Margarita Cabrera
Margarita Cabrera (born 1973) is a Mexican-American artist and activist. Her practice spans smaller textile-based soft sculptures to large community-involved public artworks. In 2012 she was a recipient of the Knight Artist in Residence at the McColl Center for Visual Art in Charlotte, North Carolina.
Margarita Cabrera
- Name
- Margarita Cabrera
- Born
- 1973
- Birthplace
- Monterrey, Mexico
- Known for
- soft sculptures, border art
- Nationality
- Mexico · United States
- Occupation
- artist · sculptor · professor
- Education
- Hunter College
- Languages
- Spanish
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Margarita Cabrera (born 1973) is a Mexican-American artist and activist. Her practice spans smaller textile-based soft sculptures to large community-involved public artworks. In 2012 she was a recipient of the Knight Artist in Residence at the McColl Center for Visual Art in Charlotte, North Carolina.
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Margarita Cabrera (born 1973) is a Mexican and American artist, professor and sculptor. The artist was born in Monterrey.
Margarita Cabrera studied at Hunter College. The artist worked for Arizona State University.
Languages used include Spanish. Works by Margarita Cabrera are held at Smithsonian American Art Museum.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q24005222 · wikipedia · Margarita Cabrera
In this article
Biography
Biography
Cabrera was also a recipient of the Joan Mitchell Foundation Grant.
Key facts
Key facts
• Name — Margarita Cabrera • Born — 1973 • Birthplace — Monterrey, Mexico • Known for — soft sculptures, border art
Early life and education
Early life and education
Cabrera was born in the city of Monterrey in the state of Nuevo Leon, México. She moved to Salt Lake City, Utah in the United States at around the age of 10, when her family was in search of better opportunities. She describes this period of life as very isolated and would do art in her free time. Her inspiration to become an artist began in her childhood, when she was exposed to the Montessori system of education. In high school her family moved to El Paso where she developed an awareness about immigration and border-related issues. She is now an assistant professor at School of Art at Arizona State University. Cabrera received a BFA degree in 1997 and an MFA degree in 2001 from Hunter College in New York, New York. Cabrera is an assistant professor in the Herberger Institute for Design and the Arts at Arizona State University.
Work
Work
• Illustration — Brown Blender (2011) by Margarita Cabrera at the Renwick Gallery in Washington, DC in 2022 Cabrera's artistic output includes both contemporary sculpture and public artworks. Cabrera's soft sculptures are modelled on the shape of common appliances and machines, created from fabric and thread. She has made soft sculptures of coffee makers, bicycles, sewing machines, backpacks, as well as the Hummer and Volkswagen beetle automobiles. Cabrera has stated that these works are intended as an insight into the lives of laborers working in the Mexican appliance factories, or maquiladoras, that produce the real articles just south of the US-Mexico border. In the process of creating her soft sculptures, Cabrera often works with displaced immigrants living on the American side of the border. Cabrera's soft sculpture project titled Space in Between (2018), is collaborative and reflects the stories of the Latinx immigrant community from Mexico and Central America in the United States who participated in the project's creation through workshops facilitated by Cabrera. The soft sculptures in Space in Between were constructed using fabric of border patrol uniforms that imitate the form of southwestern desert plants reminiscent of border landscapes. These sculptures are embroidered with traditional Otomi embroidery and sewing techniques unique to workshop participant’s cross border experiences. Cabrera’s sculptural artworks also encompasses different materials, including clay seen in Árbol de La Vida: John Deere Model # 790 (2007), which was inspired by traditional Mexican ceramic craft. This life sized sculpture in the shape of a tractor reflects the U.S. agricultural industry in relation to labor and is covered with individual colorful clay pieces in the form of butterflies, flowers, and birds that Cabrera states, refers to the Mexican "tree of life". The color of clay used in the sculpture is derived from the various regions of Mexico, such as Oaxaca and Puebla, offering visibility to traditional ceramic crafts from their respective regions. Cabrera's use of community involvement in the production of her soft sculptures has led her to create more engaged public artworks. Since 2010 she has run workshops on the production of art projects in Arizona and Texas, inviting the participation of new immigrants. The corporation Florezca, was established by Cabrera in 2011 and offers opportunities for workshop participants to become shareholders and earn profit through their collaborative artworks. Cabrera other work includes a permanent public work named Árbol de la Vida: Memorias y Voces de la Tierra which was unveiled in 2019. It is a tree sculpture with a diameter of 80 feet. The branches support 700 hand made clay sculptures made by members of the San Antonio community.
