Marie Laforêt

Marie Laforêt studied at Cours Simon. The recorded working language is French. The field of work recorded is acting, singing and chanson. Subjects and genres recorded for the work are chanson and pop music. Works named in the authority record are Manchester et Liverpool.

• Name — Marie Laforêt • Birth Name — Maïtena Marie Brigitte Doumenach • Born — 5 October 1939 • Birthplace — Soulac-sur-Mer, France • Died — 2 November 2019 • Place of death — Genolier, Switzerland • Spouse — Jean-Gabriel Albicocco (div.) • Partner — Judas Azuelos • Children — 3, including Lisa Azuelos

Her first name Maïtena, which is of Basque origin, means "beloved" and is sometimes used by the inhabitants of Languedoc, especially in the Pyrénées. Douménach, her last name, is Catalan in origin – Domènec in Catalan. Her birth name and her repertoire, which included pieces inspired from world folklore, have led to speculation of an Armenian origin of her parents. The singer herself used to define herself sometimes as "ariégeoise", i.e. from the region of Ariège in the south of France.

Marie Laforêt was born on 5 October 1939 at Soulac-sur-Mer, in the Médoc region of France, to Jean Doumenach and Marie-Louise (née Saint Guily). Her father's family were originally from Olette, a village in the Pyrénées Orientales on the border of Têt. Her father was an industrialist and served in the military in World War II. Her paternal great-grandfather, Louis Doumenach, headed a textile factory at Lavelanet in Ariège and her uncle, Charles-Joseph Doumenach, was a colonel and municipal counsellor. During the Second World War, Laforêt's father was a prisoner of war in Germany until the end of the war. At the age of three, Laforêt suffered a sexual trauma which affected her for a long time. During the war, the Doumenachs found shelter at Cahors and in Lavelanet. After the war, the family moved to Valenciennes where the father led a factory for railway utensils. Later they settled in Paris. After becoming more religious and having considered becoming a nun, Laforêt continued her secondary studies at the Lycee La Fontaine and Cours Raymond Rouleau in Paris. There she began to show interest for the dramatic arts and her first experiences in this domain proved to be therapeutically useful for her through their cathartic effect.

• Illustration — Alain Delon (as Tom Ripley) and Marie Laforêt (as Marge Duval) on the terrace of a café in Italy, during the shooting of the film Purple Noon by René Clément, in August 1959. Her career began accidentally in 1959 when she replaced her sister at the last minute in the French radio talent contest Naissance d'une étoile (Birth of A Star) and won. Noticed then by Raymond Rouleau, she attended his theater classes as Director Louis Malle cast the young starlet in Liberté, the film he was shooting at the time but which he finally abandoned. Therefore, Laforêt first notably appeared onscreen opposite actor Alain Delon in René Clément's 1960 drama Plein Soleil (Purple Noon). After this opportunities came to her rapidly. The original soundtrack of her second film, 1961's Saint Tropez Blues, where she sang the title song accompanied by her childhood friend Jacques Higelin at the guitar was released in 1960. Her first musical hit was 1963's Les Vendanges de l'Amour. In 1961 her new husband, director Jean-Gabriel Albicocco, cast her in La Fille aux Yeux d'Or (The Girl with the Golden Eyes) based on the Balzac story, the source of her nickname, and in 1963 cast her Le Rat d'Amérique, based on the Jacques Lanzmann 1956 novel of the same name. She gained hit "Manchester Et Liverpool" in 1966.

By the end of the 1960s Laforêt had become a rather distinctive figure in the French pop scene. Her songs offered a more mature, poetic, tender alternative to the light, teenage yé-yé tunes charting in France at the time. Her melodies borrowed more from exotic folk music, especially South American and Eastern European, than from contemporary American and British pop acts. Her music stood out, perhaps too much for her new label CBS Records, which favored upbeat, simple songs. She was interested in making more personal records but finally gave in. Although her most financially successful singles ("Viens, Viens", a cover of the German hit ″Rain Rain Rain″, and "Il a neigé sur Yesterday", a ballad about the break-up of the Beatles) were released in the 1970s, Laforêt progressively lost interest in her singing career, moving to Geneva, Switzerland in 1978 where she opened an art gallery and abandoned music for the time being. Laforêt had worked with many important French composers, musicians and lyricists, such as André Popp and Pierre Cour, who provided her with a panoply of colorful, sophisticated orchestral arrangements, featuring dozens of musical instruments and creating a variety of sounds, sometimes almost Medieval, Renaissance or Baroque, other times quite modern and innovative.

In the 1980s, Laforêt concentrated on her acting career, appearing in a few French and Italian films. Some music singles were eventually released, but were not popular. She made a comeback however in 1993 with her final album, for which she wrote the lyrics. In the 1990s she again continued to work as an actress both on screen and on stage. She performed in a number of plays in Paris over the years, acclaimed by audiences and critics alike. In September 2005, she sang once again, touring in France for the first time since 1972. Every concert sold out. Laforêt resided in Geneva and obtained Swiss citizenship. • Illustration — LaForêt and Jean-Gabriel Albicocco present La Fille Au Yeux D'Or at the Venice Festiva, 1961.

