M. Jean McLane

She also worked under the name Johansen. The authorities additionally record the headings Myrtle Jean McLane, Miss Jean Myrtle MacLane, Jean MacLane, Myrtle Jean Johansen and Jean Myrtle MacLane Johansen.

She married John Christen Johansen.

What the record establishes about M. Jean McLane.

M. Jean McLane is recorded as a citizen of United States. M. Jean McLane is recorded with the occupation painter. M. Jean McLane is classed in the genre portrait. Elizabeth, Queen of the Belgians is dated 1921 and held by Smithsonian American Art Museum (inventory 1923.6.16). Along the Beach, England is dated 1925 and held by The Art Institute of Chicago (inventory 1929.565). Florence Scott Libbey is catalogued and held by Toledo Museum of Art (inventory 1938.22).

Smithsonian American Art Museum records 1 object associated with this heading. The Art Institute of Chicago records 1 object associated with this heading. Morning is dated 1923 and held by Q1117704 (inventory 29.4). M. Jean McLane is recorded as painter and artist.

Career and activity. She belonged to American Academy of Arts and Letters and National Association of Portrait Painters. She worked at New York City.

The identifiers under which M. Jean McLane may be traced in institutional catalogues.

M. Jean McLane is established in the international name authorities as Social Networks and Archival Context w6xd1k33, Getty Union List of Artist Names 500054499, Library of Congress n87818727, ISNI 0000000067066806, VIAF 48284969 and Wikidata Q6712720.

4 works under this name are catalogued by Wikidata Query Service and The Art Institute of Chicago. Their recorded dates run from 1921 to 1925.

Elizabeth, Queen of the Belgians, dated 1921, held by Smithsonian American Art Museum, inventory 1923.6.16. Morning, dated 1923, held by Q1117704, inventory 29.4. Florence Scott Libbey, held by Toledo Museum of Art, inventory 1938.22. Along the Beach, England, dated 1925, watercolor with charcoal on cream wove paper, laid down on tan card, held by The Art Institute of Chicago, inventory 1929.565.

Work associated with this heading is recorded in 4 named public collections.

Smithsonian American Art Museum: 1 recorded object, read from the institution's own published catalogue. Q1117704: 1 recorded object, read from the institution's own published catalogue. Toledo Museum of Art: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue.

2 scholarly publications naming this subject were located in the registry of record.

El Tratado McLane-Ocampo [The McLane-Ocampo Treaty], The SHAFR Guide Online. Yelena McLane. Review of "Soviet Critical Design: Senezh Studio and the Communist Surround" by Tom Cubbin., caa.reviews, 2019.

Bibliographic registers publish measured figures for this heading: 6 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 17 further registers were consulted and returned nothing for this heading.

M. Jean McLane studied at School of the Art Institute of Chicago.

Subjects and genres recorded for the work are portrait.

Places of work recorded in the authority are New York City. Membership is recorded of American Academy of Arts and Letters and National Association of Portrait Painters.

Work by M. Jean McLane is recorded in the collections of Toledo Museum of Art and Smithsonian American Art Museum.