." After moving to Hamilton, she worked part-time for Edgecumbe White Architects, which became White, de Lisle and Fraser, with her husband Aubrey de as a partner. De Lisle worked with largely with George Leigh, another partner in the firm as opposed to with her husband. Together with her husband, she worked on several residential projects including several Waikato farmhouses. She retired from White, de Lisle and Fraser in 1984. Both de Lisle and her husband were also artists, with Aubrey working in watercolour for the most part, whereas de Lisle worked in etchings and aquatint prints. De Lisle died on 11 January 2012. She had been predeceased by her husband, Aubrey de Lisle, in 2004.
Career
Career
As an architect Hay was reportedly at the forefront of the design concept phase, taking the projects through to detailed design for the financial and administrative team to take forward. One house that de Lisle designed on her own was the Foreman House on River Road, Hamilton. She was also involved in three other houses built on River Road, including their own home in 1956. Hay was an active member for the YWCA committee and the Federation of University Women. During Hay's leadership as Chair of the YWCA Building Committee she contributed to the development of a new 90-bed hostel for young women, utilising her expertise as an architect. She has several artworks in the collection of the Waikato Museum Te Whare Taonga o Waikato. They are primarily etchings and aquatint prints, following de Lisle taking printmaking classes in the 1970s. Both her and Aubrey de Lisle's artworks were featured in an exhibition "Art and Architecture: Works by Aubrey and Mary de Lisle" from 4 March 2016 - 17 April 2016.
Primary material
Documents and archives
reference work
- “Mary Clemens de Lisle”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q115122060: Mary Clemens de Lisle
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Empson, Ros. Making space: a history of New Zealand women in architecture. Massey University Press, in association with Architecture+Women NZ. 168, 169, 170, 170. 2022. 978-1-991016-34-8.
- 2.Gatley, Julia. The Auckland School: 100 Years of Architecture and Planning 1917-2017. The University of Auckland. 39. 2017. 978-0-473-39039-6.
- 3.Kellaway, Laura. Simplicity of Form: a tale of two cathedrals and interiors lost?: Hamilton Founders Memorial Theatre (1962) and St Joseph's Catholic Church Morrinsville (1964). Architectural History Aotearoa. 19. 122–138. 2022-12-13. 2703-6626.
- 4.Aubrey de Lisle (b.1919, d.2004). Hamilton Libraries Heritage Collection Online.
- 5.de Lisle, M., 1969, A Changing Environment, April 15th, N.Z.I.A. Conference, Rotorua
- 6.Mary Clemens de Lisle. Waikato Museum.
- 7.Art and Architecture: Works by Aubrey and Mary de Lisle. Te Whare Taonga o Waikato Museum & Gallery.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Design
11,558 published records in this field, each with its sources named.
- Mary AlmyDesigner
- Mary Ann CrawfordDesigner
- Mary Beaumont MeddDesigner
- Mary Brown ChannelDesigner
- Mary Elizabeth SharpeDesigner
- Mary Horgan Mowbray-ClarkeDesigner
- Mary ImrieDesigner
- Mary Jane LongDesigner
Best supported in this field
For owners
Own a work by Mary Clemens de Lisle?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.