Marie-Thérèse Reboul
Marie-Thérèse Reboul (26 February 1735 – 4 January 1806), commonly called Madame Vien, was a French painter and engraver of natural history subjects, still lifes, and flowers. In 1757, Marie-Thérèse Reboul married the painter Joseph-Marie Vien, who was nineteen years older. Nineteenth-century sources state that she was taught by her husband, but Joseph-Marie Vien's autobiography does not mention it.
Also recorded as Marie Therese Reboul · Madame Joseph-Marie Vien · Marie Thérèse Vien · Marie-Thérèze Reboul
Marie-Thérèse Reboul

Alexander Roslin · former source [1] · Public domain
- Name
- Marie-Thérèse Reboul-Vien
- Born
- 26 February 1735
- Birthplace
- Paris, France
- Died
- 4 July 1806
- Field
- Painting, engraving
- Nationality
- France
- Occupation
- painter · printmaker · artist · etcher · writer · gouache painter
- Fields
- still life · animal painting
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Documentary summary
Marie-Thérèse Reboul (26 February 1735 – 4 January 1806), commonly called Madame Vien, was a French painter and engraver of natural history subjects, still lifes, and flowers. In 1757, Marie-Thérèse Reboul married the painter Joseph-Marie Vien, who was nineteen years older. Nineteenth-century sources state that she was taught by her husband, but Joseph-Marie Vien's autobiography does not mention it.
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Authority files
wikidata · Q652013 · wikipedia · Marie-Thérèse Reboul
In this article
Biography
Biography
She may have been a student of Madeleine Françoise Basseporte. Prior to her marriage, Reboul-Vien engraved specimens for Sénégal: Coquillages (1757) by the French naturalist Michel Adanson and Dissertation sur le papyrus (1758) by the French antiquarian Anne Claude de Caylus. • Illustration — Two Pigeons on a Tree Branch, 1762 Reboul-Vien was one of only fifteen women to be accepted as full academicians in the 145-year history of the Académie royale de peinture et de sculpture in Paris. She was admitted in 1757, the same year in which she married Joseph-Marie Vien. It had been 37 years since the last woman, Rosalba Carriera, became an academician. Reboul-Vien's husband was a prominent member of the Académie, which likely led to her acceptance. At the time, Reboul-Vien was described as "a painter of miniatures and gouaches specializing in flowers, butterflies and birds." Her reception piece was Two Pigeons Pigeons on a Tree Branch, which she submitted to the Académie in 1762. She exhibited her works at the Salons of 1757, 1759, 1763, 1765, and 1767. These included watercolors of a hen with her chicks, a kestrel killing a small bird, a golden pheasant from China, a brooding pigeon, and a bird of prey following a butterfly. At the Salon of 1767, Denis Diderot praised A Crested Hen Watching over Her Chicks as a "very handsome small painting" that was "painted with great vigor and coloristic truth.. Everything's right, including the bits of straw scattered around the hen." He concluded, more critically, "I'm surprised by her hen; I didn't think she was this accomplished." Even so, reviews of Reboul-Vien's works were mostly positive. Several of her works were acquired by Catherine the Great.
Key facts
Key facts
• Name — Marie-Thérèse Reboul-Vien • Born — 26 February 1735 • Birthplace — Paris, France • Died — 4 July 1806 • Place of death — Paris, France • Field — Painting, engraving • Works — Two Pigeons on a Tree Branch (1762) • Children — Joseph-Marie Vien the young
Identity and origins
Identity and origins
The authorities additionally record the headings Marie Therese Reboul, Madame Joseph-Marie Vien, Marie Thérèse Vien, Marie-Thérèze Reboul and Marie Thérèse Reboul. Her recorded language was French. She married Joseph-Marie Vien. One child is recorded: Joseph-Marie Vien the younger.
Career and activity
Career and activity
Marie-Thérèse Reboul worked in painting. She was employed by Michel Adanson, Pedro Franco Dávila and Dezallier d'Argenville. She belonged to Académie royale de peinture et de sculpture. She worked at Rome and Paris.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1735
Marie-Thérèse Reboul was born in 1735.
1805
Marie-Thérèse Reboul died at Paris.
Primary material
Digitised editions and texts
Marie-Thérèse Reboul Vien and the emergence of Neoclassicism (2026) — DataCite (The University of St Andrews)
Literature
Literature
Literature
Marie-Thérèse Reboul (Madame Vien): Thinking Women and Art in the Long Eighteenth Century, 2025
Marie-Thérèse Reboul (Madame Vien): More than a Footnote in Art History, Thinking Women and Art in the Long Eighteenth Century, 2025
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Thieme. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. E.A. Seemann. 34. 338. 1940.
- 2.Jal, Augustin. Dictionnaire critique de biographie et d'histoire. Henri Plon. 1265–1266. 1867.
- 3.Hottle, Andrew D. Present but Absent: The Art and Life of Madame Vien. Southeastern College Art Conference Review. 16. 4. 424–442. 2014.
- 4.Fidière, Octave. Les Femmes artistes à l'Académie royale de peinture et de sculpture. Charavay Frères. 27–31. 1885.
- 5.Los Angeles County Museum of Art. Women Artists, 1550–1950. 36. 1976.
- 6.National Museum of Women in the Arts. Royalists to Romantics: Women Artists from the Louvre, Versailles, and Other French National Collections. 120. 2012.
- 7.Réunion des Musées Nationaux. Les peintres du roi, 1648-1793. 2000.
- 8.Seznec. Diderot: Salons, 1759-1781. Clarendon Press. 1957.
- 9.Yale University Press. Diderot on Art, Volume II: The Salon of 1767. 136. 1995.
- 10.Gabet, Charles Henri Joseph. Dictionnaire des artistes de l'ecole française, au XIXe siècle. Chez Madame Vergne, Libraire. 690. 1854.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
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- Marie-Louise-Adélaïde BoizotEngraver
- Marie-Rosalie BertaudEngraver
- Mariette TeisserencEngraver
- Marij PregeljEngraver
- Marika SomogyiEngraver
- Marilyn MinterEngraver
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