Marjorie Evasco

One of the Filipina feminist poets in the 1980s. She is a recipient of the S.E.A.

Born in Maribojoc into a family of teachers who were "always talking English", she was brought up and educated as a Roman Catholic and her formative years in school were spent under the tutelage of German and Belgian nuns. Evasco and her family lived in Tacloban City and Dumaguete City, then moved to Manila in 1984. She finished her B.A. in 1973 from Divine Word College of Tagbilaran, M.A. in English (Creative Writing) in 1981 at Silliman University and her Doctor of Philosophy in Literature (Ph.D. Litt.) at De La Salle University-Manila. In 1984, she became a member of the faculty of the Literature Department at De La Salle University, and completed her doctoral degree in 1998. For many years, she was Director of the DLSU Press, and later of De La Salle University's Bienvenido N. Santos Creative Writing Center (BNSCWC). She is currently a University Fellow and Professor Emerita for Literature at the same university.

• Origami (from Dreamweavers) This word unfolds, gathers up wind To speed the crane's flight North of my sun to you. I am shaping this poem Out of paper, folding Distances between our seasons. This poem is a crane. When its wings unfold, The paper will be pure and empty. (in Cebuano-Visayan) Mibukhad kining pulong, mitigom sa hangin Pagpadali sa lupad sa talabon Amihanan sa akong adlaw, ngadto kanimo. Gilalang ko kining balak Gikan sa papel, gipilo-pilo Ang gilay-on sa atong panahon. Kining balak usa ka talabon. Inig bukhad sa iyang pako, Ang papel motin-aw ug mahawan. • Marjorie Evasco, 1987 Evasco's poetry books are: Dreamweavers: Selected Poems 1976-1986 (1987), Ochre Tones: Poems in English and Cebuano (1999), "Skin of Water" (2010), "Fishes of Light: Peces de luz" (with co-author Alex Fleites), and "It Is Time To Come Home: New and Collected Poems" (2023. "Dreamweavers" was launched in 1987 at the UP Writers Workshop in Diliman, Quezon City, in Tagbilaran City, and in Dumaguete City at the Sillman University National Writers Workshop. Ochre Tones was launched in May 1999 at National Artist Edith L. Tiempo's residence on Montemar (Sibulan, Negros Oriental) and at the Filipinas Heritage Library in Makati City. Evasco calls this volume a " book of changes," following Dreamweavers which for her was a " book of origins." Her other poetry collections are "Skin of Water" poems in English with their Spanish translations done by Filipino, Spanish, and Latin-American translators; and "Peces de luz/ Fishes of Light," a volume of tanrenga in English and Spanish with Venezuelan-Cuban poet Alex Fleites. Evasco's other books include A Legacy of Light: 100 Years of Sun Life in the Philippines, Six Women Poets: Inter/Views (co-authored, with Edna Manlapaz), Kung Ibig Mo: Love Poetry by Women (co-edited with Benilda Santos), A Life Shaped by Music: Andrea O. Veneracion and the Philippine Madrigal Singers,ANI: The Life and Art of Hermogena Borja Lungay, Boholano Painter, "From the Blood of Martyrs: 25 Years of the Rebuilding and Development of De La Salle College (946-1971)", "Valentina's Valor: Stories from the Life and Times of Valentina Galido Plaza", "The Bohol We Love", "Creative Nonfiction: Crafting a Knowledge of Self, Others, and the World" (co-authors Susan Lara, Ginaline David, and Celine Laroza. Evasco was a founding member of two organizations espousing the cause of women writers: Writers Involved in Creating Cultural Alternatives (WICCA) and Women in Literary Arts (WILA). She has written many essays on women's poetry, several of them finding their place in various anthologies. She served as editor of a special issue of Ani in 1998 that featured writings and art work by Filipino women. She also edited the book on place and memory of her home-island called "The Bohol We Love: Memoirs of Growing Up Boholano." in 2017. In this memoir, she also translated works in Binisayang Bol-anon into English. In Spring 1991, she was given a writing residency at Hawthornden Castle: International Writers' Retreat and a travel bursary from the British Council. And in April-May 1992, she enjoyed a writing residency at the Bellagio Studies Center of the Rockefeller Foundation in Lake Como, Italy. In September 2002, she was invited for a three-month residency at the International Writing Program in the University of Iowa. She is an associate fellow of the Philippine Literary Arts Council (PLAC), a member of Philippine PEN, and a lifetime member of the Writers' Union of the Philippines (UMPIL).