Marosa di Giorgio
Marosa di Giorgio (née María Rosa di Giorgio Médici, Salto, 1932 – Montevideo, 2004) was a Uruguayan poet and novelist. Considered one of the most singular voices in Latin America. Critics tend to agree that her writing is greatly influenced by European surrealism, although her vocabulary, style, and imagery are uniquely her own.
Also recorded as Marosa Di Giorgio
Marosa di Giorgio

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- Birth Name
- María Rosa di Giorgio
- Born
- 1932
- Died
- 2004
- Awards
- Fraternity Award
- Full name
- María Rosa di Giorgio Médici.
- Nationality
- Uruguay.
- Occupation
- poet, writer and actress.
- Fields
- poetry and creative and professional writing.
- Languages
- Spanish.
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Documentary summary
Marosa di Giorgio (née María Rosa di Giorgio Médici, Salto, 1932 – Montevideo, 2004) was a Uruguayan poet and novelist. Considered one of the most singular voices in Latin America. Critics tend to agree that her writing is greatly influenced by European surrealism, although her vocabulary, style, and imagery are uniquely her own.
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Note VALÉORINE
Marosa di Giorgio (1932–2004) was an actress, poet and writer, a national of Uruguay. The actress was born María Rosa di Giorgio Médici in Salto and died in Montevideo. Activity centred on creative and professional writing and poetry.
The work spans prose. Languages used include Spanish.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q163826 · wikipedia · Marosa di Giorgio
In this article
Biography
Biography
Her work deals predominantly with the imaginary world of childhood and nature. In the past few years, Latin American critics such as Hugo Achugar, Luis Bravo, Leonardo Garet, Sylvia Guerra, María Alejandra Minelli, and María Rosa Olivera-Williams have explored Marosa Di Giorgio's writing. Uruguayan poet Roberto Echavarren published in 1991 "Transplatinos", which offers an excellent introduction to Di Giorgio's writing. In'Identity, Nation, Discourse: Latin American Women Writers and Artists, edited by Claire Taylor (Cambridge Scholars Publishing, 2009), Soledad Montañez opens up a new discussion of Di Giorgio's erotic writing. Montañez shows how "Di Giorgio's erotic prose illustrates the representation and performance of patriarchal hierarchy as a perverse comedy, creating a genre that constructs gender narratives in order to undermine the patriarchal system from within." Montañez also affirms that "The effect achieved in Marosa's radicalised narrative is ultimately a mocking performance, a burlesque discourse that reveals and denounces domination and power. Through a perverse representation, Marosa exposes the complicated matter of culturally constructed sexual norms and develops a writing that is at the same time disturbing and astonishing" (2009: 158). In 1982, she received the Fraternity Award for literature.
Key facts
Key facts
• Birth Name — María Rosa di Giorgio • Born — 1932 • Died — 2004 • Awards — Fraternity Award
Works
Works
• Poemas (1954) • Humo (1955) • Druida (1959) • Historial de las violetas (1965) • Magnolia (1968) • La guerra de los huertos (1971) • Está en llamas el jardín natal (1975) • Papeles Salvajes (recompilation) • Clavel y tenebrario (1979) • La liebre de marzo (1981) • Mesa de esmeralda (1985) • La falena (1989) • Membrillo de Lusana (1989) • Misales (1993) • Camino de las pedrerías (1997) • Reina Amelia (1999) • Diamelas a Clementina Médici (2000) • Rosa mística (2003)
English translations
English translations
• The History of Violets tr. Jeannine Marie Pitas. Ugly Duckling Presse, New York, 2010. (Historial de las violetas) • Diadem tr. Adam Giannelli. BOA editions, Rochester, 2012. ISBN 9781934414972 (Historial de las violetas, Magnolia, La guerra de los huertos, Está en llamas el jardín natal, Clavel y tenebrario, La liebre de marzo, Mesa de esmeralda, & La falena) • Jasmine for Clementina Medici tr. Peter Boyle. Vagabond Press, Sydney & Tokyo, 2017. (Diamelas a Clementina Médici) • I Remember Nightfall tr. Jeannine Marie Pitas. Ugly Duckling Presse, New York, 2017. (Historial de las violetas, Magnolia, La guerra de los huertos & Está en llamas el jardín natal)
Places
Named by the record
Places
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Salto.
Birth place
Montevideo.
Death place
Primary material
Documents and archives
reference work
- “Marosa di Giorgio”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q163826: Marosa di Giorgio
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.In Taylor (2009) "The Perverse Comedy: Genre, Gender and Identity in Marosa di Giorgio's Misales (1993), Camino de las pedrerías (1997) and Rosa Mística (2003)", p.158
- 2.López Iglesias, Javier. Los papeles salvajes de Marosa di Giorgio. Hoyes Arte. 11 August 2013.
- 3.Daniel Borzutzky reviews The History of Violets by Marosa di Giorgio - Asymptote. www.asymptotejournal.com.
- 4.Sugar castles: I Remember Nightfall by Marosa di Giorgio, translated by Jeannine Marie Pitas. Reading in Translation. 2017-08-29.
References
Citations
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General reference
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