Margaretha Roosenboom

The authorities additionally record the headings Margaretha Cornelia Johanna Wilhelmina Henriëtta Roosenboom, Margaretha Vogel Roosenboom, Margaretha Cornelia Johanna Wilhelmina Henrietta Roosenboom, Marguerite Roosenboom and Margarete Roosenboom.

She was the child of Nicolaas Johannes Roosenboom. She married Johannes Gijsbert Vogel. Other recorded relations include Andreas Schelfhout.

Margaretha Roosenboom worked in painting.

She belonged to Pulchri Studio, Arti et Amicitiae and Confrerie Pictura. She worked at The Hague, Brussels, Hilversum and Voorburg.

Works recorded as notable number 3: Stilleven met voorjaarsbloemen, Still life with grapes and Stilleven met vruchten. Her recorded genres are still life and floral.

Margaretha Roosenboom received 1873 Vienna World's Fair and World's Columbian Exposition. Work by Margaretha Roosenboom is held by Museum Boijmans Van Beuningen, Royal Museum of Fine Arts Antwerp, Teylers Museum and Centraal Museum.

What the record establishes about Margaretha Roosenboom.

Hague Orphans is dated 1874 and held by Stichting Historische Verzamelingen van het Huis Oranje-Nassau (inventory S/C 1043). Margaretha Roosenboom is recorded as having received 1873 Vienna World's Fair and World's Columbian Exposition. Stichting Historische Verzamelingen van het Huis Oranje-Nassau records 1 object associated with this heading. Cultural Heritage Agency of the Netherlands Art Collection records 4 objects associated with this heading. Stilleven met aardbeien in een witte schaal is dated 1888 and held by Rijksmuseum (inventory SK-A-2723). Silver Vase of Flowers is dated 1882 and held by Museum Boijmans Van Beuningen (inventory 1734 (MK)).

Cauliflower and endive is dated 1895 and held by The Mesdag Collection (inventory hwm0298). Stilleven met gitaar en rozen is dated 1888 and held by Rijksmuseum (inventory SK-A-2740). Stilleven met voorjaarsbloemen is dated 1879 and held by Rijksmuseum (inventory B2264). private collection Hendrik Willem Mesdag records 1 object associated with this heading. Peonies is catalogued and held by Royal Museum of Fine Arts Antwerp (inventory 1689). Margaretha Roosenboom is recorded with the citizenship of Kingdom of the Netherlands.

Still life with grapes is dated 1888 and held by Rijksmuseum (inventory SK-A-2387). Royal Museum of Fine Arts Antwerp records 1 object associated with this heading. Stilleven met vruchten is dated 1888 and held by Rijksmuseum (inventory B558). Museum Boijmans Van Beuningen records 1 object associated with this heading. White Azalea is dated 1880 and held by Centraal Museum (inventory 21823). Roses is dated 1880 and held by Centraal Museum (inventory 21822).

Centraal Museum records 2 objects associated with this heading. Margaretha Roosenboom is recorded as painter.

The identifiers under which Margaretha Roosenboom may be traced in institutional catalogues.

Margaretha Roosenboom is established in the international name authorities as Wikidata Q15527965.

Work associated with this heading is recorded in 8 named public collections.

Rijksmuseum: 7 recorded objects, read from the institution's own published catalogue. Cultural Heritage Agency of the Netherlands Art Collection: 4 recorded objects, read from the institution's own published catalogue. Centraal Museum: 2 recorded objects, read from the institution's own published catalogue. Stichting Historische Verzamelingen van het Huis Oranje-Nassau: 1 recorded object, read from the institution's own published catalogue. Museum Boijmans Van Beuningen: 1 recorded object, read from the institution's own published catalogue. Royal Museum of Fine Arts Antwerp: 1 recorded object, read from the institution's own published catalogue. The Mesdag Collection: 1 recorded object, read from the institution's own published catalogue. private collection Hendrik Willem Mesdag: 1 recorded object, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

Roosenboom, Albert, Benezit Dictionary of Artists, 2011. Roosenboom, Margarete, Benezit Dictionary of Artists, 2011. Roosenboom, Nicolaas Johannes or Nicolas Jan, Benezit Dictionary of Artists, 2011.

Bibliographic registers publish measured figures for this heading: 10 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 2 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 2 means 2 genuinely separate publishers of record. 22 further registers were consulted and returned nothing for this heading.

The field of work recorded is painting. Subjects and genres recorded for the work are still life and floral. Andreas Schelfhout is recorded as an influence.

Places of work recorded in the authority are The Hague, Brussels and Hilversum. Residence is recorded at The Hague and Brussels. Membership is recorded of Pulchri Studio, Arti et Amicitiae and Confrerie Pictura.

Works named in the authority record are Stilleven met voorjaarsbloemen, Still life with grapes and Stilleven met vruchten.

Work by Margaretha Roosenboom is recorded in the collections of Museum Boijmans Van Beuningen, Royal Museum of Fine Arts Antwerp, Teylers Museum, Centraal Museum and Rijksmuseum.

Distinctions recorded are 1873 Vienna World's Fair and World's Columbian Exposition.