Mac Kac
Jean-Baptiste Reilles (29 May 1920 – 17 August 1987), whose stage name was Mac Kac, was a French jazz drummer. He was known for being one of the first to release a rock and roll album in French.
Also recorded as Jean-Baptiste Mac Kac Reilles
Mac Kac
- Name
- Mac Kac
- Birth Name
- Jean-Baptiste Reilles
- Born
- 29 May 1920
- Birthplace
- Toulouse, France
- Occupation
- Drummer composer singer
- Died
- 17 August 1987
- Place of death
- Sète, France
- Full name
- Baptiste Reilles.
- Nationality
- France
- Fields
- jazz
- Languages
- French
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In this article
Key facts
Key facts
• Name — Mac Kac • Birth Name — Jean-Baptiste Reilles • Born — 29 May 1920 • Birthplace — Toulouse, France • Occupation — Drummer composer singer • Years Active — 1935–83 • Died — 17 August 1987 • Place of death — Sète, France • Resting Place — Cimetière du Py
Biography
Biography
Mac Kac had Catalan roots and came from a Manouche family. His career began in the mid-1930s in Toulouse. Reilles played in the mid-1940s in Michel de Villers orchestra and quintet, with whom he participated on the swing record How High the Moon. During this time he also worked with Big Boy Goudie and George Johnson, in the early 50s with Raymond Le Sénéchal, Guy Lafitte / Peanuts Holland, Bernard Peiffer and His Saint Germain Des Pres Orchestra and in the trio with Jean-Marie Ingrand and further with Stéphane Grappelli, Jean-Pierre Sasson and Maxim Saury. In 1955 he was a member of Jay Cameron's International Sax band and the Don Rendell / Bobby Jaspar Combo. In the 1950s he worked with Buck Clayton, Sacha Distel, Lionel Hampton, Peanuts Holland, Guy Lafitte, Les Blue Stars, Sammy Price, Christian Garros, Michel Attenoux and Henri Salvador (Salvador Plays the Blues). In 1957 he recorded for Atlantic Records the album Mac-Kac & His French Rock & Roll. This was followed from 1960 to 1962, by a series of singles and EPs for the label Fontana. He also appeared regularly at the Parisian Club Saint-Germain with Pierre Cullaz and Pierre Simonian. His last recordings were made in 1983 with the Orchestra of Jo Privat (Deux guitars et un violon). In the field of jazz, he was involved since 1946 in 42 recording sessions.
Places
Named by the record
Places
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Toulouse.
Birth place
Sète.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Mac Kac, revision 1307129069 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Schaettel, Charles. De briques et de jazz: le jazz à Toulouse de 1936 à nos jours. Atlantica. 26. 2001.
- 2.with Bobby Jaspar, Barney Wilen, Jean-Louis Chautemps (ts), Jay Cameron (bar), Henri Renaud (p), Benoît Quersin (Bass)
- 3.René MAILHES (France). www.guitaresetbatteries.com.
- 4.Lord, Tom. The Jazz Discography.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 26 August 2026.
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