Public art
Public art
• Uplift, installed in El Paso, Texas in March 2015. Removed in 2015 by the city of El Paso. • Árbol de la Vida: Memorias y Voces de la Tierra, installed in San Antonio, Texas in 2019. Made in collaboration with 700 members of local community.
Selected solo and group exhibitions
Selected solo and group exhibitions
• 2018 A Space In Between, February 10 - June 10, The Wellin Museum of Art, Solo exhibition Clinton New York • 2022 Blurring Borders, October 6, 2022 – February 5, 2023, The McNay Art Museum, Solo exhibition San Antonio, Texas • 2023 agriCULTURE: Art Inspired by the Land June 8 –October 1 Boulder Museum of Contemporary Art Group Exhibition, Longmont, Colorado, June 10, 2023–January 7 2024 Longmont Museum Group Exhibition Longmont, Colorado • 2023 Desert Rider: Dreaming in Motion July 9, 2023 – September 24, 2023 The Denver Art Museum, Group exhibition, Denver, Colorado
Collections
Collections
• Allen Memorial Art Museum • Smithsonian Museum of American Art • Museum of Fine Arts Houston • McNay Museum, San Antonio • Sweeney Center for Contemporary Art at the University of California, Riverside • Sun Valley Center for the Arts • El Museo del Barrio, New York City
Documents and archives
Primary material
Documents and archives
reference work
- “Margarita Cabrera”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q24005222: Margarita Cabrera
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Margarita Cabrera Smithsonian American Art Museum. americanart.si.edu.
- 2.Agresta, Michael. Margarita Cabrera's Monumental 'Arbol de la Vida' Grows in San Antonio. Texas Monthly. 22 March 2019.
- 3.Garcia, Yazmin M. Artist Margarita Cabrera works through challenges to engage communities on social, political issues. Borderzine. 27 December 2015.
- 4.Margarita Cabrera ASU Search. search.asu.edu.
- 5.Held, Peter. Crafting a Continuum: Rethinking Contemporary Craft. UNC Press Books. 22 November 2013. 978-1-4696-1281-2.
- 6.Bonansinga, Kate. Curating at the Edge: Artists Respond to the U.S./Mexico Border. University of Texas Press. 6 January 2014. 978-0-292-75443-0.
- 7.Margarita Cabrera. herbergerinstitute.asu.edu. 22 December 2020.
- 8.Museum, Smithsonian American Art. Our America: The Latino Presence in American Art. Smithsonian American Art Museum. 2014. 978-1-907804-44-1.
- 9.Zanetell, Myrna. Margarita Cabrera. El Paso Inc. 22 August 2011.
- 10.Writer, Betty Ligon El Paso Inc. It's Margarita's turn for applause – for her sagging Hummer. El Paso Inc. 19 February 2007.
- 11.Szymanek, Angelique. Haptic Encounters: Margarita Cabrera's Space in Between. Art Journal Open. 15 October 2020.
- 12.Ryzin, Jeanne Claire van. Van Ryzin: The threads of art, politics in intriguing exhibit at the MACC. Austin American-Statesman.
- 13.Johnson, Ken. They're Chicanos and Artists. But Is Their Art Chicano? (Published 2010). The New York Times. 9 April 2010.
- 14.Bicultural and Multilevel: Margarita Cabrera. Glasstire. 2 January 2005.
