Luigi Malice
Luigi Malice (born 1937, Naples, Italy) is an Italian abstract artist.
Luigi Malice

Molco 19 · CC BY-SA 4.0
- Name
- Luigi Malice
- Born
- 1937
- Birthplace
- Naples
- Field
- abstract art
- Training
- Accademia di Belle Arte di Napoli Luigi Malice (born 1937, Naples, Italy) is an Italian abstract artist.
- Nationality
- Italy
- Occupation
- painter · sculptor
- Languages
- Italian
Reference Check
Propose documentary evidence for Luigi Malice. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q526713 · wikipedia · Luigi Malice
In this article
Key facts
Key facts
• Name — Luigi Malice • Born — 1937 • Birthplace — Naples • Field — abstract art • Training — Accademia di Belle Arte di Napoli Luigi Malice (born 1937, Naples, Italy) is an Italian abstract artist.
Biography
Biography
Malice studied at Naples Academy of Fine Arts as a pupil of Emilio Notte, later studying under avant-garde and Informal Art painter Domenico Spinosa. He began as an expressionist and figurative painter in the late 1950s, his then style demonstrated by his painting "Still life with figure" for which he received the Michetti Prize, and "Ricordo di Spagna" ("Memory of Spain") which Malice exhibited for the Posillipo Prize. In the early 60's, he approached the Arte Informale, an Italian art movement close to the American Abstract expressionism and to the French Art Informel or Tachisme. In 1963, Malice became a teacher in Reggio Calabria, where he exhibited in collective and one-man shows, and in 1967 exhibited at the Flaccovio Gallery in Palermo and the Santo Stefano Gallery in Venice. After 1968, he concentrated on sculpture, and works consisting of waterproof cloth ("tela ciriè") on twisted plywood, imitating shaped canvases, these related to the work of his contemporaries Enrico Castellani, Agostino Bonalumi, and Pino Pascali, but also to wooden silhouettes of men of Mario Ceroli, and in the early 1970s constructed works with ready-made Plexiglas panels. Malice exhibited in 1968 at the New York Coliseum, and in 1984, held a retrospective exhibition in Milan. Subsequently, his art took on abstract impressionism and lyrism of the colours. The same year he became the principal of the Academy of Fine Arts, Reggio, Calabria. Malice exhibited at the Institute Francais "Le Grenoble" in Naples, and in a travelling exhibition that included Venice and Florence. In 1992, he presented a one-man show, "Percorsi 1965–1992" ("Itineraries 1965–1992"), at the Royal Palace, Naples. Since 2001, his work "Metamorphosis 1979" has been held in the Museo delle generazioni italiane, Pieve di Cento. Recently the artist has exhibitedhis work at the Italian pavilion of the 54th Venice Biennale.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Luigi Malice, revision 1365562305 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.The Naples Academy of Fine Arts , retrieved 13 March 2011
- 2.The Naples Academy of Fine Arts web site , retrieved 13 March 2011
- 3.Informal Art definition, retrieved 13 March 2011
- 4.Enciclopedia Universale della Pittura moderna, Milano: S.E.D.A., 1969, vol.IV
- 5.Di Genova, Giorgio. "STORIA DELL'ARTE ITALIANA DEL '900. Generazione anni trenta, Bologna: Edizioni BORA, 2000, pp.41,116-117.
- 6.Barbera, Lucio. Luigi Malice: Percorsi della memoria 1959–1999, Roma: Gangemi Editore, 1999, pp.111-112,143-144.
- 7.Di Genova, Giorgio. MAGI '900 "G.BARGELLINI" PIEVE DI CENTO". Catalogo delle collezioni permanenti 3. Generazione anni trenta, Bologna: Edizioni BORA, 2001, pp.15,146.
- 8.Lo Stato dell'Arte Skira Editore.
Bibliography printed in the source article · 5
- Enciclopedia Universale della Pittura moderna, Milano: S.E.D.A., 1969
- Arte Italiana Contemporanea, Firenze: Ediz. La Ginestra, 1972
- Barbera, Lucio. Luigi Malice: percorsi della memoria 1959–1999, Roma: Gangemi Editore, 1999, (Italian/English) http://www.gangemieditore.com/scheda_articolo.php?id_prodotto=2914&id_autore=1011
- Di Genova, Giorgio. MAGI '900 "G.BARGELLINI" PIEVE DI CENTO". Catalogo delle collezioni permanenti 3. Generazione anni trenta, Bologna: Edizioni BORA, 2001,
- Sgarbi, Vittorio. "54a Biennale di Venezia. Padiglione Italia. Lo Stato dell’Arte: Regioni d’Italia", Milano: Skira, 2012, https://web.archive.org/web/20120219164401/http://www.skira.net/lo-stato-dell-arte-5544.html
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Sculpture
6,174 published records in this field, each with its sources named.
- Luigi ArzuffiArtist
- Luigi BerniniArtist
- Luigi BienaiméArtist
- Luigi Del BiancoArtist
- Luigi OntaniArtist
- Luigi PampaloniArtist
- Luigi SecchiArtist
- Luis Alejandro BerthierArtist
Best supported in this field
For owners
Own a work by Luigi Malice?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.