Marie Emmanuelle Bayon Louis
Marie-Emmanuelle Bayon Louis (6 June 1745, Marcei – 29 March 1825, Aubevoye) was a French composer, pianist, and salonnière. Contemporaries credited Mlle Bayon (or Baillon) for making the fortepiano popular in France. In 1770 she married the architect Victor Louis.
Also recorded as Marie-Emmanuelle Bayon Louis
Marie Emmanuelle Bayon Louis

Velixandre · Public domain
- Name
- Marie Emmanuelle Bayon Louis
- Birth Name
- Myriam Feune de Colombi
- Birthplace
- Marcei
- Place of death
- Aubevoye
- Occupation
- composer, pianist, and salonnière
- Born
- 1745 · Marcei.
- Nationality
- France
- Fields
- music
- Movements
- classical music
- Languages
- French
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Documentary summary
Marie-Emmanuelle Bayon Louis (6 June 1745, Marcei – 29 March 1825, Aubevoye) was a French composer, pianist, and salonnière. Contemporaries credited Mlle Bayon (or Baillon) for making the fortepiano popular in France. In 1770 she married the architect Victor Louis.
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Note VALÉORINE
Marie Emmanuelle Bayon Louis (1745–1825) was a composer, pianist and salonnière, of French nationality. The composer was born in Marcei and died in Aubevoye.
Activity centred on music. The composer was associated with classical music.
The work spans opera. Languages used include French.
Composed from admitted, traceable facts · 29 September 2026
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wikidata · Q3291759 · wikipedia · Marie Emmanuelle Bayon Louis
In this article
Biography
Biography
Her surviving works are, as Bayon, a collection of six keyboard sonatas, three of them with violin accompaniment, opus 1 (1769), and, as Louis, the two-act opéra-comique, Fleur d’épine ("May-Flower"), first performed in 1776. Other works discussed during her lifetime include further instrumental chamber music and opéra-comiques, and music for La fête de Saint Pierre performed in 1771.

Plaque tombale dans l'enclos de l'église Saint-Georges du Val d'Hazey.
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Key facts
Key facts
• Name — Marie Emmanuelle Bayon Louis • Birth Name — Myriam Feune de Colombi • Birthplace — Marcei • Place of death — Aubevoye • Occupation — composer, pianist, and salonnière • Partner — Victor Louis • Children — Marie-Hélène-Victoire Louis
Life
Life
In her dedicatory preface to the op. 1 sonatas Bayon's reference to "the many kindnesses bestowed upon me since my tenderest infancy" by the family of Madame la Marquise de Langeron suggests that her musical training came through such patronage. From the age of about twenty-one she was associated with Madame de Genlis's salon on the rue de Grenelle. Her good friend, the encyclopedist and philosophe Denis Diderot, who hired her as music teacher for his daughter, Angélique, compared Bayon's music to that of Domenico Alberti, Johann Christian Bach, Johann Gottfried Eckard, Johann Schobert, and other foreign composers in Paris. After Bayon's marriage, the Louis residence became the site of a highly select salon. In 1774, the couple's only child was born, Marie-Hélène-Victoire Louis (d. 1848). Mme Louis wrote Fleur d’épine in 1775 and 1776. After Victor Louis died in 1800, Mme Louis remained in Paris. She died at the Louis family's country residence in the vicinity of Rouen.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1745
Marie Emmanuelle Bayon Louis was born on 6 June 1745.
1825
Marie Emmanuelle Bayon Louis died on 29 March 1825.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Marcei.
Birth place
Aubevoye.
Death place
Selected published works
Six sonates, op.1. Paris, Vendôme, 1769 (facsimile ed., New York: Da Capo Press, 1990). Fleur d’épine, full score. Paris, 1776. Excerpts in Women Composers: Music Through the Ages (8 vols; New York: G. K. Hall/Macmillan, 1996-ca.2006), vols. 4 (vocal numbers) and 5 (Overture).
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q3291759: Marie Emmanuelle Bayon Louis
Scholarly · Wikimedia Foundation
reference work
- “Marie Emmanuelle Bayon Louis”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Marie-Emmanuelle Bayon — A Modern Reveal: Songs and Stories of Women Composers. A Modern Reveal.
- 2.Correspondance secrète, politique et littéraire (news of the French court, society, and culture), ed. Métra (London: J. Adamson, 1787), vol. 3, p. 216 (3 August 1776).
- 3.D. Hayes, Introduction to Madame Louis: Fleur d’épine (‘Mayflower’), opéra-comique; Ouverture and vocal excerpts from full score, 1776, In Women Composers: Music Through the Ages, edited by Sylvia Glickman and Martha Schleifer (8 vols; New York: G. K. Hall/Macmillan, 1996–ca.2006 ), vol. 5, pp. 69–87 (Ouverture) and vol. 4, pp. 93-154 (vocal numbers).
- 4.Jacqueline Letzter and Robert Adelson, Women Writing Opera: creativity and controversy in the age of the French Revolution (Berkeley: University of California Press, 2001), Appendix C, Table 1, pp. 22ff.
- 5.Hayes, Introduction to Keyboard Sonatas of Marie-Emmanuelle Bayon (1769) . . . facsimile edition (New York: Da Capo Press, 1990).
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q3291759: Marie Emmanuelle Bayon LouisWikimedia Foundation
Institutional witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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