Laforêt married director Jean-Gabriel Albicoco on 9 November 1961, and the couple divorced, in 1963. She next was romantically linked with Judas Azuelos beginning in 1965, the same year their daughter Élise (Lisa) was born. Lisa Azuelos would later become a French director, writer, and producer who made a film about another famous French singer, Dalida, in 2016. Lisa's brother Jean-Mehdi was born in 1967, the year their parents parted ways. LaForêt next married Alain Kahn-Sriber in 1971 and her third child, Eve-Marie-Deborah, was born in 1974. The couple divorced two years later. After being disillusioned by the music industry at the time, Laforêt moved to Switzerland where she was married to Swiss doctor Pierre Meyer in 1981 for a year. On 7 September 1990, she married Eric de Lavandeyra, a stockbroker, for two years. This last marriage ended in a publicly contentious divorce.

Marie Laforêt died on 2 November 2019 in Genolier, Switzerland, a small town in the Nyon district near Geneva, from the consequences of a primary bone cancer. She was 80 years old. Her funeral took place in Paris, at the church on Saint-Eustache, on 24 November; followed by the burial in the family crypt at the Père-Lachaise Cemetery.

Laforêt helped popularize the Bob Dylan song "Blowin' in the Wind" in France with her 1963 interpretation. The B-side of the same EP covered the 1964 Animals version of the folk ballad "House of the Rising Sun". Her other folk recordings include: "Viens sur la montagne", a 1964 French adaptation of the African-American spiritual "Go Tell It on the Mountain" recorded by American folk trio Peter, Paul and Mary the previous year; "Coule doux" ("Hush-a-Bye"), another Peter, Paul and Mary song; 1966's "Sur les chemins des Andes", a French version of the traditional Peruvian "El Cóndor Pasa"; and "La voix du silence", a 1966 cover of American duo Simon and Garfunkel's "The Sound of Silence".

She also recorded some rock songs in the 1960s, her most famous being Marie-douceur, Marie-colère, a 1966 cover with different lyrics (contrafactum) of the Rolling Stones hit Paint It Black. Another popular recording was 1965's girl group-style A demain, my darling, known by English-speakers as The Sha La La Song written by Marianne Faithfull on her debut eponymous album.

Some of her most memorable pop songs are those written or arranged by French composer André Popp, such as Entre toi et moi, L'amour en fleurs, Les noces de campagne, Mon amour, mon ami, and Manchester et Liverpool. The melody of the latter song gained fame in the former Soviet Union as the background music to the Vremya television news programme's weather forecast in the 1970s.

The quiet, bittersweet and minimally arranged ballad Je voudrais tant que tu comprennes (1966), composed by Francis Lai, is Laforêt's favorite. Homage was paid to the song in the 1980s, when French pop superstar Mylène Farmer added it to her own concert repertoire. The 1973 hit "Viens, viens" was a cover version of a German song "Rain, Rain, Rain" performed by Simon Butterfly. Laforêt's 1977 hit "Il a neigé sur Yesterday", perhaps her most well-known recording, was penned by musician Jean-Claude Petit, and lyricist Michel Jourdan, (famous for his work with Dalida, Nana Mouskouri, Michel Fugain and Mike Brant) and who had written the words for earlier Laforêt songs, such as "Les vendanges de l'amour" and "L'orage".

• Year — Title — Author — Director — Venue — Note • 1969 — |La Hobereaute — Jacques Audiberti — Georges Vitaly — Hôtel de Béthune-Sully — Performed as part of the Festival du Marais • 1973 — Partage de midi — Paul Claudel — G. H. Régnier — Bourges theater — Role: Isé • 1992 — L'Écorce bleue — Marguerite Yourcenar — None — Open Air theater — A reading done as part of the Carpentras Festival • 1997 — Vietnam — Marguerite Duras — None — Saint-Florent-le-Vieil festival — A reading accompanied by the Ca Tru Thai Ha ensemble from Hanoi • Master Class — Terrence McNally — Roman Polanski — Théâtre de la Porte-Saint-Martin — Role: Maria Callas • 1999 — Master Class — Terrence McNally — Didier Long — Antoine theater — Role: Maria Callas • 2000 — Master Class — Terrence McNally — Opéra-Comique — command performances, 18 and 30 April 2000 • 2003 — La presse est unanime — Laurent Ruquier — Agnès Boury — Théâtre des Variétés • 2004 — Jésus-la-Caille — Francis Carco — Jacques Darcy — Espace Cardin • 2008 — Master Class — Terrence McNally — Didier Long — Théâtre de Paris — Role: Marie Callas • 2009 — L'Hirondelle inattendue — Simon Laks — Théâtre Toursky, Forbidden Music Festival, Marseille — Role: Reciter

