Marc-Aurèle de Foy Suzor-Coté
Marc-Aurèle de Foy Suzor-Coté (born Hypolite Wilfrid Marcaurèle Côté; April 6, 1869 – January 29, 1937) was a French Canadian painter and sculptor.
Also recorded as Aurele de Foye Suzor Cote · Marc Aurèle de Foy Suzor-Côté · Marc Aurele de Foy Suzor-Cote · Hypolite Wilfrid Marc-Aurèle Côté
Marc-Aurèle de Foy Suzor-Coté

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- Name
- Marc-Aurèle de Foy Suzor-Coté
- Birth Name
- Hypolite Wilfrid Marcaurèle Côté
- Born
- April 6, 1869
- Birthplace
- Arthabaska, Quebec
- Died
- January 29, 1937
- Place of death
- Daytona Beach, Florida
- Spouse
- Mathilde Savard (m. 1933)
- Field
- Painter, sculptor, church decorator
- Training
- École des Beaux-Arts in Paris (with Léon Bonnat)
- Movement
- Impressionism
- Nationality
- Canada
- Occupation
- painter · sculptor · artist
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Marc-Aurèle de Foy Suzor-Coté (born Hypolite Wilfrid Marcaurèle Côté; April 6, 1869 – January 29, 1937) was a French Canadian painter and sculptor.
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wikidata · Q260166 · wikipedia · Marc-Aurèle de Foy Suzor-Coté
In this article
Biography
Biography
Marc-Aurèle de Foy Suzor-Coté studied at Académie Julian and Académie Colarossi. Training under Joseph Chabert is recorded. The recorded working language is French. The field of work recorded is academic art. Work by Marc-Aurèle de Foy Suzor-Coté is recorded in the collections of National Gallery of Canada, Musée national des beaux-arts du Québec, Musée de la civilisation, Musée d'art contemporain de Montréal and Pau Casals Museum. Distinctions recorded are Member of the Royal Canadian Academy of Arts.
Key facts
Key facts
• Name — Marc-Aurèle de Foy Suzor-Coté • Birth Name — Hypolite Wilfrid Marcaurèle Côté • Born — April 6, 1869 • Birthplace — Arthabaska, Quebec • Died — January 29, 1937 • Place of death — Daytona Beach, Florida • Spouse — Mathilde Savard (m. 1933) • Field — Painter, sculptor, church decorator • Training — École des Beaux-Arts in Paris (with Léon Bonnat) • Movement — Impressionism
Biography
Biography
He was born in Arthabaska, Quebec, in 1869 and his father was an artist. He studied at the Collège du Sacré-Coeur in Arthabaska. He was a baritone and studied music at the Conservatory of Music in Paris in 1890, but later in the 1890s, he studied painting and sculpture at the École des Beaux-Arts with Léon Bonnat. At the school, he learned of the work of Swedish sculptor Carl Milles, whose sculptures of indigenous people influenced him. Three years later, after a visit home, he studied painting and sculpture at the Julian and Colarossi Academies. He exhibited his first works in 1894 at the Salon de la Société des Artistes Français. His first fully Impressionist paintings, with broken brushwork and bright colour, were made in Brittany in 1906. After his return to Quebec in 1908, he established a studio in Montreal, creating paintings with classic interpretations of Canadian landscapes. He produced many Impressionist and even Post-Impressionist paintings of the Quebec landscape, as well as portraits, nudes, historical paintings and later sculptures. In his paintings, he was most interested in the play of light on snow and water, leaving behind optical truth for visual innovations. He was made an Officer of the Academy of France in 1901 – an honour for a Canadian artist. He was also made a member of the Royal Canadian Academy of Arts and joined the progressive Canadian Art Club. There were numerous exhibitions of his work during his lifetime and afterwards, such as the retrospective of his work organized by the Quebec government in 1929. In 2002, Suzor-Coté, 1869-1937: Light and Matter, co-organized by the Musée du Québec and the National Gallery of Canada, was circulated by the Musée du Québec. This first major retrospective of Suzor-Coté, the first in 75 years, brought together over 140 works. Suzor-Coté became paralyzed in 1927. In 1929, Suzor-Côté moved to Daytona Beach, Florida, where he died on 29 January 1937.
Recognition
Recognition
On March 14, 1969, Canada Post issued stamps based on Suzor-Coté's painting Return from the Harvest Field (1903) in the National Gallery of Canada in Ottawa, Ontario. The 13-perforated 50¢ stamps with the inscription 'Suzor-Coté, 1869-1937' were printed by Canadian Bank Note Company, Limited.
Selected works
Selected works
He produced forty or fifty small bronze Impressionist figures and groups. As of 2020, the Suzor-Coté collection in Ottawa's National Gallery of Canada consists of twenty-eight paintings, ten sculptures and a number of drawings. Return from the Harvest Field was acquired by the National Gallery in 1904. Other Suzor-Coté works in Canada are to be found in Quebec City's Musée national des beaux-arts, the RiverBrink Art Museum, and in private collections.
Gallery
Gallery
• Illustration — Nicolet River, Arthabaska • Illustration — Settlement on the Hillside (1909), Marc-Aurèle de Foy Suzor-Coté • Illustration — End of the Winter - La Fin de l'hiver Marc-Aurèle de Foy Suzor-Coté at the Museu Nacional de Belas Artes, Rio de Janeiro • Illustration — La Mort de Montcalm (1902), Musée national des beaux-arts du Québec. • Illustration — Le Grand Nu (1891?)
Identity and origins
Identity and origins
The authorities additionally record the headings Aurele de Foye Suzor Cote, Marc Aurèle de Foy Suzor-Côté, Marc Aurele de Foy Suzor-Cote, Hypolite Wilfrid Marc-Aurèle Côté and Marc. Aurele de Foy Suzor-Cote. His recorded language was French.
Identity
Identity
Marc-Aurèle de Foy Suzor-Coté is recorded as having received Member of the Royal Canadian Academy of Arts.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1869
Marc-Aurèle de Foy Suzor-Coté born at Arthabaska.
1937
Marc-Aurèle de Foy Suzor-Coté died at Daytona Beach.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Arthabaska.
Birth place
Daytona Beach.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Reid, Dennis. A Concise History of Canadian Painting. Oxford University Press. 107. 2012.
- 2.Lacroix, Laurier. SUZOR-COTÉ, MARC-AURÈLE DE FOY. /www.biographi.ca. Dictionary of Canadian Biography.
- 3.Foss, Brian. "Painting, c. 1890-1914". The Visual Arts in Canada: the Twentieth Century. Oxford University Press. 29. 2010. 978-0-19-542125-5.
- 4.Royal Canadian Academy of Arts. Members since 1880.
- 5.National Gallery of Canada. Suzor Coté: Light and Matter. www.gallery.ca.
- 6.Canada Post stamp.
- 7.Marc-Aurèle de Foy Suzor-Coté. National Gallery of Canada. 2020.
- 8.Return from the Harvest Field. National Gallery of Canada. 2020.
- 9.Collections Musée national des beaux-arts du Québec. collections.mnbaq.org.
Bibliography printed in the source article · 1
References
Citations
References
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reference work
Wikidata, structured authority record Q260166: Marc-Aurèle de Foy Suzor-CotéWikimedia Foundation
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Formation and teaching. Suzor-Coté studied at Académie Julian and Académie Colarossi. He trained under Joseph Chabert. Suzor-Coté worked in academic art. His work is associated with academic art. He belonged to Royal Canadian Academy of Arts.
Career and activity
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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