Marc'Antonio Pasqualini
Illustration — Marcantonio Pasqualini Crowned by Apollo (1641) by Andrea Sacchi. Marco Antonio Pasqualini (stage name Malagigi; Rome, 25 April 1614 – Rome, 2 July 1691) was an Italian castrato opera singer who performed during the Baroque period. He has been described as "the leading male soprano of his day".
Also recorded as Marco Antonio Pasqualini
Marc'Antonio Pasqualini

Andrea Sacchi · Public domain
- Born
- 1614 · Rome.
- Died
- 1691 · Rome.
- Occupation
- composer · singer
- Fields
- music · opera
- Movements
- Baroque music
- Languages
- Italian
Reference Check
Propose documentary evidence for Marc'Antonio Pasqualini. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q977210 · wikipedia · Marc'Antonio Pasqualini
In this article
Life and career
Life and career
He was also a composer, having written more than 250 arias and cantatas. Despite being historically addressed as a soprano, Pasqualini's vocal range extended no higher than B5. Thus, he was a mezzo-soprano by modern classification.
Marc'Antonio Pasqualini began his singing career at a very young age. On 1 April 1623, at the age of nine, he entered the choir of the Church of San Luigi dei Francesi in Rome, where he completed his studies with Vincenzo Ugolini. From 1629 he was in the service of Cardinal Antonio Barberini junior. Under the protection of the cardinal he entered the choir of the Sistine Chapel in January 1631, at the age of 17, and in 1655 he was appointed maestro di cappella of the chapel. In 1647 at the invitation of Cardinal Jules Mazarin, Pasqualini stayed in Paris, where he participated in the creation of the opera Orfeo by his composer Luigi Rossi on a libretto by Francesco Buti. In the opera, successfully premiered on 2 March 1647 at the Palais-Royal in Paris with Atto Melani and Jacopo Melani, Pasqualini played the role of Aristeo. He retired from his duties in 1659.
Patrons
Patrons
From 1631/2 Pasqualini was a protagonist of many operas produced at the Palazzo Barberini and Teatro delle Quattro Fontane. He benefited greatly from the generosity of his patrons, the Barberini family of Pope Urban VIII, who were enthusiastic supporters of early opera. Pasqualini is thought to have conducted an ongoing homosexual relationship with one of his patrons, Cardinal Antonio Barberini. Contemporary testimony leaves little doubt that the "veritable passion" the cardinal felt extended to more than Pasqualini's beautiful voice.

Marc'Antonio Pasqualini, Marcantonio Pasqualini (1614–1691) Crowned by Apollo MET DT1450
Andrea Sacchi · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Marc'Antonio Pasqualini, revision 1308702804 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Murata, Margaret. Pasqualini, Marc'Antonio.
- 2.Metropolitan Museum - Marcantoni Pasqualini crowned by Apollo
- 3.https://www.youtube.com/watch?v=emt7PdL3r_Q Max Emanuel Cencic
- 4.http://petruccimusiclibrary.com/files/imglnks/usimg/5/52/IMSLP339425-PMLP64727-Grandi_-_Alessio.pdf Il Sant'Alessio (1631) by Stefano Landi
- 5.Freitas, Roger, The Eroticism of Emasculation: Confronting the Baroque Body of the Castrato, The Journal of Musicology , Vol. 20, No. 2 (Spring, 2003), pp. 196-249.
- 6.https://www.youtube.com/watch?v=emt7PdL3r_Q Max Emanuel Cencic
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
Elsewhere in Music memorabilia
44,023 published records in this field, each with its sources named.
- Marc-Antoine GoulardPerson
- Marc-Antoine Madeleine DésaugiersPerson
- Marc-Uwe KlingPerson
- Marc'Antonio IngegneriPerson
- Marc'Antonio ZianiPerson
- MarçalzinhoPerson
- Marcantonio NegriPerson
- Marcel AymarPerson
Best supported in this field
For owners
Own a work by Marc'Antonio Pasqualini?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.