• Year — Title — Role — Director — Notes • 1960 — Purple Noon — Marge Duval — René Clément • 1961 — Saint-Tropez Blues — Anne-Marie — Marcel Moussy • The Girl with the Golden Eyes — the girl — Jean-Gabriel Albicocco — (segment "Les comédiennes") • Famous Love Affairs — Madame Georges — Michel Boisrond • Dark Journey — Angèle — Léonard Keigel • 1963 — Because, Because of a Woman — Agathe — Michel Deville • Rat Trap — Maria — Jean-Gabriel Albicocco • 1964 — Cherchez l'idole — Michel Boisrond — Uncredited • Male Hunt — Gisèle — Édouard Molinaro • 1965 — Cent briques et des tuiles — Ida — Pierre Grimblat • The Camp Followers — Eftikia — Valerio Zurlini • Marie-Chantal contre le docteur Kha — Marie-Chantal — Claude Chabrol • 1967 — Le Treizième Caprice — Fanny — Roger Boussinot • Jack of Diamonds — Olga Vodkine — Don Taylor • 1972 — Le Petit Poucet (1972 film) (Tom Thumb) — the queen — Michel Boisrond • 1979 — Cop or Hood — Edmonde Puget-Rostand — Georges Lautner • 1982 — Les Diplômés du dernier rang — Dominique — Christian Gion •:fr:Que les gros salaires lèvent le doigt! — Rose, Joeuf's wife — Denys Granier-Deferre — Uncredited • 1984 — Les Morfalous — Hélène Laroche-Fréon — Henri Verneuil • Happy Easter — Sophie Margelle — Georges Lautner • 1985 — Le Pactole — Greta Rousselet — Jean-Pierre Mocky • Tangos, the Exile of Gardel — Mariana — Fernando Solanas • 1987 — Sale destin — Marthe Marboni — Sylvain Madigan • Fucking Fernand — Lotte — Gérard Mordillat • Il est génial papy! — Louise — Michel Drach • 1989 — La folle journée ou Le mariage de Figaro — La comtesse — Roger Coggio • 1990 — The Miser — Contessa Isabella Spinosi — Tonino Cervi • Présumé dangereux — Thea — Georges Lautner • Una fredda mattina di maggio — Vittorio Sindoni • 1992 — Who Wants to Kill Sara? — Sara's mother — Gianpaolo Tescari • 1995 — Ainsi soient-elles — Mère de Marie — Patrick Alessandrin and Lisa Azuelos • Dis-moi oui... — Mme Villiers — Alexandre Arcady • 1996 — Tykho Moon — Éva — Enki Bilal • 1997 — Desert of Fire — Rama — Enzo G. Castellari — 3 episodes • Héroïnes — Sylvie — Gérard Krawczyk • Love, Math and Sex — Pétra la vérité / Theatre Actress in red dress — Charlotte Silvera • 2000 — Jeux pour mourir — Bruno Romy • 2008 — Les Bureaux de Dieu — Martine — Claire Simon

• Year — Title — Role — Director — Genre • 1961 — |Le Rouge et le Noir — Mathile De La Mole — Pierre Cardinal — Television movie • 1965 — La redevance du fantôme — Miss Diamond — Robert Enrico — Television movie • 1972 — Kean: Un roi de théâtre — Comtesse Elena de Kloefeld — Marcel Moussy — Television movie • 1984 — Emmenez-moi au théâtre — Pauline — André Flédérick — Television series • 1987 — La Mafia 3 (La Piovra 3) — Anna Antinari — Luigi Perelli — Television series • 1988 — Le loufiat — la star — Michel Boisrond — Television miniseries • 1989 — Isabella la ladra (original title: La Bugiarda) — Elvira — Franco Giraldi — Television miniseries • 1990 — L'affaire Rodani (Quattro piccole donne) — la mère des quatre filles — Gianfranco Albano — Television series • 1992 — Un cane sciolto 3 — Hélène — Giorgio Capitani — Television movie • 1994 — A che punto è la notte? — Chantal Guidi — Nanni Loy — Television movie • 1995 — Adrien Le Sage: Ma fille est impossible — Comtesse de Pontigny — Jacques Monnet — Television movie • 1996 — L'histoire du Samedi — Françoise — Bernard Uzan — Television series • 1997 — Le Désert de feu (Desierte di fuoco) — Rahma — Enzo G. Castellari — Television movie • 1998 — Jeudi 12 — Françoise Gamelin — Patrick Vidal — Television series • 1998 — Villa Vanille — Pronia — Jean Sagols — Television movie

• Pierre Fageolle & Egon Kragel, Marie Laforêt, éd.... Car rien n'a d'importance, 1994 • Pierre Saka, Yann Plougastel (dir.), Guide Totem, Larousse/HER, 1999 (2-03-511346-6) • Alain Wodrascka, Marie Laforêt - La femme aux cent visages, éd. L'Étoile du Sud, 1999 • Alain Wodrascka, Marie Laforêt - Portrait d'une star libre, éd. Didier Carpentier, 2009 • Alain Wodrascka, Marie Laforêt - long courrier vers l'aurore, Mustang éditions, préface de Nilda Fernandez, 2014