- 15.Hung, Shu. By Hand: The Use of Craft in Contemporary Art. Princeton Architectural Press. 2007. 978-1-56898-610-4.
- 16.Bunch, Robert Craig. The Art of Found Objects: Interviews with Texas Artists. Texas A&M University Press. 23 September 2016. 978-1-62349-407-0.
- 17.Blanco-Cano, R. Global Mexican Cultural Productions. Springer. 30 November 2011. 978-0-230-37039-5.
- 18.Trimble, Lynn. How 10 Artists Tackle Immigration. Phoenix New Times. 22 June 2018.
- 19.THE WELLIN MUSEUM OF ART PRESENTS MARGARITA CABRERA: SPACE IN BETWEEN. hamilton.edu/.
- 20.Salazar, Mónica. Reimagining the Borderland. Latin American and Latinx Visual Culture. 4. 84. 2022-10-01. 2576-0947.
- 21.Bonansinga, Kate. Curating at the Edge: Artists Respond to the U.S./Mexico Border. University of Texas Press. 132. 2014-01-06. 978-0-292-75443-0.
- 22.Salazar, Mónica. Reimagining the Borderland. Latin American and Latinx Visual Culture. 4. 81. 2022-10-01. 2576-0947.
- 23.Szymanek, Angelique. Haptic Encounters: Margarita Cabrera’s Space in Between. Art Journal. 79. 3. 72. 2020-07-02. 0004-3249.
- 24.Bonansinga, Kate. Curating at the Edge: Artists Respond to the U.S./Mexico Border. University of Texas Press. 137. 2014-01-06. 978-0-292-75443-0.
- 25.Buckley, Annie. Margarita Cabrera. Artforum. 2008-07-09.
- 26.Bunch, Robert Craig. The Art of Found Objects: Interviews with Texas Artists. Texas A&M University Press. 37. 2016-09-23. 978-1-62349-407-0.
- 27.Durón, Maximilíano. Searching for the In-Between: Margarita Cabrera's Collaborative Art Thinks Beyond Borders. ARTnews.com. 8 June 2018.
- 28.Arbol De La Vida - Sculptures Take Form. Texas Public Radio. 30 June 2017.
- 29.Szymanek, Angelique. Haptic Encounters: Margarita Cabrera’s Space in Between. Art Journal. 79. 3. 75. 2020-07-02. 0004-3249.
- 30.Frank, Nicholas. 'Árbol de la Vida' at Mission Reach Reflects Generations of Community Stories. San Antonio Report. 2019-05-17.
- 31.Boucher, Brian. Artist Threatens Suit over Public Sculpture. artnet News. 28 April 2015.
- 32.City-Commissioned Sculpture Raises Questions Of Censorship. KJZZ. 22 June 2015.
- 33.Árbol de la Vida: Memorias y Voces de la Tierra – San Antonio River Foundation. sariverfound.org.
- 34.Martinez, Norma. San Antonio Stories Blossom With Árbol De La Vida. Texas Public Radio. 27 March 2019.
- 35.Martin, Deborah. River Foundation unveils massive new public artwork near Mission Espada. San Antonio Express–News. 17 May 2019.
- 36.Bicicleta azul platino (Platinum Blue Bicycle). allenartcollection.oberlin.edu.
- 37.Margarita Cabrera Bicicleta: Amarilla. emuseum.mfah.org.
- 38.QUEENIE: Selected artworks by female artists from El Museo del Barrio's Collection El Museo del Barrio. elmuseo.org.
- 39.Cabrera: Space in Between Talley Dunn Gallery.
- 40.Blurring Borders – Margarita Cabrera.
- 41.agriCULTURE: Art Inspired by the Land – Margarita Cabrera.
- 42.Desert Rider – Dreaming in Motion – Margarita Cabrera.
References
Citations
References
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People, houses and institutions
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Studied at
1- Hunter CollegeOrganisation
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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