Willem Wissing

The recorded working language is Dutch. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are The Hague, France and Great Britain. Works named in the authority record are Portrait of William III, Prince of Orange, Stadtholder, after 1689 King of England and Portrait of William III (1650-1702), Prince of Orange. Work by Willem Wissing is recorded in the collections of Tate, Nationalmuseum, Metropolitan Museum of Art, National Galleries Scotland and National Gallery of Ireland.

He was born in either Amsterdam or The Hague, and studied at The Hague under Willem Doudijns (1630–97) and Arnoldus van Ravestyn (1615–90). In 1676, he moved to England, where he studied with and assisted Peter Lely. After Lely's death in 1680, Wissing emerged as his most important pupil. Godfrey Kneller was the only contemporary portrait artist in England to rival Wissing. Wissing's royal sitters include Charles II of England, Catherine of Braganza, George of Denmark and James Scott, 1st Duke of Monmouth. In 1685, James II of England sent Wissing to the Netherlands to paint portraits of his Dutch son-in-law and daughter, the future William III of England and the future Mary II of England. The portraits were often repeated; versions are on display in the Great Hall of the Wren building at the College of William and Mary in Williamsburg, Virginia. Wissing died in 1687 at the peak of his fame as a portrait painter, at Burghley House, the home of John Cecil, 5th Earl of Exeter near Stamford in Lincolnshire. Some suspected he was poisoned out of jealousy of his success. According to Arnold Houbraken his epitaph was Immodicis brevis est aetas, meaning Brief is the life of the outstanding. He was buried in St Martin's Church, Stamford, Lincolnshire. Fellow Dutch immigrant Jan van der Vaart worked in his workshop and added the draperies and landscapes in the portraits painted by Wissing. After Wissing's death in 1687, van der Vaart continued Wissing's workshop. Many of Wissing's portraits of prominent sitters and his self-portrait were disseminated in mezzotint.

• Illustration — Portrait of Queen Anne (private collection) • Illustration — Portrait of Henrietta and Mary Hyde. c. 1683 • Illustration — Portrait of William III when Prince of Orange (National Portrait Gallery, London) • Illustration — Portrait of a Boy with Dog attrib. to Wissing (Yale Center for British Art) • Illustration — Portrait of Elizabeth Jones, Countess of Kildare, attrib. to Wissing c. 1684 (Yale Center for British Art) • Illustration — Posthumous Portrait of James Stuart, Duke of Cambridge, 1676-87 (Royal Collection) • Illustration — Portrait of James Butler, 1st Duke of Ormonde • Illustration — Portrait of James Scott, Duke of Monmouth and Buccleuch (National Portrait Gallery, London) • Illustration — Portrait of Isabella, Duchess of Grafton (Sotheby's) • Illustration — Portrait of Catherine of Braganza, Queen of England (Necessidades Palace, Lisbon)